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The Dictionary of Greek and Latin Authors and Texts gives a clear overview of authors and Major Works of Greek and Latin literature, and their history in written tradition, from Late Antiquity until present: papyri, manuscripts, Scholia, early and contemporary authoritative editions, translations and comments.
Given that strong asymmetrical dependencies have shaped human societies throughout history, this kind of social relation has also left its traces in many types of texts. Using written and oral narratives in attempts to reconstruct the history of asymmetrical dependency comes along with various methodological challenges, as the 15 articles in this interdisciplinary volume illustrate. They focus on a wide range of different (factual and fictional) text types, including inscriptions from Egyptian tombs, biblical stories, novels from antiquity, the Middle High German Rolandslied, Ottoman court records, captivity narratives, travelogues, the American gift book The Liberty Bell, and oral narratives by Caribbean Hindu women. Most of the texts discussed in this volume have so far received comparatively little attention in slavery and dependency studies. The volume thus also seeks to broaden the archive of texts that are deemed relevant in research on the histories of asymmetrical dependencies, bringing together perspectives from disciplines such as Egyptology, theology, literary studies, history, and anthropology
" Freedom as Marronage" deepens our understanding of political freedom not only by situating slavery as freedom s opposite condition, but also by investigating the experiential significance of the equally important liminal and transitional social space "between" slavery and freedom. Roberts examines a specific form of flight from slavery"marronage"that was fundamental to the experience of Haitian slavery, but is integral to understanding the Haitian Revolution and has widespread application to European, New World, and black Diasporic societies. He pays close attention to the experience of the process by which people emerge "from "slavery "to "freedom, contending that freedom as marronage presents a useful conceptual device for those interested in understanding both normative ideals of political freedom and the origin of those ideals. Roberts investigates the dual anti-colonial and anti-slavery Haitian Revolution (1791-1804) and especially the ideas of German-Jewish thinker Hannah Arendt, Irish political theorist Philip Pettit, American fugitive-turned ex-slave Frederick Douglass, and the Martinican philosopher Edouard Glissant in developing a theory of freedom that offers a compelling interpretive lens to understand the quandaries of slavery, freedom, and political language that still confront us today."
Studies lawsuits to gain freedom for slaves on the grounds of their having traveled to free territory, starting with Somerset v. Stewart (England, 1772), Commonwealth v. Aves (Massachusetts, 1836), Dred Scott v. Sanford, and cases brought questioning the legitimacy of Negro Seamen Acts in the antebellum coastal South. These lawsuits and accounts of them are compared to fugitive slave narratives to shed light on both. The differing impact of freedom obtained from such suits for men and women (women could claim that their children were free, once they were judged free) is examined.
Post Civil War Facts Are Entwined With Fiction “Looking at these two men with the American eye, the differences would perhaps be the more striking, or at least the more immediately apparent, for the first was white and the second black, or, more correctly speaking, brown...but both his swarthy complexion and his curly hair revealed what has been described in the laws of some of our states as a “visible admixture” of African blood.” - Charles W. Chesnutt, The Marrow of Tradition In The Marrow of Tradition, Charles W. Chesnutt takes a page from the post- Civil War American history book and tries to bring it back to life so that the reader can truly understand the roots of race segregation. Set in the fictional southern town of Wellington, the action is based upon the real 1898 Wilmington insurrection that shook the American society to the ground. The novel takes the reader to uncharted territories where the emerging white aristocracy is trying to get rid of the ‘blacks’. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
The Posthuman offers both an introduction and major contribution to contemporary debates on the posthuman. Digital 'second life', genetically modified food, advanced prosthetics, robotics and reproductive technologies are familiar facets of our globally linked and technologically mediated societies. This has blurred the traditional distinction between the human and its others, exposing the non-naturalistic structure of the human. The Posthuman starts by exploring the extent to which a post-humanist move displaces the traditional humanistic unity of the subject. Rather than perceiving this situation as a loss of cognitive and moral self-mastery, Braidotti argues that the posthuman helps us make sense of our flexible and multiple identities. Braidotti then analyzes the escalating effects of post-anthropocentric thought, which encompass not only other species, but also the sustainability of our planet as a whole. Because contemporary market economies profit from the control and commodification of all that lives, they result in hybridization, erasing categorical distinctions between the human and other species, seeds, plants, animals and bacteria. These dislocations induced by globalized cultures and economies enable a critique of anthropocentrism, but how reliable are they as indicators of a sustainable future? The Posthuman concludes by considering the implications of these shifts for the institutional practice of the humanities. Braidotti outlines new forms of cosmopolitan neo-humanism that emerge from the spectrum of post-colonial and race studies, as well as gender analysis and environmentalism. The challenge of the posthuman condition consists in seizing the opportunities for new social bonding and community building, while pursuing sustainability and empowerment.
This exciting, accessible introduction to the field of Sports Studies is the most comprehensive guide yet to the relationships between sport, culture and society. Taking an international perspective, Sport, Culture and Society provides students with the insight they need to think critically about the nature of sport, and includes: a clear and comprehensive structure unrivalled coverage of the history, culture, media, sociology, politics and anthropology of sport coverage of core topics and emerging areas extensive original research and new case study material. The book offers a full range of features to help guide students and lecturers, including essay topics, seminar questions, key definitions, extracts from primary sources, extensive case studies, and guides to further reading. Sport, Culture and Society represents both an important course resource for students of sport and also sets a new agenda for the social scientific study of sport.
Most people know what management is but often people have vague ideas about Manageralism. This book introduces Manageralism and its ideology as a colonising project that has infiltrated nearly every eventuality of human society.
Kamari Maxine Clarke and Deborah A. Thomas argue that a firm grasp of globalization requires an understanding of how race has constituted, and been constituted by, global transformations. Focusing attention on race as an analytic category, this state-of-the-art collection of essays explores the changing meanings of blackness in the context of globalization. It illuminates the connections between contemporary global processes of racialization and transnational circulations set in motion by imperialism and slavery; between popular culture and global conceptions of blackness; and between the work of anthropologists, policymakers, religious revivalists, and activists and the solidification and globalization of racial categories. A number of the essays bring to light the formative but not unproblematic influence of African American identity on other populations within the black diaspora. Among these are an examination of the impact of "black America" on racial identity and politics in mid-twentieth-century Liverpool and an inquiry into the distinctive experiences of blacks in Canada. Contributors investigate concepts of race and space in early-twenty-first century Harlem, the experiences of trafficked Nigerian sex workers in Italy, and the persistence of race in the purportedly non-racial language of the "New South Africa." They highlight how blackness is consumed and expressed in Cuban timba music, in West Indian adolescent girls' fascination with Buffy the Vampire Slayer, and in the incorporation of American rap music into black London culture. Connecting race to ethnicity, gender, sexuality, nationality, and religion, these essays reveal how new class economies, ideologies of belonging, and constructions of social difference are emerging from ongoing global transformations. Contributors. Robert L. Adams, Lee D. Baker, Jacqueline Nassy Brown, Tina M. Campt, Kamari Maxine Clarke, Raymond Codrington, Grant Farred, Kesha Fikes, Isar Godreau, Ariana Hernandez-Reguant, Jayne O. Ifekwunigwe, John L. Jackson Jr., Oneka LaBennett, Naomi Pabst, Lena Sawyer, Deborah A. Thomas
Combining approaches from the fields of performance studies, critical race theory, and transnational American studies, 'Protest EnACTed' argues for the relevance of performance in contemporary US America. Performance, this study suggests, can function as a libratory, affective, and critical practice which citizens employ to publicly express their discontent with corporate America. With the case studies on three activist collectives - 'The Church of Life After Shopping', 'The Billionaires for Bush', and 'The Yes Men' - the author discusses the aesthetic and political work of activist performance. As acts of protest, these performances are critical interventions into the cultural fabric of the United States, and a means for citizens to actively participate in political discourses. 'Protest EnACTed' thus highlights the significance of performance - as both cultural practice and theoretical concept - for the American studies project of cultural critique.