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Bodyguard Celia Graves has survived a vampire attack which made her a half-vampire and awakened her latent Siren abilities. Celia's hellish recent experiences have given her the unique combination of abilities needed to overcome a childhood curse and to close an ancient rift between the demonic dimension and our own.
They say it's a bad idea to fall for your best friend. But since when do I say no to bad ideas? Adam: It's not like I wanted to fall in love with Ben. When we first met in college, I thought he'd be like every other hot jock who'd made my life hell in high school. It's not my fault he turned out to be sweet, funny, and insanely talented. We moved to New York after college to break into the music business and of course Ben got signed by a major label--they'd be stupid not to want him. But even though he's a famous popstar now, he still wants to be friends with a nobody like me. Honestly, if he didn't want me falling for him, he should have been less goddamn perfect. Well, except for the part where he's straight. Did I forget to mention that? In my defense, responsible decision-making has never been my strong suit. Case in point--collapsing on stage, guitar in hand, after discovering my then-boyfriend, now-ex was cheating on me, and downing a bottle of bourbon in response. But I'm cleaning up my act--no more hiding in the closet and no more bad life choices. But that also means no more waiting around for the day Ben magically decides he likes di...sgustingly sappy guys with secret crushes on him (aka me). So why did Ben have to pick now to make me question everything I thought I knew about us? "I've never wanted anything as much as I want you right now. When I see you, something inside me lights up." Ben: It's not like I planned this. I was on tour when Adam collapsed back in New York and he wouldn't even let me come home early to visit him. But that's Adam for you--brilliant, breathtaking, and pathologically afraid of vulnerability. All I wanted was to be there for him--and him coming out didn't change that in the slightest. Yeah, I couldn't help seeing him a little differently. And no, I couldn't quite explain why I was suddenly noticing the curve of his back, the freckles on his cheeks, or wondering what his lips tasted like. But whatever weird awakening I was having, Adam needed support, not more confusion. And then I kissed him. Whoops. And I know it's fast. I know it's unexpected. I know my label would be livid if they found out I was dating a guy. But I also know--deeply and inexplicably--that this could be something real. I just have to convince Adam of the same thing. Beautiful, broken Adam who looks at the world through 14 layers of irony. Adam, who'd rather get an appendectomy than admit that he needs someone. Adam, who still doesn't know all of my secrets. So do I convince him to risk everything--on me? Adam's Song is Book 1 in the 8 Million Hearts series. While each book can be read on its own, they've even more fun to read together. Adam's Song is a 120,000 word m/m romance full of snark, sweetness, and a healthy serving of steam. Friends-to-lovers and hurt/comfort themes. No cheating, no cliffhangers, and a guaranteed HEA.
A chronicle of Adams’s rise from alt-country to rock stardom, featuring stories about the making of the albums Strangers Almanac and Heartbreaker. Before he achieved his dream of being an internationally known rock personality, Ryan Adams had a band in Raleigh, North Carolina. Whiskeytown led the wave of insurgent-country bands that came of age with No Depression magazine in the mid-1990s, and for many people it defined the era. Adams was an irrepressible character, one of the signature personalities of his generation, and as a singer-songwriter he blew people away with a mature talent that belied his youth. David Menconi witnessed most of Whiskeytown’s rocket ride to fame as the music critic for the Raleigh News & Observer, and in Ryan Adams, he tells the inside story of the singer’s remarkable rise from hardscrabble origins to success with Whiskeytown, as well as Adams’s post-Whiskeytown self-reinvention as a solo act. Menconi draws on early interviews with Adams, conversations with people close to him, and Adams’s extensive online postings to capture the creative ferment that produced some of Adams’s best music, including the albums Strangers Almanac and Heartbreaker. He reveals that, from the start, Ryan Adams had a determined sense of purpose and unshakable confidence in his own worth. At the same time, his inability to hold anything back, whether emotions or torrents of songs, often made Adams his own worst enemy, and Menconi recalls the excesses that almost, but never quite, derailed his career. Ryan Adams is a fascinating, multifaceted portrait of the artist as a young man, almost famous and still inventing himself, writing songs in a blaze of passion. “Menconi, a veteran music critic based in Raleigh, North Carolina, had a front row seat for alt-country wunderkind Ryan Adams’ rise to prominence—from an array of local bands, to Whiskeytown, and on to a successful and prolific solo career. Here, Menconi enthusiastically revisits those heady days when the mercurial Adams’ performances were either transcendent or tantrum-filled—the author was there for most of them, and he packs his book with tales of magical performances and utterly desperate train wrecks. . . . This interview- and anecdote-laden exposé of the artist's early career will doubtless find a happy home with Adams fans.” —Publishers Weekly
Illustrations and simple rhyming text show how the guiding hands of a family are always there to love and nurture a child, from birth to the first day of school.
The first book in a fantastic new urban fantasy series by bestselling author Cat Adams, featuring a human/vampire hybrid on the run from her enemies, while trying to find the keys to her past.
Perfect for any fond gift or tender moment, this story of a girl and a duckling who share a touching year together will melt hearts old and young. In this tenderly funny book, girl and duckling grow in their understanding of what it is to care for each other, discovering that love is as much about letting go as it is about holding tight. Children and parents together will adore this fond exploration of growing up while learning about the joys of love offered and love returned.
Every generation has a Songkeeper--one chosen to keep the memory of the Song alive. And in every generation, there are those who seek to destroy the chosen one.
(Vocal Selections). The creepy and kooky Addams Family hit Broadway in April 2010 with this musical adaptation of the characters created by cartoonist Charles Addams in his single-panel gag cartoons for The New Yorker starting in 1938. This songbook features piano/vocal arrangements (with the melody in the piano part) for 14 musical numbers from the Tony Award-nominated show: The Addams Family Theme * Crazier Than You * Happy/Sad * In the Arms * Just Around the Corner * Let's Not Talk About Anything Else but Love * Live Before We Die * The Moon and Me * Morticia * One Normal Night * Pulled * Waiting * What If * When You're an Addams.
Classic American Popular Song: The Second Half-Century, 1950-2000 addresses the question: What happened to American popular song after 1950? There are numerous books available on the so-called Golden Age of popular song, but none that follow the development of popular song styles in the second half of the 20th century. While 1950 is seen as the end of an era, the tap of popular song creation hardly ran dry after that date. Many of the classic songwriters continued to work through the following decades: Porter was active until 1958; Rodgers until the later 1970s; Arlen until 1976. Some of the greatest lyricists of the classic era continued to do outstanding and successful work: Johnny Mercer and Dorothy Fields, for example, continued to produce lyrics through the early '70s. These works could be explained as simply the Golden Age's last stand, a refusal of major figures to give in to a new reality. But then, how can we explain the outstanding careers of Frank Loesser, Cy Coleman, Jerry Herman, Jerry Bock and Sheldon Harnick, Fred Kander and John Ebb, Jule Styne, Alan Jay Lerner and Frederick Loewe, and several other major figures? Where did Stephen Sondheim come from? For anyone interested in the development of American popular song -- and its survival -- this book will make fascinating reading.