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Transnistria, Romania, did not exist on a map. Yet that is where ten-year-old Felicia Steigman and her parents arrive in 1941, after a cruel deportation and death march overseen by Romanian Nazi collaborators. On finally returning to their pre-war idyllic hometown, Vatra Dornei, after surviving three years amid squalor, devastation and death, they find their suffering being silenced. Decades later, Felicia is determined to commemorate the forgotten cemetery of Transnistria in a way that cannot be ignored.
A man must confront a terrifying evil in this captivating horror novel that's "as much F. Scott Fitzgerald as Dean Koontz."* Haunted by memories of the Great War, failed academic Frank Nichols and his wife have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family's old estate--the Savoyard Plantation--and the horrors that occurred there. At first their new life seems to be everything they wanted. But under the facade of summer socials and small-town charm, there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of the Savoyard Plantation still stand. Where a long-smoldering debt of blood has never been forgotten. Where it has been waiting for Frank Nichols....
"River of Memory honors a place and time now gone from view. It restores an unfettered Columbia through more than ninety historical photographs that capture the river as it once appeared. This visual record is complemented with the words of early explorers, surveyors, and naturalists who wrote about specific places along the river and with new works by contemporary American and Canadian writers and poets."--Jacket.
A river is a thread, embroidering our world. This non-fiction picture book brings attention to the rivers that stitch and thread our world together.
In the fall of 1948, Ernest Hemingway made his first extended visit to Italy in thirty years. His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A poignant, bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the worldweary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War. Hemingway's last full-length novel published in his lifetime, it moved John O'Hara in The New York Times Book Review to call him “the most important author since Shakespeare.”
"A woman born without legs spends her days swimming with manatees. Two artists, separated by centuries, guide each other's hands. And a child of the Florida frontier sits on the graves of her siblings to think about race relations and the habits of caterpillars. These are some of the women who live along the banks of a river where water billows from caverns of silent lakes. None of them are famous. None have children. Instead, their stories exist in a mosaic of time and shadowed history, and the things of the river -- clay and water, trees and bone -- carry their memories forward."--Cover page 4.
The true story of a young black man's quest: to canoe the length of the Mississippi River from Minnesota to New Orleans.
River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation. Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.
Incorporating seven years of photography and research, Krista Schlyer portrays life along the Anacostia River, a Washington, DC, waterway rich in history and biodiversity that has nonetheless lingered for years in obscurity and neglect in our nation’s capital. River of Redemption offers an experience of the river that reveals its eons of natural history, centuries of destruction, and decades of restoration efforts. The story of the Anacostia echoes the story of rivers across America. Inspired by Aldo Leopold’s classic book, A Sand County Almanac, Krista Schlyer evokes a consciousness of time and place, taking readers through the seasons in the watershed as well as through the river’s complex history and ecology. As with rivers nationwide, the ways we’ve changed the Anacostia affect the people and wildlife that inhabit its shores, from the headwaters in Maryland, past its confluence with the Potomac River, and ultimately to the Chesapeake Bay. Centuries of abuse at the hands of people who have altered the landscape and mistreated the waterway have transformed it into a polluted, toxic soup unfit for swimming or fishing. The forgotten river is both a reminder of the worst humanity can do to the natural landscape and a wellspring of memory that offers a roadmap back to health and well-being for watershed residents, human and non-human alike. Blending stunning photography with informative and poignant text, River of Redemption offers the opportunity to reinvent our role in urban ecology and to redeem our relationship with this national river and watersheds nationwide.
“You think you got away with something, don’t you? But your time has run out. We know where you are. And we are coming.” Andrew Ranulf Blankenship is a stylish nonconformist with wry wit, a classic Mustang, and a massive library. He’s also a recovering alcoholic and a practicing warlock. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago. Andrew has long known that magic is a brutal game requiring blood sacrifice and a willingness to confront death, but years of peace and comfort have left him more concerned with maintaining false youth than with seeing to his own defense. Now a monster straight from the pages of Russian folklore is coming for him, and frost and death are coming with her.