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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
The contributions to this volume trace for the first time how the modern Jewish reception of Josephus, the ancient historian who witnessed and described the destruction of the Second Temple, took shape within different scholarly, religious, literary and political contexts across the Jewish world, from Amsterdam to Berlin, Vilna, Breslau, New York and Tel Aviv. The chapters show how the vagaries of his tumultuous life, spent between a small rebellious nation and the ruling circles of a vast empire, between Jewish and non-Jewish cultures, and between political action and historical reflection have been re-imagined by Jewish readers over the past three centuries in their attempts to make sense of their own times. "The project and this volume can encourage greater awareness of the complex origins of Josephus’ controversial reputation as a Jewish priest, diplomat in Rome, military leader of the first Jewish revolt against the Romans, as an advocate for surrender to imperial forces, as a witness to the Hurban, as a citizen of Rome, and as a historian....Recommended highly for all Jewish and academic libraries." - David B Levy, Touro College, NYC, in: Association of Jewish Libraries News and Review 1.2 (2019)