Download Free Address Delivered Before The Ladies Anti Slavery Society Of Philadelphia Book in PDF and EPUB Free Download. You can read online Address Delivered Before The Ladies Anti Slavery Society Of Philadelphia and write the review.

Before the Civil War, the public lives of American men and women intersected most frequently in the arena of religious activism. Bruce Dorsey broadens the field of gender studies, incorporating an analysis of masculinity into the history of early American religion and reform. His is a holistic account that reveals the contested meanings of manhood and womanhood among antebellum Americans, both black and white, middle class and working class.Urban poverty, drink, slavery, and Irish Catholic immigration--for each of these social problems that engrossed Northern reformers, Dorsey examines the often competing views held by male and female activists and shows how their perspectives were further complicated by differences in class, race, and generation. His primary focus is Philadelphia, birthplace of nearly every kind of benevolent and reform society and emblematic of changes occurring throughout the North. With an especially rich history of African-American activism, the city is ideal for Dorsey's exploration of race and reform.Combining stories of both ordinary individuals and major reformers with an insightful analysis of contemporary songs, plays, fiction, and polemics, Dorsey exposes the ways race, class, and ethnicity influenced the meanings of manhood and womanhood in nineteenth-century America. By linking his gendered history of religious activism with the transformations characterizing antebellum society, he contributes to a larger quest: to engender all of American history.
In Performing Anti-Slavery, Gay Gibson Cima reimagines the connection between the self and the other within activist performance, providing fascinating new insights into women's nineteenth-century reform efforts, revising the history of abolition, and illuminating an affective repertoire that haunts both present-day theatrical stages and anti-trafficking organizations. Cima argues that black and white American women in the nineteenth-century abolitionist movement transformed mainstream performance practices into successful activism. In family circles, literary associations, religious gatherings, and transatlantic anti-slavery societies, women debated activist performance strategies across racial and religious differences: they staged abolitionist dialogues, recited anti-slavery poems, gave speeches, shared narratives, and published essays. Drawing on liberal religious traditions as well as the Eastern notion of transmigration, Elizabeth Chandler, Sarah Forten, Maria W. Stewart, Sarah Douglass, Lucretia Mott, Ellen Craft and others forged activist pathways that reverberate to this day.
Approaching a wide range of transnational topics, the editors ask how conceptions of slavery & gendered society differed in the United States, France, Germany, & Britain.
"I Hear My People Singing shines light on a historic Black neighborhood in the heart of Princeton, New Jersey. Some 50 first-person accounts, drawn from an oral history collaboration of African American residents, Princeton undergraduates, and their professor, Kathryn Watterson, detail life in this northern Jim Crow town for the past three centuries. Their stories reveal how the community's roots are intertwined with the enslaved people who were key to building the town and a university whose first nine presidents were slave owners. Chapter introductions provide context, as does the foreword by scholar, theologian, and activist Cornel West. Alive with photographs, I Hear My People Singing offers a narrative of inspiring Black experience that contributes to and illuminates the history of the United States and the nation's conversations on race."--Back cover.