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Seventh-grader Amy Flowers is not happy that she is stuck teaching health to first-graders for her service project while her best friends get to help at the community garden, specially since her partners are the Queen of Mean Fiona and preppie Preston.
Amy Flowers, going into the 7th grade at the super-exclusive Allington Academy, wants to be in with the popular crowd-- but at what price?
Having accidentally proven herself fabulous to the Queen of Mean and her League, Allington Academy seventh-grader Amy now tries to find true friends.
"Discusses the chemical imbalance theory, pharmaceutical company ties with the FDA, deceptive designs of antidepressant drug studies, dangers of antidepressants, and how to avoid depression"--Publisher's description.
When Marty Andrews gets bitten by a mangy mutt while walking her teacup poodle, her blond hair darkens, the hair on her legs starts growing at an alarming rate, and her mood swings put her dream job as a sales rep for Bobbie-Sue Cosmetics in serious jeopardy. Then a drool-worthy man shows up at her door claiming that he accidentally bit Marty. And since he's a werewolf, she is now, too. Thinking Keegan Flaherty is clearly insane, Marty refuses to believe a word until a kidnapping makes her realize there's more at stake than just her highlights. And she must put her out-of-control life in the hands of the man who makes her blood run wild in more ways than one...
"Cyrano de Bergerac" meets "Will and Grace" in a comic double love match overthe Internet.
A vampire puts the bite on a dental assistant. It's a lousy first day on the job for Nina Blackman when a patient, loopy from the anesthesia, bites her. At least he was cute. But for real drama she can't beat the next evening. Nina wakes up with a set of razor-sharp fangs, bionic vision, supersonic hearing, and a taste for blood. But there's a good explanation: It's her patient, Long Island vampire Greg Statleon. Actually they're perfect for each other-if Nina's willing to commit to one man for eternity.
Long-listed for the 2012 Man Booker Prize, The Teleportation Accident is a hilarious sci-fi noir about sex, Satan, and teleportation devices. When you haven't had sex in a long time, it feels like the worst thing that could ever happen. If you're living in Germany in the 1930s, it probably isn't. But that's no consolation to Egon Loeser, whose carnal misfortunes will push him from the experimental theaters of Berlin to the absinthe bars of Paris to the physics laboratories of Los Angeles, trying all the while to solve two mysteries: Was it really a deal with Satan that claimed the life of his hero, Renaissance set designer Adriano Lavicini, creator of the so-called Teleportation Device? And why is it that a handsome, clever, modest guy like him can't-just once in a while-get himself laid? Ned Bauman has crafted a stunningly inventive, exceptionally funny, dangerously unsteady and (largely) coherent novel about sex, violence, space, time, and how the best way to deal with history is to ignore it.
After Amy Flowers' participation in a local fashion show everyone in Allington Academy wants her fashion advice, but she is worried what effect her popularity will have on her teamates on the Academic Challenge team.
A journalist recounts the surprising history of accidents and reveals how they’ve come to define all that’s wrong with America. We hear it all the time: “Sorry, it was just an accident.” And we’ve been deeply conditioned to just accept that explanation and move on. But as Jessie Singer argues convincingly: There are no such things as accidents. The vast majority of mishaps are not random but predictable and preventable. Singer uncovers just how the term “accident” itself protects those in power and leaves the most vulnerable in harm’s way, preventing investigations, pushing off debts, blaming the victims, diluting anger, and even sparking empathy for the perpetrators. As the rate of accidental death skyrockets in America, the poor and people of color end up bearing the brunt of the violence and blame, while the powerful use the excuse of the “accident” to avoid consequences for their actions. Born of the death of her best friend, and the killer who insisted it was an accident, this book is a moving investigation of the sort of tragedies that are all too common, and all too commonly ignored. In this revelatory book, Singer tracks accidental death in America from turn of the century factories and coal mines to today’s urban highways, rural hospitals, and Superfund sites. Drawing connections between traffic accidents, accidental opioid overdoses, and accidental oil spills, Singer proves that what we call accidents are hardly random. Rather, who lives and dies by an accident in America is defined by money and power. She also presents a variety of actions we can take as individuals and as a society to stem the tide of “accidents”—saving lives and holding the guilty to account.