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Examines the history and future of the Y chromosome and maintains that because it is unable to exchange genetic material or repair itself, the day will come when it will cease to exist.
Taking its title from a poem of William Butler Yeats, this collection of essays focuses on "Adam’s Curse"—the burdens and harsh conditions that, as Denis Donoghue underscores throughout, make any human achievement difficult. As he says, those "conditions include at various levels of reference the Fall of Man, categorical failure, loss, the limitations inscribed so insistently in human life that they seem to be in the nature of things, like death and weather." But hope is never ruled out, as Donoghue reminds us of "the possibility of putting up with the conditions and turning them to some account." It is the "putting up with the conditions and turning them to some account"—a post-lapsarian struggle fraught with religious questions—that most interests Donoghue. These essays, which are explorations of both faith and literary works that engage faith, address a dazzling range of texts and writers: Yeats, Milton, Larkin, Heaney, Emmanuel Levinas, Alasdair MacIntyre, John Crowe Ransom, Henry Adams, William Lynch’s Christ and Apollo, and Robert Bellah’s Beyond Belief, among others. Common to all is an alertness to the social bearing of literature and the role it plays in relation to politics, religion, and especially ethics. What emerges, for Donoghue, is the need to restore the primacy of theology and church doctrine without evading the "dark parts" of the Old and New Testaments. Through his probing, reflective encounters with philosophical and religious issues, we witness a magisterial intelligence at work.
Table of contents
This brand new collection, impeccably edited by James Pethica, presents a comprehensive selection of Yeats's major contributions in poetry, drama, prose fiction, autobiography, and criticism.
"Attempts to balance traditional and modern criticism of Yeats by linking formalism and philosophy in the context of Yeats' work and evaluates its credibility in Yeats's practice in relation to other theoretical discourses and in the context of the turbulent cultural and historical circumstances under which Yeats worked"--Provided by publisher.
Examines the life and writings of William Butler Yeats, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.
J.M. Cohen Wrote That Yeats Was The Greatest Figure In English Poetry Since The Death Of Tennyson , And Ezra Pound, Who Once Went To Yeats To Learn How To Write Poetry, Wrote About Him : I Dare Say ... That Up To Date No One Has Shown Any Disposition To Supersede Him As The Best Poet In England Or Any Likelihood Of Doing So For Some Time... Yeats Is A Very Complex And Difficult Poet, Because There Is In Him A Curious Intermixture Of Romanticism, Realism, Mythology, Supernaturalism, Magic, Ocultism, Automatic Writing, Nationalism, Private Philosophy , And Even Prejudices. His Poems Are Very Compact, Allowing No Elaborations, And Leaving Gaps For The Reader To Imaginatively Fill Them Up, And Thus Making Them More Difficult. Great Explicators And Commentators Have, Of Course, Come Forward, But They Themselves, Sometimes, Are Either Difficult Or Not Enough. Therefore, The One Single Objective Of This Book Is To Introduce The Poet To The General Reader In An Easy Manner.To Give An Idea Of The Poet, As Many As Forty-One Poems, Selected From His Four Stages Of Poetic Development, Have Been Explained (And All Those Poems Have Been Quoted In Full). Yeats Had Also A Métier For Drama, And Had Been A Pioneer Of One Act Plays, And Wrote No Fewer Than Thirty Plays. And So Yeats Has Also Been Discussed As A Dramatist, And, In Addition, Eight Of His Plays Have Been Discussed At Some Length.
This book investigates the "divine son" motif in Romans 5 and 8 through the lens of exile and restoration. David P. Barry presents a pattern of allusions to Israel and Adam and argues that Paul deliberately employs both themes to show their fulfillment in Christ. Both Adam's exclusion from Eden and Israel's exile from Palestine are, for Paul, a divine son falling short of God's holiness and forfeiting the divine inheritance and presence. The themes of Adam and Israel are complementary examples of sin and separation from God, which Paul argues are reversed in Christ and for believers in union with him. This theme of "divine sons" provides a framework for interpreting Paul's use of restoration prophecies in Romans 5 and 8. Various references to restoration prophecies (e.g., Ezek 36:22-37:14 in Rom 8:1-11) which were apparently given to ethnic Israel, are applied more broadly. The scope of fulfillment goes beyond its the ethnic boundary to include the spiritual children of Abraham: Jew and Gentile. Barry concludes that the exile is over in spirit, but continues in body. The new people of God are already spiritually restored to God's presence by faith and will be bodily brought into God's presence in glory.
This introduction to one of the twentieth century's most important writers examines Yeats's poems, plays and stories in relation to biographical, literary, and historical contexts. Yeats wrote with passion and eloquence about personal disappointments, his obsession with Ireland, and the modern era's loss of faith in traditional beliefs about art, religion, empire, social class, gender and sex. His works uniquely reflect the gradual transition from Victorian aestheticism to the modernism of Pound, Eliot and Joyce. This is the first introductory study to consider his work in all genres in light of the latest biographies, new editions of his letters and manuscripts, and recent accounts by feminist and postcolonial critics. While using this introduction, students will have instant access to the world of current Yeats scholarship as well as being provided with the essential facts about his life and literary career and suggestions for further reading.