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Absent History is an account of the multi-faceted activities of the British Special Branch as it tackled problems of religious extremism, espionage and sedition in Singapore from 1915 to 1942. It documents the severe threats to security and stability beneath the placid peacefulness of that period. Drawing upon previously unavailable archival materials, Absent History reveals the often-privileged view that the Special Branch had of the events and strands of Malayan / Singapore history. period of halcyon peacefulness that popular opinion depicted. Throughout these years, a successive number of countries carried out active espionage and subversion efforts against the colonial government. As these threats accelerated, causing considerable social and security unrest, the British stepped up their counter-espionage and counter-subversion. In 1916 they set up a Special Branch, the predecessor to Singapore's Internal Security Department and the Malayan Special Branch.
For nearly a century, it has been a commonplace of Central European history that there were no Jews in medieval Prussia—the result, supposedly, of the ruling Teutonic Order’s attempts to create a purely Christian crusader’s state. In this groundbreaking historical investigation, however, medievalist Cordelia Hess demonstrates the very weak foundations upon which that assumption rests. In exacting detail, she traces this narrative to the work of a single, minor Nazi-era historian, revealing it to be ideologically compromised work that badly mishandles its evidence. By combining new medieval scholarship with a biographical and historiographical exploration grounded in the 20th century, The Absent Jews spans remote eras while offering a fascinating account of the construction of historical knowledge.
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
There have been many studies on the forced relocation and internment of nearly 120,000 Japanese Americans during World War II. But An Absent Presence is the first to focus on how popular representations of this unparalleled episode in U.S. history affected the formation of Cold War culture. Caroline Chung Simpson shows how the portrayal of this economic and social disenfranchisement haunted—and even shaped—the expression of American race relations and national identity throughout the middle of the twentieth century. Simpson argues that when popular journals or social theorists engaged the topic of Japanese American history or identity in the Cold War era they did so in a manner that tended to efface or diminish the complexity of their political and historical experience. As a result, the shadowy figuration of Japanese American identity often took on the semblance of an “absent presence.” Individual chapters feature such topics as the case of the alleged Tokyo Rose, the Hiroshima Maidens Project, and Japanese war brides. Drawing on issues of race, gender, and nation, Simpson connects the internment episode to broader themes of postwar American culture, including the atomic bomb, McCarthyism, the crises of racial integration, and the anxiety over middle-class gender roles. By recapturing and reexamining these vital flashpoints in the projection of Japanese American identity, Simpson fills a critical and historical void in a number of fields including Asian American studies, American studies, and Cold War history.
The Berlin Sound Archive (Lautarchiv) consists of an extensive collection of sound recordings, compiled for scientific purposes in the first half of the 20th century. Recorded on shellac are stories and songs, personal testimonies and poems, glossaries and numbers. This book engages with the archive by consistently focusing on recordings produced under colonial conditions. With a firm commitment to postcolonial scholarship, Absent Presences in the Colonial Archive is a historical ethnography of a metropolitan institution that participated in the production and preservation of colonial structures of power and knowledge. The book examines sound objects and listening practices that render the coloniality of knowledge fragile and inconsistent, revealing the absent presences of colonial subjects who are given little or no place in established national narratives and collective memories.
Is current archaeological theory stuck at an impasse? Sandra Wallace argues that archaeological theory has become mired as a result of logical and ontological contradictions. By showing that these contradictions are a result of common underlying philosophical assumptions and fallacies this book is able to show how a fresh approach to this discipline is necessary to resolve them, even if this requires re-examining some of the tenants of orthodox archaeology. This fresh approach is achieved by using Critical Realism as an "under labourer" to philosophically evaluate archaeological theory. Starting by assessing the historical impact of philosophy on the discipline and then looking at the current relationship between archaeology and the ontology of the material this book facilitates the construction of discipline specific theory by archaeologists. The result is an approach to archaeology that allows both students and practitioners to free themselves from endemic contradictions and re-discover their approach to archaeological theory.
The Narrative Reader provides a comprehensive survey of theories of narrative from Plato to Post-Structuralism. The broad selection of texts demonstrate the extent to which narrative permeates the entire field of literature & culture
Here in their own words are Frederick Douglass, George Jackson, Chief Joseph, Martin Luther King Jr., Plough Jogger, Sacco and Vanzetti, Patti Smith, Bruce Springsteen, Mark Twain, and Malcolm X, to name just a few of the hundreds of voices that appear in Voices of a People's History of the United States, edited by Howard Zinn and Anthony Arnove. Paralleling the twenty-four chapters of Zinn's A People's History of the United States, Voices of a People’s History is the long-awaited companion volume to the national bestseller. For Voices, Zinn and Arnove have selected testimonies to living history—speeches, letters, poems, songs—left by the people who make history happen but who usually are left out of history books—women, workers, nonwhites. Zinn has written short introductions to the texts, which range in length from letters or poems of less than a page to entire speeches and essays that run several pages. Voices of a People’s History is a symphony of our nation’s original voices, rich in ideas and actions, the embodiment of the power of civil disobedience and dissent wherein lies our nation’s true spirit of defiance and resilience.
With the intension that the students enter the clinical side with a clear concept, this clinical surgery manual is presented with a step-by-step approach. The chapters are designed in such a way that the students come to a diagnosis with an orderly approach. The value addition to this manual is the analysis of symptoms done individually in every chapter for making the understanding very clear. This manual has been evolved to rekindle the interest in students, the desire to improve the art of clinical diagnosis, and will be useful to any surgery student at any level, more importantly the undergraduates.• More than 1800 colour photographs are used to enhance clarity • Clear drawings complement the chapters where photographs cannot be used• Covers all branches of surgery, including Gynaecology, Orthopaedics and ENT with the equal importance as the other chapters.• Chapters written by meticulously chosen recognized and experienced teachers • First multi-author clinical surgery manual from India