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Presents a reference on African American literature providing profiles of notable and little-known writers and their works, literary forms and genres, critics and scholars, themes and terminology and more.
“Reading Wright is a steep, stinging pleasure.”—Dwight Garner, New York Times In this incisive, satirical collection of three classic American novels by Charles Wright—hailed by the New York Times as “malevolent, bitter, glittering”—a young, black intellectual from the South struggles to make it in New York City. This special compilation includes a foreword by acclaimed poet and novelist Ishmael Reed, who calls Wright, “Richard Pryor on paper.” As fresh and poignant as when originally published in the sixties and seventies, The Messenger, The Wig, and Absolutely Nothing to get Alarmed About form Charles Wright’s remarkable New York City trilogy. By turns brutally funny and starkly real, these three autobiographical novels create a memorable portrait of a young, working-class, black intellectual—a man caught between the bohemian elite of Greenwich Village and the dregs of male prostitution and drug abuse. Wright’s fiction is searingly original in bringing to life a special time, a special place, and the remarkable story of a man living in two worlds. This updated edition shines a spotlight once again on this important writer—a writer whose work is so crucial to our times.
Acclaimed historian Berman and journalist Berger gather a stellar group of writers and photographers who combine their energies to weave a rich tale of New York Citys struggle, excitement, and wonder.
A selection of favorite quotes that the celebrated literary critic has collected over the decades. From Dwight Garner, the New York Times book critic, comes a rollicking, irreverent, scabrous, amazingly alive selection of unforgettable moments from forty years of wide and deep reading. Garner’s Quotations is like no commonplace book you’ll ever read. If you’ve ever wondered what’s really going on in the world of letters today, this book will make you sit up and take notice. Unputdownable!
Using the yardstick that a short story is any fiction under 15,000 words, Ishmael Reed--with the assistance of Carla Blank--has assembled an anthology that reexamines the history of the form across a broader, more inclusive spectrum. The result is a collection that stretches the boundaries of the American literary landscape, including work ranging from animal stories of the Northwest Coast Eyaks to African-American folklore to reflections on the American Muslim experience. Pow-Wow is the sequel to Reed's From Totems to Hip-Hop: A Multicultural Anthology of Poetry Across the Americas, 1900-2002, a volume that included both Tupac Shakur and T. S. Eliot, and was named one of the best poetry anthologies of 2003 by Library Journal. Its fiction-focused follow-up once again demonstrates the broad range of American writing, from such stellar names as Langston Hughes, Gertrude Stein, Russell Banks, and Alejandro Murguíto newly discovered writers of all races, genders, and backgrounds. By presenting many different sides to the American story, the fiction of these writers challenges official history, shatters accepted myths, and provides alternatives to mainstream notions of personal and national identity. Gathering these voices together, Pow Wow offers a fascinating and vital opportunity to traverse the fault lines that separate, distinguish, and define a nation made of many Americas.
This History is intended for a broad audience seeking knowledge of how novels interact with and influence their cultural landscape. Its interdisciplinary approach will appeal to those interested in novels and film, graphic novels, novels and popular culture, transatlantic blackness, and the interfacing of race, class, gender, and aesthetics.
When retail worker Haley Randolph stumbles across the dead body of Lacy Hobbs, who was recently hired by L.A. Affairs to bake a six-foot yellow submarine for high-maintenance Sheridan Adams's A-list charity auction, Haley is blamed for the theft of collectible Beatles bobbleheads and begins to wonder if her new boss Vanessa Lord is trying to sabotage her.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)