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The book is a compilation of the many personal stories of people who played the accordion over the last 200 years. The author purposely chose the stories that related to the experiences of everyday people as they brought their accordion into the lives of the people they encountered.
Before she wrote the bestselling Brokeback Mountain, Annie Proulx was already producing some of the finest short fiction in the country. Here are her collected stories, including two new works never before anthologized. These stories reverberate with rural tradition, the rites of nature, and the rituals of small town life. The country is blue collar New England; the characters are native families and the dispossessed working class, whose heritage is challenged by the neorural bourgeoisie from the city; and the themes are as elemental as the landscape: revenge, malice, greed, passion. Told with skill and profundity and crafted by a master storyteller, these are lean, tough tales of an extraordinary place and its people.
Unfolding Practice: Reflections on Learning and Teaching is a conversation between two artist-educators. Flowing across five chapters, the double sided accordion book has been curated from ten years of recorded conversations, field notes, planning, sketches, reflection, and teaching. The front of the book weaves text, illustration, cutouts, and screen prints, journeying through artistic process and educational practice. The back of the book is a guide, expanding on the practice of using accordion books as a tool for capturing, visualizing, and building upon reflective thinking. The brown paper alludes to the craft paper that is ubiquitous in schools and captures process more than the preciousness of a final product.
Finalist in the International Latino Book Awards. This unique book includes a bonus fold-out and a note from the author sharing the true story of his own family.​ When both grandpas, Abuelo and Opa, visit at the same time, they can’t understand each other’s language and there is a lot of silence. The grandson’s clever thinking helps find a way for everyone to share the day together as two cultures become one family.
Accordion Revolution is about more than an instrument: it's a living, breathing restoration of the squeezebox to its rightful place at the roots of North America's popular music.Before the dawn of rock 'n' roll, the accordion ranked among North America's most popular instruments. Arriving in the arms of immigrants, nearly every ethnicity on the continent played the squeezebox: Irish, Scottish, French, German, Eastern European, Latino, Jewish. The instrument packed barn dances, jazz clubs, and recital halls, and was heard in norteño groups on the Mexican frontier; Creole string bands in New Orleans, and Inuit square dances above the Arctic Circle. Portable, cheap, and loud, accordions became the soundtrack for modernity as the music industry exploited them on records, radio, film, and television.Millions of people played accordions until a disastrous combination of economics, demographics, and electronic instruments nearly erased them from mainstream culture. Emerging from exile with a new generation of followers, this book invites beginner or seasoned accordionists and music fans in general to rediscover a forgotten legion of little-known artists. With an eye for colorful characters and a sharp sense of humor, accordion historian Bruce Triggs uncovers the hidden back-story of the squeezebox in everyone's closet.
By age thirty-nine, Blair Kilpatrick had settled into life as a practicing psychologist, wife, and mother. Then a chance encounter in New Orleans turned her world upside down. She returned home to Chicago with unlikely new passions for Cajun music and its defining instrument, the accordion. Captivated by recurring dreams of playing the Cajun accordion, she set out to master it. Yet she was not a musician, was too self-conscious to dance, and didn't even sing in the shower. Kilpatrick's obsession took her from Chicago's Cajun dance scene to a folk music camp in West Virginia, back and forth to south Louisiana, and even to a Cajun festival in France. An unexpected family move brought her to the San Francisco Bay Area, home to the largest Cajun-zydeco music scene outside the Gulf Coast. There she became a prot--and--eacute;g--and--eacute; of renowned accordionist Danny Poullard, a Louisiana-born Creole and the guiding spirit of the local Louisiana French music community. Engaging, uplifting, and illuminating a unique patch of the American cultural landscape, Accordion Dreams is Kilpatrick's account of the possibility of passion, risk-taking, and change--at any age. Blair Kilpatrick has an independent practice in psychotherapy in the San Francisco Bay Area. She also performs and records with Sauce Piquante, a traditional Cajun-Creole band she founded in the late 1990s. Learn more at www.blairkilpatrick.com
In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed...only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes. Now generations have passed, and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power. As their dreams grow harder, darker, fiercer, so do the Gentry themselves--appearing, to those with the sight to see them, as hard and dangerous men, invariably dressed in black. Bettina can see the Gentry, and knows them for what they are. Part Indian, part Mexican, she was raised by her grandmother to understand the spirit world. Now she lives in Kellygnow, a massive old house run as an arts colony on the outskirts of Newford, a world away from the Southwestern desert of her youth. Outsider her nighttime window, she often spies the dark men, squatting in the snow, smoking, brooding, waiting. She calls them los lobos, the wolves, and stays clear of them--until the night one follows her to the woods, and takes her hand.... Ellie, an independent young sculptor, is another with magic in her blood, but she refuses to believe it, even though she, too, sees the dark men. A strange old woman has summoned Ellie to Kellygnow to create a mask for her based on an ancient Celtic artifact. It is the mask of the mythic Summer King--another thing Ellie does not believe in. Yet lack of belief won't dim the power of the mast, or its dreadful intent. Donal, Ellie's former lover, comes from an Irish family and knows the truth at the heart of the old myths. He thinks he can use the mask and the "hard men" for his own purposes. And Donal's sister, Miki, a punk accordion player, stands on the other side of the Gentry's battle with the Native spirits of the land. She knows that more than her brother's soul is at stake. All of Newford is threatened, human and mythic beings alike. Once again Charles de Lint weaves the mythic traditions of many cultures into a seamless cloth, bringing folklore, music, and unforgettable characters to life on modern city streets. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
SECOND EDITION-ACCORDION AND WORLD'S BEST CONTEMPORARY ACCORDIONISTS, ENCYCLOPEDIE UNIVERSELLE DES ACCORDEONISTES CONTEMPORAINS. ●ВСЕМИРНАЯ ЭНЦИКЛОПЕДИЯ СОВРЕМЕННЫХ АККОРДЕОНИСТОВ. Published by Times Square Press New York and the Federation of American Musicians, Singers and Performing Artists, Inc. (FAMSPA). In collaboration with Stars Illustrated magazine, New York, and Accordion Stars Illustrated magazine.
In this meditation on various kinds of love, Mee travels across the country to the court of the Princess Esperanza, singing the life stories of some of the people he meets.
Based on a real scientific event and inspired by a beloved real human in the author's life, this is a story about science and the poetry of existence; about time and chance, genetics and gender, love and death, evolution and infinity -- concepts often too abstract for the human mind to fathom, often more accessible to the young imagination; concepts made fathomable in the concrete, finite life of one tiny, unusual creature dwelling in a pile of compost amid an English garden. Emerging from this singular life is a lyrical universal invitation not to mistake difference for defect and to welcome, across the accordion scales of time and space, diversity as the wellspring of the universe's beauty and resilience.