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Clifford differs from other commentators on the Psalms chiefly in his concern with the inner dramatic logic of the Psalms - how they organize the experience and desires of the "pray-er" and bring them to a proper conclusion. His primary concern is to help readers see the pattern and progression within the Psalms, while at the same time attending to the richness of their words and the texture of their imagery.
This second volume completes Richard Clifford's Commentary on the Psalms. The rich imagery of the Psalms has guided and molded pray-ers since ancient times. As we seek to understand the threads and colors of the Psalms, Clifford helps us see their inner dramatic logic, how they organize the experience and desires of the pray-er, and how they seek to move us. His primary concern is to help readers see the pattern and progression within the Psalms, while attending to their complex, evocative nature.
This valuable resource introduces readers to the Old Testament books of wisdom and poetry--Job, Psalms, Proverbs, Ecclesiastes, and Song of Songs--and helps them better understand each book's overall flow. Estes summarizes some of each book's key issues, offers an exposition of the book that interacts with major commentaries and recent studies, and concludes with an extensive bibliography. Now in paperback.
The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship. Overview of Commentary Organization Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology. Each section of the commentary includes: Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope. Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English. Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation. Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here. Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research. Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues. General Bibliography—occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.
The Psalms: Language for All Seasons of the Soul brings together essays from eighteen Old Testament scholars discussing the latest in Psalms scholarship and applying exegetical insights to the life of faith. These essays explore the full range of emotion expressed in the Psalms—from elation to distress—while weaving together observations from biblical scholarship and theology. The reader will gain valuable insights into how the Psalms speak to his or her soul. The book is divided into five sections that: Give an overview of Psalms studies in the 21st century Discuss psalms of praise Explore psalms of lament Look at the big picture of the Psalter as a book Present sermons on the Psalms that are models of evangelical engagement with the text. A Select Bibliography for Psalms Study is included at the end of the book.
The influence of Psalms is immense, both in terms of the worship of God’s people and in the spiritual experience of countless individuals. James H. Waltner aims to help readers find their way through Psalms, encounter God, and be led into obedience and praise.
"Few books were composed over a longer period of time and have exercised more cultural and religious influence than the Psalms, the longest and most complex collection in the Hebrew Bible and arguably one of the most illustrious and durable texts in history. This book is an introduction to the world of the Psalms that focuses on the content and the poetic forms that are encountered in the collection, guiding the reader toward an appreciation of the purposes of the Psalms, and the contribution to the Scriptures of Israel. There is also some background discussion on the development of the Psalms and an overview of the variety and genres of these poetic texts"--
The suffering and vindicated king The Psalter evinces meaningful arrangement. When psalms are read with attentiveness to their textual context, striking connections emerge. In The Arrival of the King: The Shape and Story of Psalms 15–24, Carissa Quinn approaches these psalms as a compositional unity. When read as a unit, Psalms 15–24 tell the story of God's kingdom, established through the suffering and deliverance of his Davidic king. Quinn interprets Psalms 15–24 as a sequence and a chiasm, revealing provocative links in adjacent and parallel psalms. These psalms have a sense of progress, beginning with the question of who may ascend the holy hill and culminating in the divine king's own ascent. They also display recursion, as themes in one psalm are developed in its chiastic parallel. At the peak of the chiasm is Psalm 19, where the king praises God's creation and Torah and prays for righteousness. The Arrival of the King establishes and explores the rewards of approaching the Psalms as a carefully arranged literary work.
The nation of Israel tells its story of the rise of kings not once but twice (Joshua–2 Kings, 1–2 Chronicles); and during this period, they wrote Psalms and gathered together their wise sayings. Then, plunged into the darkness of exile, they had to discover again who God was and what kind of life he called them to live. In the same way, Christians read these texts today for what they share about a promised Messiah and how they explain what life with God looks like in all its complexity.
For two-and-a-half millennia these two psalms have been commented on, translated, painted, set to music, employed in worship, and adapted in literature, often being used disputatiously by Jews and Christians alike. Psalm 1 is about the Law; at the heart of Psalm 2 is the Anointed One ('Messiah'), and together they serve as a Prologue to the rest of the Psalter. They have frequently been read as one composite poem, with the Temple as one of the motifs uniting them. So three themes—Jewish and Christian disputes, the interrelationship of these psalms, and the Temple—are interwoven throughout this reception history analysis. The journey starts in ancient Judaism, moves on to early Christianity, then to rabbinic and medieval Judaism, and so to Christian commentators from the early Middle Ages to the Reformation. The journey pauses to look at four important modes of reception—liturgical use, visual exegesis, musical interpretation, and imitation in English literature. Thirty-eight colour plates and numerous musical and poetic examples bring the work to life. The journey continues by looking at the debates about these psalms which have occupied scholars since the Enlightenment, and ends with a chapter which surveys their reception history in the light of the three key themes.