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Adam Bede, the first novel written by George Eliot (the pen name of Mary Ann Evans), was published in 1859. It was published pseudonymously, even though Evans was a well-published and highly respected scholar of her time. The novel has remained in print ever since and is regularly used in university studies of 19th-century English literature
A masterclass in attentive reading offering brilliant insights into two of George Eliot's novels
Readers often think of Job sitting on the ash heap, his life in shambles. But how did he get there? What was Job's life like before tragedy struck? What did he think as his world came crashing down around him? And what was life like after God restored his wealth, health, and family? Through painstaking research and a writer's creative mind, Mesu Andrews weaves an emotional and stirring account of this well-known story told through the eyes of the women who loved him. Drawing together the account of Job with those of Esau's tribe and Jacob's daughter Dinah, Love Amid the Ashes breathes life, romance, and passion into the classic biblical story of suffering and steadfast faith.
In this rousing book, David Adam celebrates the lives and interweaving stories of the great saints Aidan, Bede and Cuthbert. They have much to teach us, he believes, about vision—about expanding our spiritual awareness and deepening our love for God.
A New Yorker writer revisits the seminal book of her youth--Middlemarch--and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories. Rebecca Mead was a young woman in an English coastal town when she first read George Eliot's Middlemarch, regarded by many as the greatest English novel. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not. In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself, My Life in Middlemarch is for every ardent lover of literature who cares about why we read books, and how they read us.
One of the great observers of Australian life, Henry Lawson looms large in our national psyche. Yet at his best Lawson transcends the very bush, the very outback, the very up-country, the very pub or selector's hut he conveys with such brevity and acuity- he make specific places universal. Henry Lawson is too often regarded as a legend rather than a writer to be enjoyed. In this selection Lawson is revealed as an author whose delightful, humorous, wry and moving short stories continue to delight generations of readers. This is the essential Lawson collection - the classic of Australian classics. 'Lawson's sketches are beyond praise.' Joseph Conrad'Lawson gets more feelings, observation and atmosphere into a page than does Hemingway.' Edward Garnett
Attiya's cheating husband is murdered in a Bangkok nightclub, leaving her to raise their ten year old son, Den, alone. The killer, Surapat Wongsuphan, is a member of the country's "elite", who expects his father's wealth to once again get him out of trouble. But this time it's different. As Thailand's Old Money families rally against the Wongsuphan's, Attiya, Den and Surapat's lives will change in the most unexpected ways -- even as fate binds them together. Set in Bangkok, Vientiane and London, "The Mask Under My Face" is about what happens when those above the law fall within the reach of the powerless.
This edited collection considers representations of ancient Egypt in the literature of the nineteenth-century. It addresses themes such as reanimated mummies, ancient Egyptian mythology and contemporary consumer culture across literary modes ranging from burlesque satire to historical novels, stage performances to Gothic fiction and popular culture to the highbrow. The book illuminates unknown sources of historical significance - including the first illustration of an ambulatory mummy - revising current understandings of the works of canonical writers and grounding its analysis firmly in a contemporary context. The contributors demonstrate the extensive range of cultural interest in ancient Egypt that flourished during Victoria's reign. At the same time, they use ancient Egypt to interrogate 'selfhood' and 'otherness', notions of race, imperialism, religion, gender and sexuality.