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An outline of a master blueprint for man's first exploring trip to the planet Mars.
Protection of the space environment - for the study of and use by successive generations of explorers and developers - is an important concept that has yet to enter the collective consciousness of the space community. This book illustrates the relevance of the space environment to science, commerce and the individual, and explains why we should consider protecting some of its unique properties and most significant territories. Space: The Fragile Frontier is the first book to draw together the recognized issues of Earth orbital debris and planetary protection, set them in the context of space law and ethical policies, and encourage a balance between desirable expansion into space and protection of the space environment. It calls for a sustainable approach to space exploration and development. Space: The Fragile Frontier is aimed at scientists, engineers and policy-makers with an interest in space exploration and development, and students who intend to develop a career in a space-related subject. You may not agree with everything you read, but it will change the way you think about space and everything we do there.
"A lucid, bright and essential work of reporting, analysis and genuine care. Peter Ward has given us a new way to think about private endeavors in space. Superb."⁠—Rivka Galchen, author of Little Labors This in-depth work of reportage dares to ask what’s at stake in privatizing outer space Earth is in trouble—so dramatically that we’re now scrambling to explore space for valuable resources and a home for permanent colonization. With the era of NASA’s dominance now behind us, the private sector is winning this new space race. But if humans and their private wealth have made such a mess of Earth, who can say we won’t do the same in space? In The Consequential Frontier, business and technology journalist Peter Ward is raising this vital question before it’s too late. Interviewing tech CEOs, inventors, scientists, lobbyists, politicians, and future civilian astronauts, Ward sheds light on a whole industry beyond headline-grabbing rocket billionaires like Bezos and Musk, and introduces the new generation of activists trying to keep it from rushing recklessly into the cosmos. With optimism for what humans might accomplish in space if we could leave our tendency toward deregulation, inequality, and environmental destruction behind, Ward shows just how much cooperation it will take to protect our universal resource and how beneficial it could be for all of us.
Astrofuturism: Science, Race, and Visions of Utopia in Space is the first full-scale analysis of an aesthetic, scientific, and political movement that sought the amelioration of racial difference and social antagonisms through the conquest of space. Drawing on the popular science writing and science fiction of an eclectic group of scientists, engineers, and popular writers, De Witt Douglas Kilgore investigates how the American tradition of technological utopianism responded to the political upheavals of the twentieth century. Founded in the imperial politics and utopian schemes of the nineteenth century, astrofuturism envisions outer space as an endless frontier that offers solutions to the economic and political problems that dominate the modern world. Its advocates use the conventions of technological and scientific conquest to consolidate or challenge the racial and gender hierarchies codified in narratives of exploration. Because the icon of space carries both the imperatives of an imperial past and the democratic hopes of its erstwhile subjects, its study exposes the ideals and contradictions endemic to American culture. Kilgore argues that in the decades following the Second World War the subject of race became the most potent signifier of political crisis for the predominantly white and male ranks of astrofuturism. In response to criticism inspired by the civil rights movement and the new left, astrofuturists imagined space frontiers that could extend the reach of the human species and heal its historical wounds. Their work both replicated dominant social presuppositions and supplied the resources necessary for the critical utopian projects that emerged from the antiracist, socialist, and feminist movements of the twentieth century. This survey of diverse bodies of literature conveys the dramatic and creative syntheses that astrofuturism envisions between people and machines, social imperatives and political hope, physical knowledge and technological power. Bringing American studies, utopian literature, popular conceptions of race and gender, and the cultural study of science and technology into dialogue, Astrofuturism will provide scholars of American culture, fans of science fiction, and readers of science writing with fresh perspectives on both canonical and cutting-edge astrofuturist visions.
“A compelling appeal, at just the right time, for continuing to look up.”—Air & Space America’s space program is at a turning point. After decades of global primacy, NASA has ended the space-shuttle program, cutting off its access to space. No astronauts will be launched in an American craft, from American soil, until the 2020s, and NASA may soon find itself eclipsed by other countries’ space programs. With his signature wit and thought-provoking insights, Neil deGrasse Tyson—one of our foremost thinkers on all things space—illuminates the past, present, and future of space exploration and brilliantly reminds us why NASA matters now as much as ever. As Tyson reveals, exploring the space frontier can profoundly enrich many aspects of our daily lives, from education systems and the economy to national security and morale. For America to maintain its status as a global leader and a technological innovator, he explains, we must regain our enthusiasm and curiosity about what lies beyond our world. Provocative, humorous, and wonderfully readable, Space Chronicles represents the best of Tyson’s recent commentary, including a must-read prologue on NASA and partisan politics. Reflecting on topics that range from scientific literacy to space-travel missteps, Tyson gives us an urgent, clear-eyed, and ultimately inspiring vision for the future.
An exploration of the changing conceptions of the iconic Space Shuttle and a call for a new vision of spaceflight The thirty years of Space Shuttle flights saw contrary changes in American visions of space. Valerie Neal, who has spent much of her career examining the Space Shuttle program, uses this iconic vehicle to question over four decades' worth of thinking about, and struggling with, the meaning of human spaceflight. She examines the ideas, images, and icons that emerged as NASA, Congress, journalists, and others sought to communicate rationales for, or critiques of, the Space Shuttle missions. At times concurrently, the Space Shuttle was billed as delivery truck and orbiting science lab, near-Earth station and space explorer, costly disaster and pinnacle of engineering success. The book's multidisciplinary approach reveals these competing depictions to examine the meaning of the spaceflight enterprise. Given the end of the Space Shuttle flights in 2011, Neal makes an appeal to reframe spaceflight once again to propel humanity forward.
'Bursts with gloriously geeky detail.' The Telegraph Have you ever made someone you love a mix-tape? Forty years ago, a group of scientists, artists and writers gathered in a house in Ithaca, New York to work on the most important compilation ever conceived. It wasn't from one person to another, it was from Earth to the Cosmos. In 1977 NASA sent Voyager 1 and 2 on a Grand Tour of the outer planets. During the design phase of the Voyager mission, it was realised that this pair of plucky probes would eventually leave our solar system to drift forever in the unimaginable void of interstellar space. With this gloomy-sounding outcome in mind, NASA decided to do something optimistic. They commissioned astronomer Carl Sagan to create a message to be fixed to the side of Voyager 1 and 2 – a plaque, a calling card, a handshake to any passing alien that might one day chance upon them. The result was the Voyager Golden Record, a genre-hopping multi-media metal LP. A 90-minute playlist of music from across the globe, a sound essay of life on Earth, spoken greetings in multiple languages and more than 100 photographs and diagrams, all painstakingly chosen by Sagan and his team to create an aliens' guide to Earthlings. The record included music by J.S. Bach and Chuck Berry, a message of peace from US president Jimmy Carter, facts, figures and dimensions, all encased in a golden box. The Vinyl Frontier tells the story of NASA's interstellar mix-tape, from first phone call to final launch, when Voyager 1 and 2 left our planet bearing their hopeful message from the Summer of '77 to a distant future.