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This is the most authentic and readable record of the prolific Adams ceramic wares from England, including earthenware, bone china, jasper, stoneware, basalt, and Parian made over a 200-year period. Over 1250 color photographs illustrate the comprehensive text.
Our knowledge of many groups or periods has benefited from systematic ceramic analysis, however as yet the Sasanian Empire of ancient Persia (224-651 AD) has not be subjected to the same examination. Merv, an expansive ancient city located in an oasis in the Central Asian steppes, was for millennia a gateway for travelers and traders along the Silk Road between east and west. Puschnigg’s detailed study of Merv’s Sasanian pottery creates a benchmark for other work on this ceramic corpus. She dissects the frequency, dates, wares, and profiles of hundreds of securely excavated pieces and compares them with the finds from earlier Russian studies, generally unavailable to western researchers. Puschnigg uses this material to provide insights into the social and economic dimensions of the Sasanian world, as well as providing researchers with a catalog of typical shapes and wares.
This studio reference captures all the popular techniques available for embellishing clay, as well as a wealth of practical information and detailed images that lead readers through every phase of the design and decorating process.
Neil Ewins' study of the Staffordshire potteries in a period of great global change traces how ceramics production has been affected by globalisation in both familiar and unexpected ways. Although many manufacturers such as Wedgwood initially moved production to cheaper labour markets in East Asia, others remained in or returned to England once it became clear that outsourcing manufacturing was affecting the brand value and customer perception of their products. Neil Ewins explores the complex behaviour of the UK ceramics industry, using a combination of evidence from the press, trade journals, ceramic objects, and primary interview evidence of manufacturers, retailers and a ceramic designer. Ewins suggests that, although the surface designs of UK ceramics invariably reflect diverse cultural and stylistic influences, a notion of authenticity often still resides in the place and context in which the ceramic product was originally made. Overall, the book argues that UK ceramics remain culturally complex because of issues of supply and demand, and ties to heritage, imagined or otherwise. Within a context of globalization, the book highlights compelling issues which have huge ramifications on UK manufacturing futures.
Erica Gibson’s comprehensive guide provides a much-needed catalogue of ceramic makers' marks of British, French, German, and American origin found in North American archaeological sites. Consisting of nearly 350 marks from 112 different manufacturers from the mid-19th through early 20th century, this catalog provides full information on both the history of the mark and its variants, as well as details about the manufacturer. A set of indexes allow for searches by manufacturer, location, mark elements, and common words used. This guide will be of interest not only to historical archaeologists, but material culture specialists, collectors, museum professionals, students, art historians, and others interested in ceramics.
More than a third of the houses in the world are made of clay. Clay vessels were instrumental in the invention of cooking, wine and beer making, and international trade. Our toilets are made of clay. The first spark plugs were thrown on the potter’s wheel. Clay has played a vital role in the health and beauty fields. Indeed, this humble material was key to many advances in civilization, including the development of agriculture and the invention of baking, architecture, religion, and even the space program. In Clay, Suzanne Staubach takes a lively look at the startling history of the mud beneath our feet. Told with verve and erudition, this story will ensure you won’t see the world around you in quite the same way after reading the book.
Pre-Mamom Pottery Variation and the Preclassic Origins of the Lowland Maya summarizes archaeological researchers’ current views on the adoption and first use of pottery across the Maya lowlands. Covering the early Middle Preclassic period, when communities began using and producing pottery for the first time (roughly 1000–600 BC), through to the establishment of a recognizably Maya tradition, termed the Mamom ceramic sphere (about 600–300 BC), the book demonstrates that the adoption was broadly contemporary, with variation in how the new technology was adapted locally. Analyzing ceramics found at sites in Belize, Petén (Guatemala), and Mexico, the contributors provide evidence that the pre-Mamom expansion of pottery resulted from increased dependence on maize agriculture, exploitation of limestone caprock, and greater reliance on a preexisting system of long-distance exchange. The chapters describe the individual experiences of new potting communities at various sites across the region. They are supplemented by appendixes presenting key chronological data as well as the principal types and varieties of pre-Mamom ceramic complexes across the various spheres: Xe, Eb, Swasey, Cunil, and Ek. A significant amount of new material has been excavated in the last decade, changing what is known about the early Middle Preclassic period and making Pre-Mamom Pottery Variation and the Preclassic Origins of the Lowland Maya a first read of the early ceramic prehistory of the Maya lowlands. It will be a valuable resource for students and scholars interested in the archaeology of the Maya lowlands, Mesoamerican social complexity, and ceramic technology. Contributors: E. Wyllys Andrews V, Jaime Awe, George J. Bey III, Ronald L. Bishop, Michael G. Callaghan, Ryan H. Collins, Kaitlin Crow, Sara Dzul Góngora, Jerald Ek, Tomás Gallareta Negrón, Bernard Hermes, Takeshi Inomata, Betsy M. Kohut, Laura J. Kosakowsky, Wieslaw Koszkul, Jon Lohse, Michael Love, Nina Neivens, Terry Powis, Duncan C. Pring, Kathryn Reese-Taylor, Prudence M. Rice, Robert M. Rosenswig, Kerry L. Sagebiel, Donald A. Slater, Katherine E. South, Lauren A. Sullivan, Travis Stanton, Juan Luis Velásquez Muñoz, Debra S. Walker, Michal Wasilewski, Jaroslaw Źrałka