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NANNY WANTED Outback Cattle Station – Father and Daughter in Need of Love How could Chessie prove to Raefe Stevenson that she wasn't spoiled? The handsome Outback cattle rancher needed a nanny for her small daughter, Jess, and suddenly Chessie saw her chance... .
In desperation Claire asked Dane to marry her Her adoptive grandfather had left Claire Fletcher his entire estate on the condition that she marry one of his grandsons. But he must have forgotten that the free–spirited Dane Visconti, though long banished from the family's realm, still qualified. And Claire had always idolised and trusted Dane. With his worldly reputation, Claire conceded Dane was not the marrying kind, so when he agreed she promised to make no demands on him. But Dane made no promise in return – and insisted on a few conditions of his own.
An exploration of the fast food industry in the United States, from its roots to its long-term consequences.
The scandal… Kate was determined to protect her sister from an impending scandal, and Javier Montero was the only man who could help them avoid public exposure! But Javier wanted something in return. As head of his family's business empire, he needed a wife. Kate would be perfect! The marriage ultimatum! Negotiating with sexy, commanding Javier wasn't easy—and when he insisted on marriage, Kate knew she was about to become a blackmailed bride!
An exploration of the possibilities of hypertext fiction as art form and entertainment
Suelette Dreyfus and her co-author, WikiLeaks founder Julian Assange, tell the extraordinary true story of the computer underground, and the bizarre lives and crimes of an elite ring of international hackers who took on the establishment. Spanning three continents and a decade of high level infiltration, they created chaos amongst some of the world's biggest and most powerful organisations, including NASA and the US military. Brilliant and obsessed, many of them found themselves addicted to hacking and phreaking. Some descended into drugs and madness, others ended up in jail. As riveting as the finest detective novel and meticulously researched, Underground follows the hackers through their crimes, their betrayals, the hunt, raids and investigations. It is a gripping tale of the digital underground.
Carrie Richards has stepped into the glittering life of Greek billionaire Alexeis Nicolaides. Luxurious hotels, designer clothes and rare jewels are all hers…and what they share in the bedroom is explosive. But the consequences of one night lead to a shocking end to Carrie's fairy tale. She discovers Alexeis is not her Prince Charming—he's a man who'll make her his, no matter what the cost!
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Crime and the fear of crime are issues high in public concern and on political agendas in most developed countries. This book takes these issues and relates them to the contribution that urban planners and participative planning processes can make in response to these problems. Its focus is thus on the extent to which crime opportunities can be prevented or reduced through the design, planning and management of the built environment. The perspective of the book is transatlantic and comparative, not only because ideas and inspiration in this and many other fields increasingly move between countries but also because there is a great deal of relevant theoretical material and practice in both the USA and the UK which has not previously been pulled together in this systemic manner.
Tears of laughter' examines the interactions of comedy and drama in three vital thematic strands of British cinema during the 1990s: comedies exploring issues of class, culture and community in British society, 'ethnic' comedy-dramas engaging with complex issues of identity and allegiance in modern Britain, and romantic comedies featuring characters searching (somewhat desperately or frantically) for a suitable and desirable long-term or short-term partner. Films to be discussed in detail include 'Brassed Off' (1996), 'The Full Monty' (1997), 'East is East' (1999), 'Four Weddings and a Funeral' (1994), 'Notting Hill' (1999) and a post-1990s romantic comedy, 'Love Actually' (2003). The study discusses these specific films and a range of other 1990s British comedy-drama films within the context of community-orientated Ealing comedy classics, contentious situation comedies treating race relations as both a laughing matter and a site of conflict ('Till Death Us Do Part' and 'Love Thy Neighbour'), and romantic comedies set and produced in Britain. It is aimed at film studies academics, students and film enthusiasts.