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Presenting startling new biographical details about Timothy McVeigh and exposing stark contradictions and errors contained in previous depictions of the "All-American Terrorist," this book traces McVeigh's life from childhood to the Army, throughout the plot to bomb the Alfred P. Murrah Federal Building and the period after his 1995 arrest until his 2001 execution. McVeigh's life, as Dr. Wendy Painting describes it, offers a backdrop for her discussion of not only several intimate and previously unknown details about him, but a number of episodes and circumstances in American History as well. In Aberration in the Heartland, Painting explores Cold War popular culture, all-American apocalyptic fervor, organized racism, contentious politics, militarism, warfare, conspiracy theories, bioethical controversies, mind control, the media's construction of villains and demons, and institutional secrecy and cover-ups. All these stories are examined, compared, and tested in Aberration in the Heartland of the Real, making this book a much closer examination into the personality and life of Timothy McVeigh than has been provided by any other biographical work about him
A Los Angeles Times reporter makes use of hundreds of interviews, including a detailed, exclusive interview with Timothy McVeigh, to explore McVeigh's motives--and the movement behind them--for bombing the Oklahoma City federal building in 1995.
Reporting new and never-before-published information about the assassination of John F. Kennedy, this investigation dives straight into the deep end, and seeks to prove the CIA’s involvement in one of the most controversial topics in American history. Featuring intelligence gathered from CIA agents who reported their involvement in the assassination, the case is broken wide open while covering unexplored ground. Gritty details about the assassination are interlaced throughout, while primary and secondary players to the murder are revealed in the in-depth analysis. Although a tremendous amount has been written in the nearly five decades since the assassination, there has never been, until now, a publication to explore the aspects of the case that seemed to defy explanation or logic.
The specter of the marauding serial killer has become a relatively common feature on the American landscape. Reactions to these modern-day monsters range from revulsion to morbid fascination--fascination that is either fed by, or a product of, the saturation coverage provided by print and broadcast media, along with a dizzying array of books, documentary films, websites, and "Movies of the Week". The prevalence in Western culture of images of serial killers (and mass murderers) has created in the public mind a consensus view of what a serial killer is. Most people are aware, to some degree, of the classic serial killer 'profile.' But what if there is a much different 'profile'--one that has not received much media attention? In Programmed to Kill, acclaimed and always controversial author David McGowan takes a fresh look at the lives of many of America's most notorious accused murderers, focusing on the largely hidden patterns that suggest that there may be more to the average serial killer story than meets the eye. Think you know everything there is to know about serial killers? Or is it possible that sometimes what everyone 'knows' to be true isn't really true at all?
In the early morning of April 19, 1995, Timothy McVeigh drove into downtown Oklahoma City in a rented Ryder truck containing a deadly fertilizer bomb that he and his army buddy Terry Nichols had made the previous day. He parked in a handicapped-parking zone, hopped out of the truck, and walked away into a series of alleys and streets. Shortly after 9:00 A.M., the bomb obliterated one-third of the Alfred P. Murrah Federal Building, killing 168 people, including 19 infants and toddlers. McVeigh claimed he'd worked only with Nichols, and at least officially, the government believed him. But McVeigh's was just one version of events. And much of it was wrong. In Oklahoma City, veteran investigative journalists Andrew Gumbel and Roger G. Charles puncture the myth about what happened on that day—one that has persisted in the minds of the American public for nearly two decades. Working with unprecedented access to government documents, a voluminous correspondence with Terry Nichols, and more than 150 interviews with those immediately involved, Gumbel and Charles demonstrate how much was missed beyond the guilt of the two principal defendants: in particular, the dysfunction within the country's law enforcement agencies, which squandered opportunities to penetrate the radical right and prevent the bombing, and the unanswered question of who inspired the plot and who else might have been involved. To this day, the FBI heralds the Oklahoma City investigation as one of its great triumphs. In reality, though, its handling of the bombing foreshadowed many of the problems that made the country vulnerable to attack again on 9/11. Law enforcement agencies could not see past their own rivalries and underestimated the seriousness of the deadly rhetoric coming from the radical far right. In Oklahoma City, Gumbel and Charles give the fullest, most honest account to date of both the plot and the investigation, drawing a vivid portrait of the unfailingly compelling—driven, eccentric, fractious, funny, and wildly paranoid—characters involved.
The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn’t make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel – the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon’s colorful characters – rock stars, hippies, murderers and politicos – happily coexisted alongside a covert military installation.
July 4th, 1984: Committee of the States delegates from twelve states assembled at the California ranch of Colonel Gale to form a compact which called for the elimination of income taxes & the replacement of the Congress of the United States... October 23, 1986: Unknown to the Committee of the States, federal attorneys from six states had already met to form Operation Clean-Sweep. Colonel Gale & associates across the nation were subsequently swept up in a tide of arrests... The book, "COMMITTEE OF THE STATES" is an unparalleled investigative report of one of the most organized & complex movements America has ever known. A provocative oral history of revealing, & at times alarming, dialogue from a wide spectrum of activists who share an apocalyptic vision of a jihad, or holy war, which they believe is starting now. A biography of Colonel William Potter Gale, former staff officer to General Douglas MacArthur & reclusive "godfather of the far right," who formed a militia of his own & declared war against Z.O.G., the Zionist Occupied Government. Journey with reporter Cheri Seymour through the behind-the-scenes dynamics of the Identity Movement, a revolutionary culture that exists parallel to & within mainstream America.
Conspiracy theories are everywhere in post-war American culture. From postmodern novels to The X-Files and from gangsta rap to feminist polemic, there is a widespread suspicion that sinister forces are conspiring to take control of our national destiny, our minds, and even our bodies. Conspiracy explanations can no longer be dismissed as the paranoid delusions of far-right crackpots. Indeed, they have become a necessary response to a risky and increasingly globalized world, in which everything is connected but nothing adds up. Peter Knight provides an engaging and cogent analysis of the development of conspiracy culture, from 1960s' countercultural suspicions about the authorities to the 1990s, where a paranoid attitude is both routine and ironic. Conspiracy Culture analyses conspiracy narratives about familiar topics like the Kennedy assassination, alien abduction, body horror, AIDS, crack cocaine, the New World Order, as well as more unusual ones like the conspiracies of patriarchy and white supremacy. Conspiracy Culture shows how Americans have come to distrust not only the narratives of the authorities, but even the authority of narrative itself to explain What Is Really Going On. From the complexities of Thomas Pynchon's novels to the endless mysteries of The X-Files, Knight argues that contemporary conspiracy culture is marked by an infinite regress of suspicion. Trust no one, because we have met the enemy and it is us.
Conspiracy Theories and the Failure of Intellectual Critique argues that conspiracy theories, including those that conflict with official accounts and suggest that prominent people in Western democracies have engaged in appalling behavior, should be taken seriously and judged on their merits and problems on a case-by-case basis. It builds on the philosophical work on this topic that has developed over the past quarter century, challenging some of it, but affirming the emerging consensus: each conspiracy theory ought to be judged on its particular merits and faults. The philosophical consensus contrasts starkly with what one finds in the social science literature. Kurtis Hagen argues that significant aspects of that literature, especially the psychological study of conspiracy theorists, has turned out to be flawed and misleading. Those flaws are not randomly directed; rather, they consistently serve to disparage conspiracy theorists unfairly. This suggests that there may be a bias against conspiracy theorists in the academy, skewing “scientific” results. Conspiracy Theories and the Failure of Intellectual Critique argues that social scientists who study conspiracy theories and/or conspiracy theorists would do well to better absorb the implications of the philosophical literature.
This book examines the uses of conspiracy tropes in post-Soviet culture, providing the first systematic, in-depth analysis of Russia's most paranoid contemporary authors.