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If you enjoyed the BBC's adaptation of Poldark, then Kate Tremayne's Loveday series is not to be missed! Denied his birthright, Adam Loveday seeks justice in the first novel in the hugely popular Loveday series. Adam Loveday is a sweeping family drama of Cornish smuggling, adventure and passion, perfect for fans of Philippa Gregory, Diana Gabaldon and Winston Graham's Poldark. 'Rich in drama and passion, with the atmosphere and flavour of eighteenth century Cornwall, Adam Loveday... is a story of family relationships that transcends time, and heralds the emergence of an exciting new storyteller' - North Cornwall Advertiser Cornwall 1786. Twenty years ago, fate denied Adam Loveday his birthright: the family estate, Trevowan, and the boatyard that his father is struggling to maintain. The intense childhood rivalry between Adam and his elder twin St John continues to govern their fated passions and chequered fortunes. St John has become a dissolute wastrel but Adam, with a talent for ship design and a thirst for adventure, has fierce family pride in Trevowan and the yard. Aware of his father's increasing disapproval, St John fears that the Loveday yard will be given to Adam after all, and puts into motion a plan to ensure that Adam will never get what his heart desires: the boatyard - and Meriel Sawle, the seductive daughter of the local innkeeper, whose violent family are infamous in the smuggling trade... What readers are saying about Adam Loveday: 'An exciting and atmospheric historical family drama with memorable characters that still haunt me - the best book I have read this year' 'I love everything about this novel. The characters, their adventures and the pace which has twists and surprises and a dramatic climax'
'Loveday's case is that the mantle of historical truth and divine authority has placed upon the Bible an intolerable weight, crushing it as a creative work of immense imaginative and inspirational power. His argument is both fascinating and persuasive.' Matthew Parris The Bible for Grown-Ups neither requires, nor rejects, belief. It sets out to help intelligent adults make sense of the Bible – a book that is too large to swallow whole, yet too important in our history and culture to spit out. Why do the creation stories in Genesis contradict each other? Did the Exodus really happen? Was King David a historical figure? Why is Matthew's account of the birth of Jesus so different from Luke's? Why was St Paul so rude about St Peter? Every Biblical author wrote for their own time, and their own audience. In short, nothing in the Bible is quite what it seems. Literary critic Simon Loveday's book – a labour of love that has taken over a decade to write – is a thrilling read, for Christians and anyone else, which will overturn everything you thought you knew about the Good Book.
A double wedding would be twice the fun Everybody said that Loveday was good in a crisis. So when her old friend asked for help, Loveday was only too willing to lend a hand. Rimada was desperately in love and wanted to get married, but her guardian, the overbearing Baron Adam de Wolff van Ozinga, didn’t approve of her choice. Loveday agreed to take charge of Rimada’s illicit wedding plans. Adam was going to discover he wasn’t a match for Loveday Pearce…or for true love!
A rehearsal dinner brings together two disparate families in this sparkling, witty novel “This vital novel offers delicious echoes of Virginia Woolf and E. M. Forster, and a touch of A Midsummer Night’s Dream—but its magic is unique. The Garden Party is beautiful and full of life.”—Claire Messud, author of The Burning Girl and The Woman Upstairs The Cohens are wildly impractical intellectuals—academics, activists, and artists. The Barlows are Wall Street Journal–reading lawyers steeped in trusts and copyrights, golf and tennis. The two families are reserved with and wary of each other, but tonight, the evening before the wedding that is supposed to unite them in marriage, they will attempt to set aside their differences over dinner in the garden. As Celia Cohen, the eminent literary critic, sets the table, her husband, Pindar, would much rather be translating ancient recipes for his Babylonian cookbook than hosting this rehearsal dinner. Meanwhile, their son, Adam, the poet (and nervous groom), wonders if there is still time to simply elope. One of Adam’s sisters, Naomi, a passionate but fragile social activist, refuses to leave her room, while Sara, scorpion biologist turned folklore writer, sits up on the roof mourning an imminent breakup. And Pindar’s elderly mother, Leah, witnesses everything, weaving old memories into the present. The lawyers are early: patriarch Stephen Barlow and his bespangled wife, Philippa, who specializes in estates, along with Philippa’s father, Nathan, hobbled by age and Lyme disease. Then come the Barlow sons William (war crimes), Cameron (intellectual property), and Barnes (the prosecutor), each with desperate wife and precocious offspring. How could their younger siblings—Eliza, the bride, an aspiring veterinarian, and her twin brother, Harry, recently expelled from divinity school—have issued from such a family? Up and down the dinner table, with its twenty-four (or is it twenty-five?) guests, unions are forming and dissolving while Pindar is trying to figure out whether time is really shaped like baklava, and off in the surrounding forest with its ancient pond different sorts of mischief will lead to a complicated series of fiascoes and miracles before the party is over. Set over the course of a single day and night, Grace Dane Mazur’s brilliantly observed novel weaves an irresistible portrayal of miscommunication, secrets, and the power of love. “Lyrical and charming, this comedy of errors is a delightful summer read.”—People
17-year-old Lila has two secrets she's prepared to take to the grave. The first is that she can move things just by looking at them. The second is that she's been in love with her brother's best friend, Alex, since forever. After a mugging exposes her unique ability, Lila decides to run to the only people she can trust - her brother and Alex. They live in Southern California where they work for a secret organisation called The Unit, and Lila discovers that the two of them are hunting down the men who murdered her mother five years before. And that they've found them. In a world where nothing and no one is quite as they seem, Lila quickly realises that she is not alone - there are others out there just like her - people with special powers -and her mother's killer is one of them…
The second annual St. Andrews Conference on Scripture and Theology brought leading biblical scholars and systematic theologians together in conversation, seeking to bridge the growing gap between these disciplines. Reflecting the convergence of the Old Testament s cultic theology, Hellenistic ideas, and early Christian thinking, the epistle to the Hebrews provides a perfect foundation for this fruitful dialogue. / The contributors examine a number of key theological themes in the letter to the Hebrews: the person and nature of the Son, his high-priestly work, cosmology, the epistle s theology of Scripture, supersessionism, the call to faith, and more. Unlike many modern treatments, this substantial volume considers Hebrews in both its ancient context and against our modern backdrop. / Edward Adams, Loveday Alexander, Harold W. Attridge, Richard Bauckham, Markus Bockmuehl, Daniel Driver, Douglas Farrow, Trevor Hart, Richard B. Hays, Stephen R. Holmes, Morna D. Hooker, Edison M. Kalengyo, Mariam J. Kamell, Bruce L. McCormack, Nathan MacDonald, I. Howard Marshall, R. Walter L. Moberly, Carl Mosser, Mark D. Nanos, Nehemia Polen, John Polkinghorne, Ken Schenck, Oskar Skarsaune, Daniel J. Treier, John Webster, Ben Witherington III, Terry J. Wright.
A mesmerizing first novel about trust, dependence, and fear, from a major new writer Ruth is widowed, her sons are grown, and she lives in an isolated beach house outside of town. Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in. Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her own troubled past? And how far can Ruth trust herself? The Night Guest, Fiona McFarlane's hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, trust, dependence, and fear; about processes of colonization; and about things (and people) in places they shouldn't be. Here is a new writer who comes to us fully formed, working wonders with language, renewing our faith in the power of fiction to describe the mysterious workings of our minds. A Kirkus Reviews Best Fiction Book of 2013
Don’t miss Faith Martin’s fiendishly clever new novel, Murder by Candlelight, set in the 1920s and described as ‘the perfect village mystery’ by J.M. Hall ‘A beautifully crafted crime mystery I could not put down.’ Anita Davison, author of the Flora Maguire series
Welcome to Aunt Pat's barbecue restaurant, which serves up Memphis fun with a side order of murder. Recipes included. Named in honor of Lulu Taylor's great aunt, Aunt Pat's family-run Memphis restaurant is known for its ribs and spicy cornbread. But now the Taylor family will be known for murder... Rebecca Adrian came to Memphis to suss out the best local BBQ for a prominent Cooking Channel Show. Trouble is, a mystery ingredient has killed her-and now all fingers are pointing to Aunt Pat's restaurant. Horrified that her family is being accused of murder, Lulu fires up her investigative skills to solve the crime before someone else gets skewered.
This is the journal of Joe Necchi, a junkie living on a barge that plies the rivers and bays of New York. Joe's world is the half-world of drugs and addicts -- the world of furtive fixes in sordid Harlem apartments, of police pursuits down deserted subway stations. Junk for Necchi, however, is a tool, freely chosen and fully justified; he is Cain, the malcontent, the profligate, the rebel who lives by no one's rules but his own. Like DeQuincey and Baudelaire before him, Trocchi's muse was drugs. But unlike his literary predecessors, in his roman a clef, Trocchi never romanticizes the source of his inspiration. If the experience of heroin, of the "fix," is central to Cain's Book, both its destructive force and the possibilities for creativity it creates are recognized and accepted without apology. "Cain's Book is the classic late-1950s account of heroin addiction. . . . An un-self-forgiving existentialism, rendered with writerly exactness and muscularity, set this novel apart from all others of the genre." -- William S. Burroughs