Download Free Address Delivered Before The Historical Society Of The University Of North Carolina June 6 1855 Classic Reprint Book in PDF and EPUB Free Download. You can read online Address Delivered Before The Historical Society Of The University Of North Carolina June 6 1855 Classic Reprint and write the review.

Excerpt from Address Delivered Before the Historical Society of the University of North Carolina, June 6, 1855 Nearly two centuries have elapsed since the mighty spirit of Oliver Cromwell went forth to its last account, to receive its reward according to the deeds done in the body; and yet mankind are almost as far as ever from being agreed as to the true character of that extraordinary person, and as to the nature and value of the influence he exerted on the destinies of our race. Yet, certainly, the events of his life were neither obscure nor ambiguous. His deeds were not done in a corner, but in the face of alarmed and admiring Europe. His speeches were uttered to listening senates, and at the head of armies. His letters have been preserved among the most important state papers of great kingdoms. Yet, with all this glare of light falling upon him, his moral and intellectual proportions seem still vague and indeterminate. By some persons he is regarded not only as a hero of the noblest type, but the purest of patriots, and scarcely less than the most devout of saints. By others, again, he is considered as a coarse, vulgar upstart - possessed, indeed, of uncommon abilities, but who owed his guilty elevation rather to the favor of circumstances, and a remarkable and detestable combination of low cunning with unscrupulous violence, than to any marked superiority in courage or intellect over his contemporaries. The last view has been, until of late, the most generally received. It was the misfortune of Cromwell to belong to a party which must be, on the whole, pronounced illiterate, although John Milton was a member of it. It was his fault or his misfortune that he was at the same time disliked by the Republicans and abhorred by the Royalists; that by the former he was regarded as the supplanter of the liberties of his country - by the latter, as scarcely anything else than an incarnate fiend. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Even in the midst of the Civil War, its battlefields were being dedicated as hallowed ground. Today, those sites are among the most visited places in the United States. In contrast, the battlegrounds of the Revolutionary War had seemingly been forgotten in the aftermath of the conflict in which the nation forged its independence. Decades after the signing of the Constitution, the battlefields of Yorktown, Saratoga, Fort Moultrie, Ticonderoga, Guilford Courthouse, Kings Mountain, and Cowpens, among others, were unmarked except for crumbling forts and overgrown ramparts. Not until the late 1820s did Americans begin to recognize the importance of these places. In Memories of War, Thomas A. Chambers recounts America's rediscovery of its early national history through the rise of battlefield tourism in the first half of the nineteenth century. Travelers in this period, Chambers finds, wanted more than recitations of regimental movements when they visited battlefields; they desired experiences that evoked strong emotions and leant meaning to the bleached bones and decaying fortifications of a past age. Chambers traces this impulse through efforts to commemorate Braddock's Field and Ticonderoga, the cultivated landscapes masking the violent past of the Hudson River valley, the overgrown ramparts of Southern war sites, and the scenic vistas at War of 1812 battlefields along the Niagara River. Describing a progression from neglect to the Romantic embrace of the landscape and then to ritualized remembrance, Chambers brings his narrative up to the beginning of the Civil War, during and after which the memorialization of such sites became routine, assuming significant political and cultural power in the American imagination.
This study reevaluates Christopher Pearse Cranch's career as a Hudson River School artist and considers his landscape paintings within the larger context of American culture
Presenting America's slaveholders as men and women who were intelligent, honourable, and pious, this text asks how people who were admirable in so many ways could have presided over a social system that proved itself and enormity and inflicted horrors on their slaves.
In this volume some of the leading scholars working in Native North America explore contemporary perspectives on Native culture, history, and representation. Written in honor of the anthropologist Raymond D. Fogelson, the volume charts the currents of contemporary scholarship while offering an invigorating challenge to researchers in the field. The essays employ a variety of theoretical and methodological approaches and range widely across time and space. The introduction and first section consider the origins and legacies of various strands of interpretation, while the second part examines the relationship among culture, power, and creativity. The third part focuses on the cultural construction and experience of history, and the volume closes with essays on identity, difference, and appropriation in several historical and cultural contexts. Aimed at a broad interdisciplinary audience, the volume offers an excellent overview of contemporary perspectives on Native peoples.
S. Doc. 103-34. Compiled by Jo Anne McCormick Quatannens, Diane B. Boyle, editorial assistant, prepared under the direction of Kelly D. Johnston, Secretary of the Senate. Lists scholarly works that profile the lives and legislative service of senators and their autobiographies and other published works.
Growing urban populations prompted major changes in graveyard location, design, and use During the Industrial Revolution people flocked to American cities. Overcrowding in these areas led to packed urban graveyards that were not only unsightly, but were also a source of public health fears. The solution was a revolutionary new type of American burial ground located in the countryside just beyond the city. This rural cemetery movement, which featured beautifully landscaped grounds and sculptural monuments, is documented by James R. Cothran and Erica Danylchak in Grave Landscapes: The Nineteenth-Century Rural Cemetery Movement. The movement began in Boston, where a group of reformers that included members of the Massachusetts Horticultural Society were grappling with the city's mounting burial crisis. Inspired by the naturalistic garden style and melancholy-infused commemorative landscapes that had emerged in Europe, the group established a burial ground outside of Boston on an expansive tract of undulating, wooded land and added meandering roadways, picturesque ponds, ornamental trees and shrubs, and consoling memorials. They named it Mount Auburn and officially dedicated it as a rural cemetery. This groundbreaking endeavor set a powerful precedent that prompted the creation of similarly landscaped rural cemeteries outside of growing cities first in the Northeast, then in the Midwest and South, and later in the West. These burial landscapes became a cultural phenomenon attracting not only mourners seeking solace, but also urbanites seeking relief from the frenetic confines of the city. Rural cemeteries predated America's public parks, and their popularity as picturesque retreats helped propel America's public parks movement. This beautifully illustrated volume features more than 150 historic photographs, stereographs, postcards, engravings, maps, and contemporary images that illuminate the inspiration for rural cemeteries, their physical evolution, and the nature of the landscapes they inspired. Extended profiles of twenty-four rural cemeteries reveal the cursive design features of this distinctive landscape type prior to the American Civil War and its evolution afterward. Grave Landscapes details rural cemetery design characteristics to facilitate their identification and preservation and places rural cemeteries into the broader context of American landscape design to encourage appreciation of their broader influence on the design of public spaces.