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This volume collects short horror comics stories from Tales From the Crypt, Vault of Horror, Haunt of Fear, Crime SuspenStories, and Impact ― including a rare EC gem that hasn’t been seen since its original publication more than 65 years ago! These stories, which "Ghastly" Graham Ingels drew while he was at the pinnacle of his powers, include tales such as "Accidents and Old Lace." Three sweet, little old ladies weave tapestries depicting the gruesome deaths of real people, but when an art dealer commits murder to get a tapestry of his own, he discovers just how closely art imitates … death. In "Marriage Vow," a woman returns from the grave to fulfill her wifely duty to her murderous husband, until death does them … together; and in "The Sliceman Cometh," an executioner during the French Revolution can’t escape the severed head of an innocent man.
Before bride-to-be Reagan Summerside can tie the knot, she must first untangle a web of mysterious retirement home murders—and prove her neighbors are innocent There are two social functions in Savannah guaranteed to get people talking: weddings and funerals. And just as consignment shop owner Reagan Summerside agrees to marry the hunky Walker Boone, her neighbors, sisters Annie Fritz and Elsie Abbot, step up their business as professional mourners. They are so successful that the Sleepy Pines Retirement Center has hired them as a part of their retirement package. But the celebration over good business is cut short when the residents at Pines suddenly begin dying at an alarming rate. And the sisters are the first suspects. Reagan has her doubts, however, and begins to look into the strange phenomenon. But then something even stranger happens: a body winds up in the sisters’ pink Caddy. The evidence begins to pile up and the suspicious case of Willie Fishbine, who swindled the sisters out of a fortune and coincidentally died prior to the Pines case, is reopened. Not wanting Willie to be buried until they can find the killer responsible for the murders, Reagan must catch the culprit in time to walk down the aisle. Witty, fabulous, and full of charm, Lethal in Old Lace is perfect for fans of Ellery Adams and Jenn McKinlay.
This volume collects all of George Evans' EC horror. It features "Blind Alleys," one of the most chilling and famous EC stories (adapted for the 1972 movie Tales From the Crypt). A man who abused residents of a home for the blind winds up in an impossibly narrow corridor lined with razor blades as a ravenous dog closes in. "In Gorilla My Dreams," an innocent man's brain is transplanted into a gorilla ... who is then blamed for the death of his former self and hunted down. And in our titular tale, "A Slight Case of Murder," four pretty young women are each gruesomely murdered inside locked rooms with no way for the killer to get in or out. But one man thinks he knows who's behind it. In addition, A Slight Case of Murder and Other Stories also includes Evans's unforgettable adaptation of the Ray Bradbury story "The Small Assassin!" This book superbly showcases these classic comic book stories and enhances the reader's experience with commentary and historical and biographical detail by EC experts.
Starting in 1950, EC Comics launched a series of titles that turned the comicbook world upside-down. Their science-fiction, suspense, and war comics thrilled young readers… but it was for their horror tales that they are best remembered. Over 60 years later, titles like Tales from the Crypt and Vault of Horror conjure up all sorts of ghastly stories with ghoulish twist endings, populated by some of the most stomach-churningly loathsome creatures imaginable. This ebook presents large, full-color scans of the company’s three main horror titles, as well as a number of smaller ones, representing all of the EC books in this genre. In addition the reader is given story and publishing information on each issue as well.
Dark Horse Comics is proud to bring you more creepily classic Tales from the Crypt! Digitally re-colored using Marie Severin's original colors as a guide, this twisted tome features stories drawn by the unforgettable artistic talents of Jack Davis, George Evans, Jack Kamen, Graham Ingels, Reed Crandall, Bernie Krigstein, Bill Elder, and Joe Orlando!
In the summer of 1974, a fourteen-year-old girl in Dolton, Illinois, had a dream. A dream to become an actress, like her idols Ron Howard and Vicki Lawrence. But it was a long way from the South Side of Chicago to Hollywood, and it didn't help that she'd recently dropped out of the school play, The Ugly Duckling. Or that the Hollywood casting directors she wrote to replied that "professional training was a requirement." But the funny thing is, it all came true. Through a series of happy accidents, Jane Lynch created an improbable--and hilarious--path to success. In those early years, despite her dreams, she was also consumed with anxiety, feeling out of place in both her body and her family. To deal with her worries about her sexuality, she escaped in positive ways--such as joining a high school chorus not unlike the one in Glee--but also found destructive outlets. She started drinking almost every night her freshman year of high school and developed a mean and judgmental streak that turned her into a real-life Sue Sylvester. Then, at thirty-one, she started to get her life together. She was finally able to embrace her sexuality, come out to her parents, and quit drinking for good. Soon after, a Frosted Flakes commercial and a chance meeting in a coffee shop led to a role in the Christopher Guest movie Best in Show, which helped her get cast in The 40-Year-Old Virgin. Similar coincidences and chance meetings led to roles in movies starring Will Ferrell, Paul Rudd, and even Meryl Streep in 2009's Julie & Julia. Then, of course, came the two lucky accidents that truly changed her life. Getting lost in a hotel led to an introduction to her future wife, Lara. Then, a series she'd signed up for abruptly got canceled, making it possible for her to take the role of Sue Sylvester in Glee, which made her a megastar. Today, Jane Lynch has finally found the contentment she thought she'd never have. Part comic memoir and part inspirational narrative, this is a book equally for the rabid Glee fan and for anyone who needs a new perspective on life, love, and success. WITH A FOREWORD BY CAROL BURNETT
This volume of the New York Times’ bestselling series of superbly restored, classic crime and horror EC Comics re-presents the work of Jack Kamen, Al Feldstein, and Ray Bradbury. Grand Master crime novelist Max Allan Collins (Road to Perdition) introduces these tales, which include the infamous “The Orphan” one of the stories that got EC Comics into hot water during the U.S. Senate’s investigation into comic books. “The October Game” is adapted from the chilling classic short story by Ray Bradbury. A gruesome look at a malevolent Halloween party game perpetrated by a man who believes the child of his unfaithful wife is not his. In “Frozen Assets!,” a woman and her lover seal her still-living husband in a chest freezer. “Standing Room Only” ― a brother murders his twin sister and her husband, and disguises himself as her so he can inherit their estate. But then the estate lawyer makes a play for the “widow” ... “Three for the Money” ― A woman finds her husband dead ― with a knife in his back and a bullet in his head. The police arrest two suspects ― but to get a conviction, they must determine who acted first. Who actually committed the murder, and who stabbed or shot a man who was already dead?
From the Golden Age of the 1940s, through the Silver Age of the '60s, up until the early '80s--the end of the Bronze Age. Included are the earliest series, like American Comics Group's Adventures into the Unknown and Prize Comics' Frankenstein, and the controversial and gory comics of the '40s, such as EC's infamous and influential Tales from the Crypt. The resurgence of monster-horror titles during the '60s is explored, along with the return of horror anthologies like Dell Comics' Ghost Stories and Charlton's Ghostly Tales from the Haunted House. The explosion of horror titles following the relaxation of the comics code in the '70s is fully documented with chapters on Marvel's prodigious output--The Tomb of Dracula, Werewolf by Night and others--DC's anthologies--Witching Hour and Ghosts--and titles such as Swamp Thing, as well as the notable contributions of firms like Gold Key and Atlas. This book examines how horror comics exploited everyday terrors, and often reflected societal attitudes toward women and people who were different.