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This is a study in the reestablishment of de mocratic party politics in divided and occupied Germany after the downfall of the National Socialist tyranny. Its subject is the growth of the Christian Democratic Union and the rise to power of its leader, Konrad Adenauer. Closely associated with the success of the German Federal Republic in achieving prosperity, political and military power and the status of an ally of the Western powers, the CDU has yet been the subject of widely varying evaluations. Like the regime with which it is associated, it suffers from the fact that for many observers admiration for some German post-war achievements is mixed with residual distrust and skepticism. In addition, understanding of the CDU has been handicapped by confused images of the forces it represents, lack of knowledge about its internal organization, and the overwhelming position which its leader has achieved in recent years. To observers both in Germany and abroad the dominant Chancellor and party leader appears to overshadow both party and government with the result that the 1950'S, the vital period of German reconstruction, has already been labelled the Adenauer Decade.
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The opening of various personal and party archives over the past few years has now made the entire Adenauer era accessible for historians. Using this material to re-examine existing conventional wisdom about the period, the text traces the roles of Adenauer and the CDU/CSU is shaping the Westbindung.
This important study analyses the developoment of the CDU/CSU as a political force in West Germany from the Second World War to the late 1970s, with special reference to its role both in Government (1949-69) and Opposition (1969-76) and considers how it was instrumental in the formulation of governmental policies. The first part of the book looks at the development of the CDU/CSU. The second part focuses on its composition and structure and considers such aspects as its organisation, membership, auxiliary organisations and electoral appeal and campaigns. A separate chapter deals with the CSU’s relationship with the CDU, its leadership and its organisation.
Konrad Adenauer was Chancellor of the Federal Republic of Germany during the crucially important postwar years 1949-63, often referred to as the 'Adenauer Era'. Adenauer was certainly a very influential figure in postwar German politics. In 1949 he became Chancellor of a still-occupied country, which lay in ruins after the collapse of Hitler's dictatorship. When his Chancellorship ended fourteen years later, the Federal Republic was a prosperous, powerful, sovereign, liberal democracy, firmly committed to the Western Alliance. As Ronald Irving shows, Adenauer contributed significantly to this huge metamorphosis. This is more than a personal biography: it is an assessment of the life and times of a significant politician and statesman. This new Profile focuses especially on Adenauer's controversial character. Did he unwittingly undermine the development of liberal democracy by his autocratic behaviour? Ronald Irving assesses Adenauer's leadership of the Christian Democratic Party (CDU), through which German conservatives of all classes, confessions and regions embraced liberal democracy for the first time. He analyses the Federal Republic's much-debated and controversial foreign policy in the 1950s and 1960s. Ronald Irving uses his wide knowledge of postwar European history and politics to tackle these complex questions. Ronald Irving is Reader in Politics and Contemporary European History at University of Edinburgh. He is the author of several books including The Christian Democratic Parties of Western Europe' (1979).
Landscape Imagery, Politics and Identity in a Divided Germany, 1968-1989 explores the communicative relationship between German landscape painting and the viewing public that developed in the wake of the student revolutions of the late 1960s. The book demonstrates that, contrary to some historical thinking, more similarities than differences characterized the sociopolitical concerns of East and West Germans during the late Cold War Era, and that it was these shared issues that were reflected in the revival of the Romantic painting genre. Catherine Wilkins focuses on recovering the agency of the individual artist and in revising historiography with sensitivity to narration 'from below.' Interdisciplinary in nature, art historians can benefit from the study's analysis of images and artists not widely known outside of Germany. Additionally, the consolidation of statistics and data regarding German postwar cultural policy are relevant for political and cultural historians. The author contributes to the ongoing multidisciplinary debates regarding Histoire Crois?(in arguing that a clear dichotomy between East Germany and West Germany did not exist but rather that the residents of both nations shared a concern over some of the same issues of the period) and memory studies (by using images as primary historical sources, able to be employed in the recovery of potentially 'subversive' memory and identity). Issues related to gender relations, environmentalism, and spiritual belief are addressed by Wilkins, with appeal for scholars working with those particular themes. Poststructuralist and literary theorists as well can find arguments supporting an alternative means of writing history through artworks and private memories.