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Barrister Chad Jacobi has created a unique and practical reference work in Interpretation Acts: Origins and Meaning. It is based on the premise that the Interpretation Acts, which are key tools to reading legislation in the various Australian jurisdictions, themselves need to be read as statutes, the meanings of which must be ascertained. Lawyers are often confronted with the - sometimes urgent - need to understand these provisions in the context of litigation, particularly in areas highly affected by statutory interpretation, like public law as well as criminal law, succession law, industrial law and tax. This text helps practitioners grasp the "how, what and why" of these provisions by looking to their origins: how they have come about, what has changed and what the authoritative decisions on their meaning are today. It is the first publication of its kind in Australia, presenting history that is not merely interesting on its own terms, but is important in the very practical context of law in operation. It is a must for every law library, private and public.
This book features essays by biblical scholars and theologians offering broad reflections on key interpretive issues, rich readings of challenging biblical texts, and interaction with the Christian exegetical tradition from Melito of Sardis to Dietrich Bonhoeffer. The contributors to this volume are leading figures in the theological interpretation of Scripture. Mindful of the Bible’s role in relation to God’s purposes, people, and world, these essays together offer “acts of interpretation” that aim to advance the faithful and fruitful correlation of Scripture, theology, and culture. Contributors: Craig G. Bartholomew Hans Boersma S. A. Cummins Peter Enns Stephen E. Fowl Joel B. Green Edith M. Humphrey Charles Raith II Christopher R. Seitz Robert W. Wall Jens Zimmermann
Osvaldo Padilla explores fresh avenues of understanding the book of Acts by examining the text in light of the most recent research on the book itself, philosophical hermeneutics, genre theory and historiography. This advanced introduction to the study of Acts covers important questions about authorship, genre, history, and theology and interpretation.
This monograph examines international legal regulation, analyses how it interacts with non-legal factors, and seeks to understand and confront the alleged inherent ambiguity and indeterminacy.
This study presents a coherent interpretation of the Malta episode by arguing that Acts 28:1-10 narrates a theoxeny, that is, an account of unknowing hospitality to a god which results in the establishment of a fictive kinship relationship between the Maltese barbarians and Paul and his God. In light of the connection between hospitality and piety to the gods in the ancient Mediterranean, Luke ends his second volume in this manner to portray Gentile hospitality as the appropriate response to Paul’s message of God’s salvation -- a response that portrays them as hospitable exemplars within the Lukan narrative and contrasts them with the Roman Jews who reject Paul and his message.
Acts is the sequel to Luke's gospel and tells the story of Jesus's followers during the 30 years after his death. It describes how the 12 apostles, formerly Jesus's disciples, spread the message of Christianity throughout the Mediterranean against a background of persecution. With an introduction by P.D. James
How is the biblical text understood and how does it function in the life of the reader today? Richard Briggs first provides an illuminating introduction to the nature and claims of speech art theory. This seeks to extend our understanding of both spoken and written means of communication by seeing them not as merely representational or 'reality-depicting', but as acting or causing acts to be performed through the words themselves. Briggs goes on to discuss to what extent the application of speech act theory might be helpful in the interpretation of biblical texts. In one of the first book-length explorations of this topic, he examines in detail several biblical speech acts of particular theological significance, including the confession of sin, forgiveness and teaching. Through exploring the specific ways in which the reader is drawn into the performative action of the biblical text, and how speech act theory forces the reader to look beyond language into the world which gives the language its ability to function, speech act theory is shown to offer valuable insights within today's complex hermeneutical debate. 'A very significant volume . . . ' Alan Torrance, Professor of Divinity, University of Andrews 'An excellent piece of work . . . which is thoroughly acquainted with speech act theory and takes the debate forward in a variety of creative, exegetical and theological ways.' Dr Craig Bartholomew, University of Gloucestershire
A biographical and interpretive history of Luke-Acts scholarship Luke-Acts in Modern Interpretation explores the lives and work of ten interpreters who have significantly influenced the study of the Lukan writings over the past 150 years. The chapters contain short biographical sketches of the scholars that illuminate their personal and academic lives, summaries and evaluations of their major works, and analysis of the ongoing relevance of their work in contemporary scholarship on Luke-Acts. Key thinkers surveyed include the following: - Adolf Harnack - Martin Dibelius - F. F. Bruce - Loveday Alexander - C. K. Barrett - Richard Pervo An introduction and a conclusion by Stanley Porter and Ron Fay trace the development of Luke-Acts scholarship from the 1870s to the present and examine how these ten scholars' studies have shaped the field. Those invested in understanding the recent history of scholarship on Luke-Acts will find here a valuable deposit of historical insight into biblical studies.
Tannehill shows how the narrative contributes to the impact of Luke's literary whole. The study further shows that Luke's use of recurring words, patterns of repetition and contrast, irony, pathos, and many other features of this narrative contribute to the total fabric of Luke's masterpiece.