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This richly illustrated guide is acknowledged as the best source for expert, field-tested information on the care and maintenance of historic adobe buildings--from small vernacular structures to the great Spanish Colonial missions. As a true "how-to" manual, it presents a user-friendly and straightforward approach to the assessment, maintenance, preservation and restoration of earthen buildings based on time-tested techniques. Subjects include: architectural styles and materials; tools and equipment; materials and supplies; emergency shoring; moisture testing in adobe walls; material selection, mixing and testing; making adobe bricks; repairing and rebuilding adobe walls; repairing cracks in adobe walls; mud and lime plastering; earthen and lime finishes; removing contra paredes; repairing corbels; inspecting vigas and corbels; splicing vigas; compliance with State and Federal cultural resource protection legislation; glossary of terms; and bibliography. Cornerstones Community Partnerships in Santa Fe, New Mexico is devoted to the preservation of the architectural heritage and community traditions in New Mexico and the American Southwest. Through its nationally honored technical assistance, applied learning and traditional building skills programs, Cornerstones has assisted more than 300 rural Hispanic and Native American communities with the preservation of historic and culturally significant earthen buildings. Cornerstones has developed and utilized the techniques in this book throughout the American Southwest since 1986.
This book describes tests performed on model adobe buildings to evaluate seismic damage mitigation techniques applicable to the retrofitting of historic and culturally significant adobe structures. Part of the Getty Seismic Adobe Project (GSAP), the three-year program outlined in this volume was designed to develop and test minimally invasive, inexpensive, and easily implemented methods of protecting such structures from severe earthquake damage. Small- and large-scale models were tested on computer-controlled shaking tables at Stanford University and at the IIZIS Earthquake Engineering Laboratory in the Republic of Macedonia, respectively. The authors identify typical failure modes of adobe structures and describe specific retrofit techniques to help minimize such failures. Extensive photographic documentation is included.
On October 14-19, 1990, the 6th International Conference on the Conservation of Earthen Architecture was held in Las Cruces, New Mexico. Sponsored by the GCI, the Museum of New Mexico State Monuments, ICCROM, CRATerre-EAG, and the National Park Service, under the aegis of US/ICOMOS, the event was organized to promote the exchange of ideas, techniques, and research findings on the conservation of earthen architecture. Presentations at the conference covered a diversity of subjects, including the historic traditions of earthen architecture, conservation and restoration, site preservation, studies in consolidation and seismic mitigation, and examinations of moisture problems, clay chemistry, and microstructures. In discussions that focused on the future, the application of modern technologies and materials to site conservation was urged, as was using scientific knowledge of existing structures in the creation of new, low-cost, earthen architecture housing.
Vernacular architecture in general and earthen architecture in particular, with their rich variety of forms worldwide, are custodians of the material culture and identity of the peoples who built them. In addition, they are widely recognized as ancestral examples of sustainability in all their variants and interpretations, and the architecture of the present ought to learn from these when designing the sustainable architecture of the future. The conservation of these architectures – seemingly simple yet full of wisdom – is to be undertaken now given their intrinsic value and their status as genuine examples of sustainability to be learnt from and interpreted in contemporary architecture. Vernacular and earthen architecture: Conservation and Sustainability will be a valuable source of information for academics and professionals in the fields of Environmental Science, Civil Engineering, Construction and Building Engineering and Architecture.
Preventive Conservation for Historic House Museums describes the care routines that a historic house should practice to protect the site and its collections from damage, wear, deterioration, and catastrophic loss.
In the last two decades, the biannual ECPPM (European Conference on Product and Process Modelling) conference series has provided a unique platform for the presentation and discussion of the most recent advances with regard to the ICT (Information and Communication Technology) applications in the AEC/FM (Architecture, Engineering, Construction and Facilities Management) domains. ECPPM 2014, the 10th European Conference on Product and Process Modelling, was hosted by the Department of Building Physics and Building Ecology of the Vienna University of Technology, Austria (17-19 September 2014). This book entails a substantial number of high-quality contributions that cover a large spectrum of topics pertaining to ICT deployment instances in AEC/FM, including: - BIM (Building Information Modelling) - ICT in Civil engineering & Infrastructure - Human requirements & factors - Computational decision support - Commissioning, monitoring & occupancy - Energy & management - Ontology, data models, and IFC (Industry Foundation Classes) - Energy modelling - Thermal performance simulation - Sustainable buildings - Micro climate modelling - Model calibration - Project & construction management - Data & information management As such, eWork and eBusiness in Architecture, Engineering and Construction 2014 represents a rich and comprehensive resource for academics and professionals working in the interdisciplinary areas of information technology applications in architecture, engineering, and construction.
"Authored by the Digital Photographic Documentation Task Force of the American Institute for Conservation of Historic and Artistic Works"--P. 11.