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The Dictionary of Louisiana French (DLF) provides the richest inventory of French vocabulary in Louisiana and reflects precisely the speech of the period from 1930 to the present. This dictionary describes the current usage of French-speaking peoples in the five broad regions of South Louisiana: the coastal marshes, the banks of the Mississippi River, the central area, the north, and the western prairie. Data were collected during interviews from at least five persons in each of twenty-four areas in these regions. In addition to the data collected from fieldwork, the dictionary contains material compiled from existing lexical inventories, from texts published after 1930, and from archival recordings. The new authoritative resource, the DLF not only contains the largest number of words and expressions but also provides the most complete information available for each entry. Entries include the word in the conventional French spelling, the pronunciation (including attested variants), the part of speech classification, the English equivalent, and the word's use in common phrases. The DLF features a wealth of illustrative examples derived from fieldwork and textual sources and identification of the parish where the entry was collected or the source from which it was compiled. An English-to-Louisiana French index enables readers to find out how particular notions would be expressed in la Louisiane .
Pamela Gillilan was born in London in 1918, married in 1948 and moved to Cornwall in 1951. When she sat down to write her poem Come Away after the death of her husband David, she had written no poems for a quarter of a century. Then came a sequence of incredibly moving elegies. Other poems followed, and two years after starting to write again, she won the Cheltenham Festival poetry competition. Her first collection That Winter (Bloodaxe, 1986) was shortlisted for the Commonwealth Poetry Prize.
Marco Armiero is Senior Researcher at the Italian National Research Council and Marie Curie Fellow at the Institute of Environmental Sciences and Technologies, Universitat Aut(noma de Barcelona. He has published extensively on-Italian environmental history and edited Views from the South: Environmental Stories from the Mediterranean World. --
From Monaco to Marseilles, from the vineyards to the beaches, the authors have been there. Includes complete critical listings of places where to eat and sleep, as well as unique suggestions for outdoor activities.
Cultural Writing. Middle Eastern Studies. Religious Studies. ASHURA is largely made up of photographs or video stills of Ashura, the ceremony of self-flagellation and bloodletting performed by some Twelver Shi'ites to mark their wait for the coming of a twelfth imam. Blood literally soaks these men, the floor, the street, their sneakers, and Toufic's lens does not blink. Meanwhile his thoughts on the cultural and philosophic implications of the ritual, strangely cool and confident against a background of such ecstatic religious fervor, reframes everything from film to Islam to Toufic himself. Toufic writes: "Al-Husayn, the grandson of the prophet Muhammad and the son of the first Shi'ite imam, 'Ali, was slaughtered alongside many members of his family in the desert in 680. This memory is torture to me. But, basically, one can say "this memory is torture to me" of every memory, since each reminiscence envelops at some level the memory of the origin of memory..."