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This volume constitutes the refereed proceedings of the 6th International Workshop on Adaptive Multimedia Retrieval, AMR 2008, held in Berlin, Germany, in June 2008.
This book provides a comprehensive overview of music data analysis, from introductory material to advanced concepts. It covers various applications including transcription and segmentation as well as chord and harmony, instrument and tempo recognition. It also discusses the implementation aspects of music data analysis such as architecture, user interface and hardware. It is ideal for use in university classes with an interest in music data analysis. It also could be used in computer science and statistics as well as musicology.
Mobile devices allow users to remain connected with each other anytime and anywhere, but flaws and limitations in the design of mobile interfaces have often constituted frustrating obstacles to usability. Research and Design Innovations for Mobile User Experience offers innovative design solutions for mobile human-computer interfaces, addressing both challenges and opportunities in the field to pragmatically improve the accessibility of mobile technologies. Through cutting-edge empirical studies and investigative cases, this reference book will enable designers, developers, managers, and experts of mobile computer interfaces with the most up-to-date tools and techniques for providing their users with an outstanding mobile experience.
By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
This book presents a collection of original research papers focusing on the enabling aspects of Information and Communication Technologies. In particular, it focuses on the two topics of digital platforms and digital artefacts, and discusses their role in enabling organizations to achieve specific goals, to exploit innovative value propositions, or to leverage innovative coordination mechanisms. Adopting a multidisciplinary perspective on a variety of information systems topics, the book offers interesting insights for IS managers, business managers, and policymakers alike. It is based on a selection of the best research papers - original double-blind peer-reviewed contributions - presented at the annual conference of the Italian chapter of the AIS, held in Genoa (Italy) in November 2014.
Artificial Intelligence and Cultural Heritage represent a combination that for several years has interested both scientific and cultural institutions regarding the potential of possible interactions and aggregations among the various players in these areas. This volume defines roles and provides connections where research and new technologies can suggest routes and competitive solutions that integrate tourism and culture with business and the market. The volume is multidisciplinary, presenting and discussing a variety of new ideas, resulting from the integration of different scientific approaches. The papers brought together here deal with topics including the representation of cultural history, semantic digital archives, the use of analytic tools to support visitor interpretation, augmented reality, and robotics. As such, this book represents the detailed investigation of methodological and applicative aspects that the continued proliferation of computer applications in the cultural heritage field demands.
This book constitutes the thoroughly refereed post-workshop proceedings of the 5th International Workshop on Adaptive Multimedia Retrieval, AMR 2007, held in Paris, France, in July 2007. The 18 revised full papers presented together with 2 invited papers were carefully selected during two rounds of reviewing and improvement. The papers are organized in topical sections on image annotation, feedback and user modelling, music retrieval, fusion, P2P and middleware, databases and summarization, as well as ontology and semantics.
This book constitutes the thoroughly refereed post-proceedings of the 4th International Workshop on Adaptive Multimedia Retrieval, AMR 2006, held in Geneva, Switzerland in July 2006. The papers cover ontology-based retrieval and annotation, ranking and similarity measurements, music information retrieval, visual modeling, adaptive retrieval, structuring multimedia, as well as user integration and profiling.
This book constitutes the refereed proceedings of the 8th International Conference on Adaptive Multimedia Retrieval, AMR 2010, held in Linz, Austria, in August 2010. The 14 revised full papers and the invited contribution presented were carefully reviewed and selected from numerous submissions. The papers are organized in topical sections on Context-based personalization; media information fusion; video retrieval; audio and music retrieval; adaptive similarities; and finding and organizing.
This book constitutes the refereed post-proceedings of the 9th International Conference on Adaptive Multimedia Retrieval, AMR 2011, held in Barcelona, Spain, in July 2011. The 9 revised full papers and the invited contribution presented were carefully reviewed and selected from numerous submissions. The papers cover topics ranging from theoretical work to practical implementations and its evaluation, most of them dealing with audio or music media. They are organized in topical sections on evaluation and user studies, audio and music, image retrieval, and similarity and music.