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This rich and imaginative book investigates the cultural connection between new media and architectural imaging.
Henri Lefebvre has considerable claims to be the greatest living philosopher. His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields. The book is a search for a reconciliation between mental space (the space of the philosophers) and real space (the physical and social spheres in which we all live). In the course of his exploration, Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy. This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith's sensitive translation precisely captures.
This book primarily deals with non-linear operator theory in topological vector spaces and applications. Recently, non-linear functional analysis has become a main field of mathematics, which has played an important role in physics, mechanics and engineering, operations research and economics and many others for the past few decades. The book presents a survey of some main ideas, concepts, methods and applications in non-linear functional analysis.
The universe of being is subject to changes in its periodical manifestations. Man is the little universe (Microcosm) made in the image of his creator, the Great Universe (Macrocosm). The matter composing the objects we see and touch, continually returns to its pre-primordial condition of purity and light, which no mortal eye can see or bear its radiance. The man of clay was the first human being to appear on earth, the animal kingdoms coming after him. Animals were “created” much later than Adam, and brought to him to be named. Their bodies have been formed out of the cast off atoms of human life-waves that preceded ours. The constitution of man is seven-fold: his Immortal Higher Triad (Divine Self or Spiritual Soul) is his True Individuality; his Lower Tetrad, overshadowed by the Divine Self, is the false individuality (I-ness or “personality”) or soul of the man of clay who, being of the earth earthly, his animal soul and body are perishable — though his molecules are thrown off for the benefit of lower kingdoms. Nirvana is an actionless yet impersonal subjective state, rooted in non-being, and a refuge against rebirth — but the nirvanee can no longer return to earth, should he change his mind. Nirvana is illusion for it does not exist for us. The immortality of Spirit is inculcated on the neophyte by the Hierophant, and realised during Initiation. At the solemn moment of death, no man can fail to see himself under his true colours, and no self-deception is of use to him any longer. Even when drowning, man follows with his mind’s eye the whole of his life marshalling past, with all its events (causes and effects) to the minutest detail, and sees himself as he truly is, in all his moral nakedness, unadorned by either human flattery or self-adulation.
Major survey offers comprehensive, coherent discussions of analytic geometry, algebra, differential equations, calculus of variations, functions of a complex variable, prime numbers, linear and non-Euclidean geometry, topology, functional analysis, more. 1963 edition.
List of members in each volume.
This brief book presents the strong fractional analysis of Banach space valued functions of a real domain. The book’s results are abstract in nature: analytic inequalities, Korovkin approximation of functions and neural network approximation. The chapters are self-contained and can be read independently. This concise book is suitable for use in related graduate classes and many research projects. An extensive list of references is provided for each chapter. The book’s results are relevant for many areas of pure and applied mathematics. As such, it offers a unique resource for researchers, and a valuable addition to all science and engineering libraries.
On the peripheries of UK poetry culture during his lifetime, W. S. Graham is now recognized one of the great poets of the twentieth century. In the first concerted study of Graham's poetics in a generation, David Nowell Smith argues that Graham is exemplary for the poetics of the mid-century: his extension of modernist explorations of rhythm and diction; his interweaving of linguistic and geographic places; his dialogue with the plastic arts; and the tensions that run through his work, between philosophical seriousness and play, solitude and sociality, regionalism and cosmopolitanism, the heft and evanescence of poetry's medium. Drawing on newly unearthed archival materials, Nowell Smith orients Graham's poetics around the question of the 'art object'. Graham sought to craft his poems into honed, finished 'objects'; yet he was also aware that the poem's 'finished object' is never wholly finished. Graham's work thus facilitates a broader reflection on language as a medium for art-making.