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Today, you are browsing on your screen the second issue of our magazine. With great joy, we have gathered here unique artists who inspire us with their talent, life journeys, and meaningful creations. In this issue, we present works from authors all around the world: from Europe, America, Asia, and Africa. As you flip through the pages, you will see how we are, on one hand, different and unique, and on the other, how similar things concern people across the planet. The different tools and techniques used by the authors to convey their thoughts and feelings are understandable and readable to viewers from various countries. One undeniable and unifying truth for us is this: an artist must have a platform to showcase their work to the audience, and this is the mission of our magazine. Thank you very much for your attention, and enjoy the read!
A stunning art gallery in a book, art, annotated spans more than 3,000 years of paintings, sculptures, and prints. Combining reproductions of each work of art with precise annotations and visual analysis, it is an expertly curated selection of the finest art ever created. Immerse yourself in this book and learn all about art - how Michelangelo painted nudes, what cubism is, and where abstraction came from. Discover ancient Egyptian frescoes, read the visual clues to Leonardo da Vinci's Last Supper, and find out what inspired Louise Bourgeois and Banksy. In this art book, you will find: Art from all over the world exploring key elements such as composition, color, technique, and symbolism. Profiles the work of more than 450 artists from across the world and many different cultures, covering every period and major art movement. Art set in its historical context, which makes art, annotated a complete overview of art history. An optional 32-page directory of biographies of all the artists featured at the back of the book. Packed with information and full of inspiration, art, annotated brings the finest paintings and sculptures right into your home. It is the ultimate history of art and visual sourcebook for all art lovers.
This book contains the proceedings of a non-profit conference with the objective of providing a platform for academicians, researchers, scholars and students from various institutions, universities and industries in India and abroad, and exchanging their research and innovative ideas in the field of Artificial Intelligence and Information Technologies. It begins with exploring the research and innovation in the field of Artificial Intelligence and Information Technologies including secure transaction, monitoring, real time assistance and security for advanced stage learners, researchers and academicians has been presented. It goes on to cover: Broad knowledge and research trends about artificial intelligence and Information Technologies and their role in today’s digital era. Depiction of system model and architecture for clear picture of AI in real life. Discussion on the role of Artificial Intelligence in various real-life problems such as banking, healthcare, navigation, communication, security, etc. Explanation of the challenges and opportunities in AI based Healthcare, education, banking, and related Industries. Recent Information technologies and challenges in this new epoch. This book will be beneficial to researchers, academicians, undergraduate students, postgraduate students, research scholars, professionals, technologists and entrepreneurs.
Participatory art practices allow members of an audience to actively contribute to the creation of art. Annemarie Kok provides a detailed analysis and explanation of the use of participatory strategies in art in the so-called ›long sixties‹ (starting around 1958 and ending around 1974) in Western Europe. Drawing on extensive archival materials and with the help of the toolbox of the actor-network theory, she maps out the various actors of three case studies of participatory projects by John Dugger and David Medalla, Piotr Kowalski, and telewissen, all of which were part of documenta 5 (Kassel, 1972).
Reinventing Abstractionlooks at 15 painters born between 1939 and 1949: Carroll Dunham, Louise Fishman, Mary Heilmann, Bill Jensen, Jonathan Lasker, Stephen Mueller, Elizabeth Murray, Thomas Nozkowski, David Reed, Joan Snyder, Pat Steir, Gary Stephan, Stanley Whitney, Jack Whitten and Terry Winters. Challenging official accounts of the decade, which tend to ignore the individualistic abstraction exemplified by these painters in favor of more easily identifiable movements and styles, Rubinstein chronicles how, around 1980, a generation of New York painters embraced elements that had been largely excluded from the radical, deconstructive abstraction of the late 1960s and 1970s, which had influenced many of them. In a long, informative essay titled "The Lure of the Impure," Rubinstein seeks to uncover the "street history" of painting, and redress past, sometimes race-based exclusions. Although many of the artists in Reinventing Abstractionare well known, their collective history has not yet been addressed by art history.
This edited volume explores the dialogue between art and music with that of mystical currents at the turn of the twentieth century. The volume draws on the most current research from both art historians and musicologists to present an interdisciplinary approach to the study of mysticism’s historical importance. The chapters in this edited volume gauge the scope of different interpretations of mysticism and illuminate how an exchange between the sister arts unveil an underlying stream of metaphysical, supernatural, and spiritual ideas over the course of the century. Case studies include Charles Tournemire, Joseph Péladan, Erik Satie, Hilma af Klint, Jean Sibelius, František Kupka, and Wassily Kandinsky. The contributors’ unique theoretical perspectives and disciplinary methodologies offer expert insight on both the rewards and inevitable aesthetic complications that arise when one artform meets another. The book will be of interest to scholars working in art history, musicology, visual culture, and mysticism.
Displays of Jewish ritual objects in public, non-Jewish settings by Jews are a comparatively re-cent phenomenon. So too is the establishment of Jewish museums. This volume explores the origins of the Jewish Museum of New York and its evolution from collecting and displaying Jewish ritual objects, to Jewish art, to exhibiting avant-garde art devoid of Jewish content, created by non-Jews. Established within a rabbinic seminary, the museum’s formation and development reflect changes in Jewish society over the twentieth century as it grappled with choices between religion and secularism, particularism and universalism, and ethnic pride and assimilation.
Progressive New York provides a firsthand portrait of one of the most exciting times in New York's and the nation's history: the progressive era, 1900–1920. This was a time of vast uncertainty and change—with major social and economic developments, including large-scale immigration, industrialization, and urbanization—roiling the nation. New Yorkers were among the first to confront and develop policies to deal with these issues. Political reformers made government more accountable; workers achieved shorter hours and better working conditions; social workers fought poverty and urban overcrowding; women achieved the right to vote; Black citizens advanced the cause of opportunity and equality; and, millions of immigrants enriched New York's culture. Drawing on accounts from contemporary newspapers, periodicals, books, and other sources, this collection introduces readers to the foundational ideas of the modern era. Among the authors are such influential figures as Emma Goldman, Alain Locke, Jacob Riis, Mary Beard, Abraham Cahan, W.E.B. Du Bois, and many others.