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This work is a comprehensive corpus-based description of the synchronic segmental phonology of Classical Latin. Provides a full description of the phonology of a dead language and also highlights how the patterns and processes described contribute to phonological theory Research results include novel analyses of segmental phenomena, phonotactics, phonological processes, inflectional morphology, and certain diachronic questions Informed by specific hypotheses about how phonological representations are structured and how phonological rules work, and in turn how the findings corroborate these hypotheses Theoretically grounded and provides raw material for researchers of phonology, morphology and historical linguistics
Based upon the manuscripts and text of the commentary on St. Paul written by Lanfranc of Bec in the mid-eleventh century, this book examines the context, theology, and methods of Lanfranc's composition and the influence of his teaching at Bec.
Provides a new understanding of the epyllion as a genre exploiting the subversive potential of various educational thresholds, such as the transition from grammar to rhetoric.
Advances in the History of Rhetoric: The First Six Years is a comprehensive collection of 29 scholarly essays published during the first phase of the journal’s history. Research from prominent and developing scholars that was once difficult to acquire is now offered in a coherent and comprehensive collection that is complemented by a detailed index and unified bibliography. This collection covers a range of periods and topics in the history of rhetoric, including Greek and Roman rhetoric, rhetoric and religion, women in the history of rhetoric, rhetoric and science, Renaissance and British rhetorical theory, rhetoric and culture, and the development of American rhetoric and composition. The editors, Richard Leo Enos and David E. Beard, provide a preface and afterword that synthesize the mission and meaning of this work for students and scholars of the history of rhetoric.
This book is about the Old Norse god Odin. It includes references to all occurrences of Odin in the Old Norse/Icelandic texts, including Saxo’s Gesta Danorum, the eddic poems, Snorri’s Edda, and Ynglinga saga and analyses the high medieval reception and literary representations of Odin rather than the religious character of the god. This is the only existing study of Odin in all the Old Norse/Icelandic texts and applies a contextual method: the different guises of Odin are studied on the basis of the various textual contexts and on their background in the literary and Christian intellectual milieu of the time. Contrary to existing studies, this method is non-reductive in that it does not aim at providing a synthesis about Odin’s original nature on the basis of the differing textual uses of Odin in the Middle Ages. The book argues that the perceived complexity of Odin, often highlighted in research, is first and foremost a function of the complex textual material spanning a wide variety of genres each with its particular literary conventions and of the reception of Odin in early modern and modern mythological studies.
Literature and Ethics presents an original definition of the relation between literature and ethics at a time when the whole concept of ethical literary criticism is being widely reconsidered. The book focuses on ethical conditions that are presupposed in literary communication between authors and readers, rather than on ethical themes within literature.
"Smith offers a theoretical understanding of beginning that departs from the structuralisms of Edward Said, the traditional formalisms of A. D. Nuttall, and most medievalist and modernist treatments of closure. Instead, he views a work's beginning as a figure of the beginning of the work itself, and the inception of language as the problem of beginning to which we continually return."--BOOK JACKET.