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This book examines the narratives of the two Greek recensions of the Testament of Abraham. The genre, characterization, and plot of each recension are discussed and then compared. Ludlow illustrates that Recension A used comedy and humour to give a sophisticated treatment of death, the figure death, and judgment and mercy. Through a careful comparison of narrative elements and vocabulary correspondences between the manuscripts of each recension, he discusses a possible transmission model for the recensions, concluding that Recension A, written in comic form, preceded Recension B. Recension B then excised most of these comic elements.
This first verse-by-verse commentary on the Greek text of the Testament of Abraham places the work within the history of both Jewish and Christian literature. It emphasizes the literary artistry and comedic nature of the Testament, brings to the task of interpretation a mass of comparative material, and establishes that, although the Testament goes back to a Jewish tale of the first or second century CE, the Christian elements are much more extensive than has previously been realized. The commentary further highlights the dependence of the Testament upon both Greco-Roman mythology and the Jewish Bible. This should be the standard commentary for years to come.
In the Gospel of John, the character of Jesus repeatedly comes into conflict with a group pejoratively designated as 'the Jews'. In chapter 8 of the Gospel this conflict could be said to reach a head, with Jesus labeling the Jews as children 'of the devil' (8:44) - a verse often cited as epitomizing early Christian anti-Judaism. Using methods derived from modern and post-modern literary criticism Ruth Sheridan examines textual allusions to the biblical figures of Cain and Abraham in John 8:1-59. She pays particular attention to how these allusions give shape to the Gospel's alleged and infamous anti-Judaism (exemplified in John 8:44). Moreover, the book uniquely studies the subsequent reception in the Patristic and Rabbinic literature, not only of John 8, but also of the figures of Cain and Abraham. It shows how these figures are linked in Christian and Jewish imagination in the formative centuries in which the two religions came into definition.
It is traditional to think we should praise Abraham for his willingness to sacrifice his son as proof of his love for God. But have we misread the point of the story? Is it possible that a careful reading of Genesis 22 could reveal that God was not pleased with Abraham's silent obedience? Widely respected biblical theologian, creative thinker, and public speaker J. Richard Middleton suggests we have misread and misapplied the story of the binding of Isaac and shows that God desires something other than silent obedience in difficult times. Middleton focuses on the ethical and theological problem of Abraham's silence and explores the rich biblical tradition of vigorous prayer, including the lament psalms, as a resource for faith. Middleton also examines the book of Job in terms of God validating Job's lament as "right speech," showing how the vocal Job provides an alternative to the silent Abraham. This book provides a fresh interpretation of Genesis 22 and reinforces the church's resurgent interest in lament as an appropriate response to God.
This book deals with Abraham's reluctance to die and the means by which his death was brought about. God sends the archangel Michael to take Abraham to his death. When Abraham refuses, God eventually send in the Angel of Death, but not before showing Abraham some of the beauties of heaven and earth. A rare and thought-provoking story, which was long ago removed from the Bible.
Get ready for life after death. Combining three books that together have sold nearly 1 million copies, Heaven and the Afterlife gives you Erwin Lutzer’s best reflections on eternity and what it means for you today. The trilogyincludes: One Minute After You Die. A simple and moving explanation of what the Bible teaches about death, this book makes you consider a sobering truth: one minute after you die, your life will not be over. Rather, it will be just beginning—in a place of unimaginable bliss or indescribable gloom. Are you ready for that moment? How You Can Be Sure You Will Spend Eternity with Godsummarizes the Bible’s teaching on salvation, answering questions like, “What role do I play in my own salvation? Can I lose my salvation if I commit a serious sin? What if I doubt that I’m saved?” Your Eternal Reward. This book explores the often-overlooked Scriptures about reward and judgment for Christians, answering questions like, “How will believers be judged? Do rewards for faithfulness vary? If heaven is perfect, why do rewards even matter?” Together these books will help you live faithfully today, readying you for that final hour when you meet your Maker.
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
Meir Sternberg’s classic study is “an important book for those who seek to take the Bible seriously as a literary work.” (Adele Berlin, Prooftexts) In “a book to read and then reread” (Modern Language Review), Meir Sternberg “has accomplished an enormous task, enriching our understanding of the theoretical basis of Biblical narrative and giving us insight into a remarkable number of particular texts.” (Journal of the American Academy of Religion). The result is a “a brilliant work” (Choice) distinguished “both for his comprehensiveness and for the clearly-avowed faith stance from which he understands and interprets the strategies of the biblical narratives.” (Theological Studies). The Poetics of Biblical Narrative shows, in Adele Berlin’s words, “more clearly and emphatically than any book I know, that the Bible is a serious literary work―a text manifesting a highly sophisticated and successful narrative poetics.”