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Across the Revolutionary Divide: Russia and the USSR 1861-1945 offers a broad interpretive account of Russian history from the emancipation of the serfs to the end of World War II. Provides a coherent overview of Russia's development from 1861 through to 1945 Reflects the latest scholarship by taking a thematic approach to Russian history and bridging the ‘revolutionary divide’ of 1917 Covers political, economic, cultural, and everyday life issues during a period of major changes in Russian history Addresses throughout the diversity of national groups, cultures, and religions in the Russian Empire and USSR Shows how the radical policies adopted after 1917 both changed Russia and perpetuated an economic and political rigidity that continues to influence modern society
The Russian Revolution of 1917 has often been presented as a complete break with the past, with everything which had gone before swept away, and all aspects of politics, economy, and society reformed and made new. Recently, however, historians have increasingly come to question this view, discovering that Tsarist Russia was much more entangled in the processes of modernisation, and that the new regime contained much more continuity than has previously been acknowledged. This book presents new research findings on a range of different aspects of Russian society, both showing how there was much change before 1917, and much continuity afterwards; and also going beyond this to show that the new Soviet regime established in the 1920s, with its vision of the New Soviet Person, was in fact based on a complicated mixture of new Soviet thinking and ideas developed before 1917 by a variety of non-Bolshevik movements.
Across the Revolutionary Divide: Russia and the USSR 1861-1945 offers a broad interpretive account of Russian history from the emancipation of the serfs to the end of World War II. Provides a coherent overview of Russia's development from 1861 through to 1945 Reflects the latest scholarship by taking a thematic approach to Russian history and bridging the ‘revolutionary divide’ of 1917 Covers political, economic, cultural, and everyday life issues during a period of major changes in Russian history Addresses throughout the diversity of national groups, cultures, and religions in the Russian Empire and USSR Shows how the radical policies adopted after 1917 both changed Russia and perpetuated an economic and political rigidity that continues to influence modern society
Go West, Young Man. Isn't that the advice every east coast boy has considered at least once in his life? At nineteen, almost twenty, Ron Bancroft thinks those words sound pretty good. Newly out as transgender, Ron finds himself adrift: kicked out by his family, jilted by his girlfriend, unable to afford to return to college in the fall. So he heads out to Wyoming for a new start, a chance to prove that—even though he was raised as a girl, even though everyone in Boston thinks of him as transgender—he can live as a man. A real man. In Wyoming, he finds what he was looking for: rugged terrain, wranglers, a clean slate. He also stumbles into a world more dangerous than he imagined, one of bigotry and violence. And he falls for an intriguing young woman, who seems as interested in him as he is in her. Thus begins Ron's true adventure, a search not for the right place in America, but the right place within himself to find truth, happiness, and a sense of belonging.
A compendium of original essays and contemporary viewpoints on the 1917 Revolution The Russian revolution of 1917 reverberated throughout an empire that covered one-sixth of the world. It altered the geo-political landscape of not only Eurasia, but of the entire globe. The impact of this immense event is still felt in the present day. The historiography of the last two decades has challenged conceptions of the 1917 revolution as a monolithic entity— the causes and meanings of revolution are many, as is reflected in contemporary scholarship on the subject. A Companion to the Russian Revolution offers more than thirty original essays, written by a team of respected scholars and historians of 20th century Russian history. Presenting a wide range of contemporary perspectives, the Companion discusses topics including the dynamics of violence in war and revolution, Russian political parties, the transformation of the Orthodox church, Bolshevism, Liberalism, and more. Although primarily focused on 1917 itself, and the singular Revolutionary experience in that year, this book also explores time-periods such as the First Russian Revolution, early Soviet government, the Civil War period, and even into the 1920’s. Presents a wide range of original essays that discuss Brings together in-depth coverage of political history, party history, cultural history, and new social approaches Explores the long-range causes, influence on early Soviet culture, and global after-life of the Russian Revolution Offers broadly-conceived, contemporary views of the revolution largely based on the author’s original research Links Russian revolutions to Russian Civil Wars as concepts A Companion to the Russian Revolution is an important addition to modern scholarship on the subject, and a valuable resource for those interested in Russian, Late Imperial, or Soviet history as well as anyone interested in Revolution as a global phenomenon.
“A remarkable novel” (The New York Times) about America’s first female soldier, Deborah Sampson Gannett, who ran away from home in 1782, successfully disguised herself as a man, and fought valiantly in the Revolutionary War. At a time when rigid societal norms seemed absolute, Deborah Sampson risked everything in search of something better. Revolutionary, Alex Myers’s richly imagined and carefully researched debut novel, tells the story of a fierce-tempered young woman turned celebrated solider and the remarkable courage, hope, fear, and heartbreak that shaped her odyssey during the birth of a nation. After years of indentured servitude in a sleepy Massachusetts town, Deborah chafes under the oppression of colonial society and cannot always hide her discontent. When a sudden crisis forces her hand, she decides to escape the only way she can, rejecting her place in the community in favor of the perilous unknown. Cutting her hair, binding her chest, and donning men’s clothes stolen from a neighbor, Deborah sheds her name and her home, beginning her identity-shaking transformation into the imaginary “Robert Shurtliff”—a desperate and dangerous masquerade that grows more serious when “Robert” joins the Continental Army. What follows is a journey through America’s War of Independence like no other—an unlikely march through cold winters across bloody battlefields, the nightmare of combat and the cruelty of betrayal, the elation of true love and the tragedy of heartbreak. As The Boston Globe raves, “Revolutionary succeeds on a number of levels, as a great historical-military adventure story, as an exploration of gender identity, and as a page-turning description of the fascinating life of the revolutionary Deborah Sampson.”
Despite dramatic increases in poverty, unemployment, and social inequalities, the Central and Eastern European transitions from communism to market democracy in the 1990s have been remarkably peaceful. This book proposes a new explanation for this unexpected political quiescence. It shows how reforming governments in Poland, Hungary and the Czech Republic have been able to prevent massive waves of strikes and protests by the strategic use of welfare state programs such as pensions and unemployment benefits. Divide and Pacify explains how social policies were used to prevent massive job losses with softening labor market policies, or to split up highly aggrieved groups of workers in precarious jobs by sending some of them onto unemployment benefits and many others onto early retirement and disability pensions. From a narrow economic viewpoint, these policies often appeared to be immensely costly or irresponsibly populist. Yet a more inclusive social-scientific perspective can shed new light on these seemingly irrational policies by pointing to deeper political motives and wider sociological consequences. Divide and Pacify contains a provocative thesis about the manner in which political strategy was used to consolidate democracy in post-communist Hungary, Poland, and the Czech Republic. Pieter Vanhuysse develops a tight argument emphasizing the strategic use of welfare and unemployment compensation policies by a government to nip potential collective action against it in the bud. By breaking up social networks that might otherwise facilitate protest, through unemployment and induced early retirement, governments were able to survive otherwise difficult economic circumstances. This novel argument linking economics, politics, sociology, and demography should stimulate wide-ranging debate about the strategic uses of social policy.
In October 1911 the governor of Oaxaca, Mexico, ordered a detachment of approximately 250 soldiers to take control of the town of Juchitán from Jose F. “Che” Gomez and a movement defending the principle of popular sovereignty. The standoff between federal soldiers and the Chegomistas continued until federal reinforcements arrived and violently repressed the movement in the name of democracy. In A Revolution Unfinished Colby Ristow provides the first book-length study of what has come to be known as the Chegomista Rebellion, shedding new light on a conflict previously lost in the shadows of the concurrent Zapatista uprising. The study examines the limits of democracy under Mexico’s first revolutionary regime through a detailed analysis of the confrontation between Mexico’s nineteenth-century tradition of moderate liberalism and locally constructed popular liberalism in the politics of Juchitán, Oaxaca. Couched in the context of local, state, and national politics at the beginning of the revolution, the study draws on an array of local, national, and international archival and newspaper sources to provide a dramatic day-by-day description of the Chegomista Rebellion and the events preceding it. Ristow links the events in Juchitán with historical themes such as popular politics, ethnicity, and revolutionary state formation and strips away the romanticism of previous studies of Juchitán, offering a window into the mechanics of late Porfirian state-society relations and early revolutionary governance.
This magesterial and thrilling history argues that the story of American mountaineering is the story of America itself. In Continental Divide, Maurice Isserman tells the history of American mountaineering through four centuries of landmark climbs and first ascents. Mountains were originally seen as obstacles to civilization; over time they came to be viewed as places of redemption and renewal. The White Mountains stirred the transcendentalists; the Rockies and Sierras pulled explorers westward toward Manifest Destiny; Yosemite inspired the early environmental conservationists. Climbing began in North America as a pursuit for lone eccentrics but grew to become a mass-participation sport. Beginning with Darby Field in 1642, the first person to climb a mountain in North America, Isserman describes the exploration and first ascents of the major American mountain ranges, from the Appalachians to Alaska. He also profiles the most important American mountaineers, including such figures as John C. Frémont, John Muir, Annie Peck, Bradford Washburn, Charlie Houston, and Bob Bates, relating their exploits both at home and abroad. Isserman traces the evolving social, cultural, and political roles mountains played in shaping the country. He describes how American mountaineers forged a "brotherhood of the rope," modeled on America’s unique democratic self-image that characterized climbing in the years leading up to and immediately following World War II. And he underscores the impact of the postwar "rucksack revolution," including the advances in technique and style made by pioneering "dirtbag" rock climbers. A magnificent, deeply researched history, Continental Divide tells a story of adventure and aspiration in the high peaks that makes a vivid case for the importance of mountains to American national identity.
Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.