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Fivedolls and 32 detailed costumes re-create clothing worn by the President, Mary Todd Lincoln, andthree sons. Frock coats, stovepipe hats, union suits, evening gowns, morning suits, and much more."
America's first president is spotlighted in this delightful and well-researched treasury of paper dolls. Meticulous representations of Martha, George, and four Custis grandchildren, plus 32 costumes: silk taffeta gown, embroidered waistcoats, knee breeches, black velvet suit, gold satin gown, much more. Accessories include bow-tied shoes, a parasol, and a gilded walking cane. Captions.
Recapture the flavor and drama of American life in 1860 with a family of 9 paper dolls and their 36 authentic costumes. Formal and everyday attire includes hoop skirts and off-the-shoulder dresses for the ladies and military uniforms, cravats, and waistcoats for the gentlemen. "Very detailed, and quite lovely to look at." — The Civil War News.
Three paper dolls and finely rendered costumes show Ronald Reagan in private and political life and in costume for 23 films including Bedtime for Bonzo. Includes biography and captions. 32 full-color illustrations.
Six different dolls representing President and his wife at three different ages; 29 outfits, plus costumed groups of Roosevelt children and grandchildren. Descriptive notes.
Four families (34 dolls) and 170 authentic costumes take children and doll enthusiasts on a fun and educational journey through American history, from the 1650s to the 1860s.
10 dolls, 30 costumes: single-breasted suits, cuffed slacks, tuxedos for men; ankle-length dresses, casual skirts, jacket, bobby socks, and saddle shoes for the ladies. Notes. 16 plates.
Noted paper doll artist Kathy Allert's keen eye for authentic detail is reflected in this meticulously researched and accurately rendered collection. It contains a boy and a girl doll, each approximately 5 1/2" high, and 31 different full-color outfits accurately re-creating the native dress of 19 tribes that span a vast area of the North American continent. Among the traditional costumes (identified on each plate) are an Apache coming-of-age dress; a Tlingit dress with button blanket; an Inuit costume of the Far North, complete with ivory snow goggles and harpoon; the dress of a modern Kiowa princess; the feathered short and fringed leggings of a Crow warrior; the lace-trimmed blouse and multicolored skirt of a young Seminole girl; the brightly decorated trousers and tunic of a Choctaw boy playing stickball; a Pueblo Deer Dancer's costume, decorated with evergreen sprigs; as well as colorful tribal outfits of the Algonquin, Iroquois, Cheyenne, Ojibwa, Sioux, Hopi, Navajo, and other Indian tribes. Headdresses, hats, baskets, jars, dolls, and other accessories complete the authentic native costumes. A unique addition to any paper doll collection, this charming volume offers hours of educational entertainment for doll lovers of all ages. It is an especially useful resource for social studies classes or for anyone interested in the clothing and culture of North American Indians.
Her name was Maria do Carmo Miranda Da Cunha, but to millions around the world she was known as the "Brazilian Bombshell" ... the very essence of Latin fun, verve and vitality. From her first American film appearance in a Betty Grable musical, "Down Argentine Way" (20th Century-Fox), 1940, to her final role with Martin and Lewis, "Scared Stiff" (Paramount), 1953, the irrepressible and irreplaceable Carmen Miranda sang and danced her way across the cinematic screen and into the hearts of an adoring public. Carmen was born in the small northern Portuguese town of Marco de Canavezes in approximately 1909. She was brought to Brazil as a young girl and it was there that she first entered show business. By 1939 she had made some four hundred recordings several Brazilian films, had become a household word throughout South America and a national idol in Brazil when she was "discovered" for the American stage. Her lively sambas, Carnival marches, unique stage presence, and highly demanding rapid-delivery numbers completely overwhelmed audiences. Hollywood immediately clamored for this four-foot, eight-inch dynamo of talent who wore three-inch platforms on her feet and an orchard on her head. Relive those exciting performances with a full-color Carmen Miranda paper doll figure and thirty-one gorgeous costumes from all fourteen American films, including: "Down Argentine Way, " 1940 "Week-End in Havana," 1941 "The Gang's All Here," 1943 "Greenwich Village, " 1944 "Doll Face, " 1945/6 "Copacabana," 1947 "Nancy Goes to Rio," 1948/50 "That Night in Rio," 1941 "Springtime in the Rockies," 1942 "Four Jills in a Jeep," 1943/4 "Something for the Boys ," 1944/5 "If I'm Lucky," 1946 "A Date withJudy," 1948 "Scared Stiff," 1953For film historians, nostalgia enthusiasts, or for a generation that has yet to discover the sheer joy of Carmen Miranda, noted artist Tom Tierney has accurately captured an extraordinary and unforgettable performer in all her mirthful and exotic splendor.
10 dolls, 37 costumes recall American fashions at the beginning of the century through WWI. Dresses, sportswear, military attire, wedding fashions, children's styles, more. Introduction. Descriptive Notes.