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Ten years. 500 fonts. 138 families. 34,000 characters. An unthinkably large number of kerning pairs. This is the unique and complete Device Fonts collection, 1995-2000. |Rian Hughes is brit-pop for typography at its best.| - signalrau.com |Chances are you've seen his work somewhere if you're at all plugged into pop culture. Dazzling, rife with style and energy.| - Buddy Jarjoura |[An] influential designer.| - The Guardian
PDF is becoming the standard for digital documents worldwide, but it’s not easy to learn on your own. With capabilities that let you use a variety of images and text, embed audio and video, and provide links and navigation, there’s a lot to explore. This practical guide helps you understand how to work with PDF to construct your own documents, troubleshoot problems, and even build your own tools. You’ll also find best practices for producing, manipulating, and consuming PDF documents. In addition, this highly approachable reference will help you navigate the official (and complex) ISO documentation. Learn how to combine PDF objects into a cohesive whole Use PDF’s imaging model to create vector and raster graphics Integrate text, and become familiar with fonts and glyphs Provide navigation within and between documents Use annotations to overlay or incorporate additional content Build interactive forms with the Widget annotation Embed related files such as multimedia, 3D content, and XML files Use optional content to enable non-printing graphics Tag content with HTML-like structures, including paragraphs and tables
Updated: June 2015. Author Peter Kahrel updated this Short Cut to cover InDesign CC. Several examples have been added, and most examples are now analysed in more detail. Updated: August 2010. Author Peter Kahrel updated this Short Cut to cover InDesign CS5. Updated: November 2009. Author Peter Kahrel updated this Short Cut to address typos and reader comments. GREP (short for "General Regular-Expression Print") is a powerful tool that lets you use wildcards ("jokers") to search and replace text. InDesign's GREP implementation can be used for text and also for formatting codes, finding patterns in text as well as literal text. GREP moves beyond the restrictions that hampered earlier InDesign search features, but unfortunately it does have the reputation of being difficult to master. As with many things, it can be challenging to learn, but, fortunately, a lot can be done with surprisingly simple expressions. The aim of this Short Cut is to show how to create simple but powerful regular expressions.
Also known as "The Red Book", this authoritative manual from the creators of PostScript contains the complete description of every command and operation in the language, plus information on the recent Language Level 3 extensions. The CD-ROM contains the entire text in PDF.
Originally entitled the "PostScript and Acrobat Bible" in German, this handbook achieves the seemingly impossible: it covers this tricky and technical field in an entertaining manner without getting bogged down in PostScript programming. It explains how several components work together and how to deal with real-world application and operating-system problems. The author genuinely wants to assist in overcoming cross-platform barriers using MS-DOS, Windows, Macintosh or UNIX and, accordingly, neither the book nor the tools are limited to one particular platform or operating system. The 9 chapters and 3 appendixes run the entire gamut, from the very basics right up to Ghostscript and the whole is creatively designed, making use of comical illustrations. In short, essential reading for all technically minded users of PostScript and Acrobat/PDF - from PC owners wanting to get the most out of their laser printers to graphic artists with Macs to system administrators and online publishers.
Adobe InDesign is the world’s premier page-layout tool, and its user-friendly yet sophisticated typographic controls are a big reason why. This updated edition of Nigel French’s InDesign Type, the first book to focus exclusively on the typographic features of InDesign, provides a comprehensive overview of the application’s vast array of type capabilities, from the basics of character-level formatting to strategies for designing complex layouts using grids. With practical examples, loads of tips, and a wealth of illustrations, InDesign Type offers guiding principles for how to get the best-looking type in the most efficient way possible. InDesign Type is a rich resource for anyone who wants to master the fine points of typography and works with Adobe InDesign.
The era of ASCII characters on green screens is long gone. Industry leaders such as Apple, HP, IBM, Microsoft, and Oracle have adopted the Unicode Worldwide Character Standard. This book explains information on fonts and typography that software and web developers need to know to get typography and fonts to work properly.
Finalist for the 2018 Minnesota Book Award A graphic designer’s search for inspiration leads to a cache of letters and the mystery of one man’s fate during World War II. Seeking inspiration for a new font design in an antique store in small-town Stillwater, Minnesota, graphic designer Carolyn Porter stumbled across a bundle of letters and was immediately drawn to their beautifully expressive pen-and-ink handwriting. She could not read the letters—they were in French—but she noticed all of them had been signed by a man named Marcel and mailed from Berlin to his family in France during the middle of World War II. As Carolyn grappled with designing the font, she decided to have one of Marcel’s letters translated. Reading it opened a portal to a different time, and what began as mere curiosity quickly became an obsession with finding out why the letter writer, Marcel Heuzé, had been in Berlin, how his letters came to be on sale in a store halfway around the world, and, most importantly, whether he ever returned to his beloved wife and daughters after the war. Marcel’s Letters is the incredible story of Carolyn’s increasingly desperate search to uncover the mystery of one man’s fate during WWII, seeking answers across Germany, France, and the United States. Simultaneously, she continues to work on what would become the acclaimed P22 Marcel font, immortalizing the man and his letters that waited almost seventy years to be reunited with his family.