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First, Metropolis was hit with the biggest ground battle in the history of the city and barely survived. On top of that, Leviathan threw down his gauntlet for the entire world to see, and Superman revealed the truth of his identity as Clark Kent. Now the city is in a state of shock-and Clark and Conner Kent need to figure out what’s next for them and the city they protect! Guest-starring Wonder Comics’ Young Justice in a unique crossover!
Clark Kent, defender of the truth! The Daily Planet is under siege as the streets of Metropolis prepare for a gang war! The invisible mafia is invisible no more-and the streets of Metropolis will burn if the truth does not get out. All this, and another dive into the secrets of DC’s newest teen sensation…Naomi!
Superman keeps the abandoned Warworld weapon out of the hands of anyone who might misuse it. But now the Justice League questions his judgment. It’s time for Clark Kent to put up or shut up. In “Tales of Metropolis,” the Guardian comes to the city. Is this another step toward Future State?
Leviathan is making its move on Metropolis, and they’re looking to recruit Lex Luthor and his Legion of Doom to increase their power base! But will that be enough to take on Superman’s city? Because the Man of Steel has friends of his own...and it’s time to call on the Justice League and their teen counterparts, Young Justice, to take a stand against the forces of evil and stop Leviathan from reducing Metropolis to rubble! Don’t miss this colossal story arc collected from Action Comics #1017-1021!
ÒTHE LAST WILL AND TESTAMENT OF LEX LUTHOR!Ó When SupermanÕs world was reborn, his greatest enemy became his most unexpected ally. But does that truly reflect Lex LuthorÑor was it all a sham? Now, as Lex LuthorÕs path toward righteousness reaches its apex, he finds himself involved in an adventure in which Superman stands to be destroyed. What choice will Luthor make? Will he save Superman or watch him die at the hands of a foe he could not possibly imagine? This oversized special also features stories from the acclaimed teams of Max Landis and Francis Manapul (in a story previously slated to appear in the DC UNIVERSE HOLIDAY SPECIAL 2017 #1) and Mark Russell and Jill Thompson!
The Red Cloud sets her sights on someone close to Superman, but how can the Man of Steel stop a villain he canÕt touch? As the invisible mafia controlling MetropolisÕ underworld steps more into the light, its leader finally stands revealed with a secret that will have massive implications for Superman and Clark Kent!
Red Hood, Artemis, and Bizarro have battled many threats together...but they’ve never faced a veritable army of the damned! Which is what is happening during the protests on the streets of Qurac as the Untitled prepare to strike at the heart of humanity! At the same time Artemis has to go sword-to-word with Essence. As the enemy gathers its forces, it is clear the Dark Trinity needs to expand its roster-and fast! Red Hood, Artemis, and Bizarro have battled many threats together...but they’ve never faced a veritable army of the damned! Which is what is happening during the protests on the streets of Qurac as the Untitled prepare to strike at the heart of humanity! At the same time Artemis has to go sword-to-word with Essence. As the enemy gathers its forces, it is clear the Dark Trinity needs to expand its roster-and fast!
A deep-dive into the practice and execution of contemporary television viewing. Birth of the Binge: Serial TV and the End of Leisure describes and details serial television and "binge watching," the exceedingly popular form of contemporary television viewing that has come to dominance over the past decade. Author Dennis Broe looks at this practice of media consumption by suggesting that the history of seriality itself is a continual battleground between a more unified version of truth-telling and a more fractured form of diversion and addiction. Serial television is examined for the ways its elements (multiple characters, defined social location, and season and series arcs) are used alternately to illustrate a totality or to fragment social meaning. Broe follows his theoretical points with detailed illustrations and readings of several TV series in a variety of genres, including the systemization of work in Big Bang Theoryand Silicon Valley;the social imbrications of Justified; and the contesting of masculinity in Joss Whedon's Buffy the Vampire Slayer, Firefly,and Dollhouse. In this monograph, Broe uses the work of Bernard Stiegler to relate the growth of digital media to a new phase of capitalism called "hyperindustrialism," analyzing the show Lostas suggestive of the potential as well as the poverty and limitations of digital life. The author questions whether, in terms of mode of delivery, commercial studio structure, and narrative patterns, viewers are experiencing an entirely new moment or a (hyper)extension of the earlier network era. The Office, The Larry Sanders Show, and Orange Is the New Blackare examined as examples of, respectively, network, cable, and online series with structure that is more consistent than disruptive. Finally, Broe examines three series by J. J. Abrams—Revolution, Believe, and 11.22.63—which employ the techniques and devices of serial television to criticize a rightward, neo-conservative drift in the American empire, noting that none of the series were able to endure in an increasingly conservative climate. The book also functions as a reference work, featuring an appendix of "100 Seminal Serial Series" and a supplementary index that television fans and media students and scholars will utilize in and out of the classroom.
Tarot cards have been around since the Renaissance and have become increasingly popular in recent years, often due to their prevalence in popular culture. While Tarot means many different things to many different people, the cards somehow strike universal chords that can resonate through popular culture in the contexts of art, television, movies, even comic books. The symbolism within the cards, and the cards as symbols themselves, make Tarot an excellent device for the media of popular culture in numerous ways. They make horror movies scarier. They make paintings more provocative. They provide illustrative structure to comics and can establish the traits of television characters. The Cards: The Evolution and Power of Tarot begins with an extensive review of the history of Tarot from its roots as a game to its supposed connection to ancient Egyptian magic, through its place in secret societies, and to its current use in meditation and psychology. This section ends with an examination of the people who make up today’s tarot community. Then, specific areas of popular culture—art, television, movies, and comics—are each given a chapter in which to survey the use of Tarot. In this section, author Patrick Maille analyzes such works as Deadpool, Books of Magic by Neil Gaiman, Disney's Haunted Mansion, Sherlock Holmes: Game of Shadows, The Andy Griffith Show, Buffy the Vampire Slayer, and King of the Hill. The cards are evocative images in their own right, but the mystical fascination they inspire makes them a fantastic tool to be used in our favorite shows and stories.