Download Free Acta Historiae Artium Balticae 1 Book in PDF and EPUB Free Download. You can read online Acta Historiae Artium Balticae 1 and write the review.

The first issue of the new periodical dedicated to art history art in the countries around the Baltic Sea. Co-publishers of the journal: Estonian Academy of Arts, Gdansk University and three Lithuanian institutions: Vilnius Academy of Art, Lithuanian Art Museum, and Culture, Philosophy and Arts Research Institute.
The second issue of the AHAB comes out under the title of Art and the Sacred. Ritual and religious objects, today classified as art, were once not claimed as such. Clearly, artworks that were intended for religious services were not created on purely aesthetic grounds; they were not intended to be art works per se. Nevertheless, academic practice and discourse has treated them primarily as art even though the word ‘sacred’ is placed before the word ‘art’ in these discourses. In today’s scholarship, the proliferation of anthropological research vividly indicates the tensions that exist between art and what is considered sacred.
Reflection on the history and practice of art history has long been a major topic of research and scholarship, and this volume builds on this tradition by offering a critical survey of many of the major developments in the contemporary discipline, such as the impact of digital technologies, the rise of visual studies or new initiatives in conservation theory and practice. Alongside these methodological issues this book addresses the mostly neglected question of the impact of national contexts on the development of the discipline. Taking a wide range of case studies, this book examines the impact of the specific national political, institutional and ideological demands on the practice of art history. The result is an account that both draws out common features and also highlights the differences and the plurality of practices that together constitute art history as a discipline.
Exploring the formation of networks across late medieval Central Europe, this book examines the complex interaction of merchants, students, artists, and diplomats in a web of connections that linked the region. These individuals were friends in business ventures, occasionally families, and not infrequently foes. No single activity linked them, but rather their interconnectivity through matrices based in diverse modalities was key. Partnerships were not always friendship networks, art was sometimes passed between enemies, and families created for financial gain. Taking an interdisciplinary approach, the chapters focus on inclusion and exclusion within intercultural networks, both interpersonal and artistic, using a wide spectrum of source materials and methodological approaches. The concept of friends is considered broadly, not only as connections of mutual affection but also simply through business relationships. Families are considered in terms of how they helped or hindered local integration for foreigners and the matrimonial strategies they pursued. Networks were also deeply impacted by rivalry and hostility.
Early Modern Universities: Networks of Higher Education contains twenty essays by experts on early modern academic networks. Using a variety of approaches to universities, schools, and academies throughout Europe and in Central America, the book suggests pathways for future research.
New Studies in Medieval and Renaissance Poland and Prussia: The Impact of Gdańsk draws together the latest reseach conducted by local historians and archaeologists on the city of Gdańsk and its impact on the surrounding region of Pomerania and Poland as a whole. Beginning with Gdańsk’s early political history and extending from the 10th to the 16th century, its twelve chapters explore a range of political, social, and socio-cultural historical questions and explain such phenomena as the establishment and development of the Gdańsk port and city. A prominent theme is a consideration of the interactions between Gdansk and Poland and Prussia, including a look into the city’s links with the State of the Teutonic Order in Prussia and the Kingdom of Poland under the rule of the Piast and Jagiellonian dynasties. The chapters are placed in the historical context of medieval Poland as well as the broader themes of religion, the matrimonial policy of noble families or their contacts with the papacy. This book is an exciting new study of medieval Poland and unparalleled in the English-speaking world, making it an ideal text for those wanting to deepen their knowledge in this subject area.
Locations of Knowledge in Dutch Contexts brings together scholars who shed light on the ways locations gave shape to scientific knowledge practices in the Dutch Republic and the Kingdom of the Netherlands. This interdisciplinary volume uses four hundred years of Dutch history as a laboratory to investigate spatialized understandings of the history of knowledge. By conceptualizing locations of knowing as time-specific configurations of actors, artefacts, and activities, contributors to this volume not only examine cities as specific kind of locations, but also analyze the regionally and globally networked and transformative character of locations. Many of the locations which are studied in this volume are still visible until the present day. Contributors are Azadeh Achbari, Fokko Jan Dijksterhuis, Alette Fleischer, Floor Haalboom, Marijn Hollestelle, Dirk van Miert, Ilja Nieuwland, Abel Streefland, Andreas Weber, Martin Weiss, Gerhard Wiesenfeldt, and Huib Zuidervaart.
How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s–1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was "invented" and refined. Although this discourse was inevitably "Sovietized" in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new "official" discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics.
This book examines ideas of spiritual nourishment as maintained chiefly by Patristic theologians –those who lived in Byzantium. It shows how a particular type of Byzantine frescoes and icons illustrated the views of Patristic thinkers on the connections between the heavenly and the earthly worlds. The author explores the occurrence, and geographical distribution, of this new type of iconography that manifested itself in representations concerned with the human body, and argues that these were a reaction to docetist ideas. The volume also investigates the diffusion of saints’ cults and demonstrates that this took place on a North-South axis as their veneration began in Byzantium and gradually reached the northern part of Europe, and eventually the entirety of Christendom.
The conversion of the lands on the southern and eastern shores of the Baltic Sea by Germans, Danes and Swedes in the period from 1150 to 1400 represented the last great struggle between Christianity and paganism on the European continent, but for the indigenous peoples of Finland, Livonia, Prussia, Lithuania and Pomerania, it was also a period of wider cultural conflict and transformation. Along with the Christian faith came a new and foreign culture: the German and Scandinavian languages of the crusaders and the Latin of their priests, new names for places, superior military technology, and churches and fortifications built of stone. For newly baptized populations, the acceptance of Christianity encompassed major changes in the organization and practice of political, religious and social life, entailing the acceptance of government by alien elites, of new cultic practices, and of new obligations such as taxes, tithes and military service in the armies of the Christian rulers. At the same time, as the Western conquerors carried their campaigns beyond pagan territory into the principalities of north-western Russia, the Baltic Crusades also developed into a struggle between Roman Catholicism and Orthodoxy. This collection of sixteen essays by both established and younger scholars explores the theme of clash of cultures from a variety of perspectives, discussing the nature and ideology of crusading in the medieval Baltic region, the struggle between Catholicism and Orthodoxy, and the cultural confrontation that accompanied the process of conversion, in subjects as diverse as religious observation, political structures, the practice of warfare, art and music, and perceptions of the landscape.