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List of members in v. 1, 3-6, 9-11, 14-16, 18.
Dr John Philip towered over nineteenth-century South African history, championing the rights of indigenous people against the growing power of white supremacy, but today he is largely forgotten or misremembered. From the time he arrived in South Africa as superintendent of the London Missionary Society in 1819, Philip played a major role in the idealist and humanitarian campaigns of the day, fighting for the emancipation of slaves, protecting the Khoi against injustice, and opposing the dispossession of the Xhosa in the Eastern Cape. A fascinating picture of South Africa and the British Empire during a time of great change, Dr Philip’s Empire documents Philip’s encounters with Dutch colonists, English settlers and indigenous South Africans, his never-ending battles with fellow missionaries and colonial authorities, and his lobbying among the powerful for indigenous people’s civil rights. A controversial and influential figure, Philip was considered an interfering radical subversive by believers in white superiority, but he has been labelled a condescending, hypocritical ‘white liberal’ in a more modern age. This book seeks to revive him from these judgements and to recover the real man and his noble but doomed struggles for justice in the context of his times.
When the Scottish poet Thomas Pringle emigrated to the Cape Colony in 1820 he voyaged also into a new creative life and an art responsive to his colonial home, “sterner verse” for “darker scenes”. Accompanying him to the Cape, the sonnet became his most consistent choice for capturing his experiences and convictions, his personal crises and the greater trauma of colonial appropriation and racial oppression. In this study his unique contribution to the Romantic-era sonnet is for the first time given its full due, through readings that are as attentive to form and formal agency as to the cultural, social and historical conditions in which they are enmeshed. Moving beyond colonial theory to consider issues of literary migration, this illuminating work shows how Pringle effectively opened up a radical conversation between the habitual modes of perception and response of British Romanticism and his new, southern world.