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Following the success of my previous book, which dealt with the pop show Thank Your Lucky Stars, I have now decided to look at the music shows that appeared on A.B.C. Weekend Television. A.B.C. Weekend Television catered for viewers in the Midland and the North for thirteen glorious years from 1956 to 1968. The format will be similar to my previous work. I shall take a chronological view with mini biographies where appropriate, trivia, interesting facts, pictures and opinions (both my own and from the contemporary public.) I shall not be looking at the previous company that was called A.B.C. that morphed into A.T.V. Television. Nor will I be looking at music shows shown on A.B.C. but not directly produced by them. Therefore shows such as Sunday Night At The London Palladium and The Jack Jackson Show will not be featured, as they merit a book in their own right. If a weekend is absent from the diary, it probably means A.B.C. was concentrating on sports that particular weekend. In the 60’s sports such as tennis, rugby league and motor racing had a high profile. Sadly most of the shows mentioned here are not preserved in the archives. Television was considered an ephemeral pleasure back then. Preserving a show was in many cases impossible or too expensive. The powerful music unions discouraged repeat showings and many shows went out live and there was no need to record them. Tapes were reused on a regular basis, with shows being wiped forever within a few weeks of transmission. Mercifully a handful of Oh Boys! survive, along with a snippet of Cliff in the anniversary show The ABC of ABC. A George Formby section from a 1957 Top Of The Bill has popped up on YouTube. A Chas McDevitt clip, featuring a very young Jean Marsh opening a door, may very well come from the same show. British Pathe News have lovely features on Ship Canal Showboat, showing the likes of Thora Hird rehearsing in Manchester in 1956, as well as a feature on Holiday Town Parade. A few Sunday Breaks exist. Sadly I could find nothing from programmes such as Bid For Fame, Top Numbers, After Hours and many more great shows. Writing this book really struck me how viewing habits have changed over the decades. Television was on just two channels. Daytime shows were rare and television ended before midnight. Televisions were expensive. Shows tended to be on at exactly the same time each week to build up audience figures. But some things never change. Even back then some people moaned at the quality of the shows and were fed up of seeing the same stars week in week out. Hopefully you will gain more pleasure reading the book than those killjoys.
This book provides the production history and a contextual interpretation of The Beatles' movies (A Hard Day's Night, Help!, Yellow Submarine, Let It Be) and describes their ability to project the group's image at different stages in their career. It also includes a discussion of all of The Beatles' promotional films and videos, as well as their television cartoon series and the self-produced television special Magical Mystery Tour. Along with The Beatles' feature movies and promos, this analysis also contains documentaries, such as The Compleat Beatles and Anthology, as well as dramatizations of the band's history, such as Backbeat, The Hours and Times, and Two of Us.
In the summer of 1965, the Los Angeles neighborhood of Watts exploded in a race riot that spanned six days, claimed thirty-four lives, and brought America's struggle with racial oppression into harrowing relief. For Johnny Otis, "Godfather of Rhythm and Blues," the events of that summer would inspire one of the most compelling books to ever explore that fateful August in Watts. Originally published in 1968, Listen to the Lambs grew from a letter Otis wrote to an expatriate friend during the days following the riots. Otis moves back and forth between Watts and his own childhood to reveal an alternative history of the riots. Equal parts memoir, social history, and racial manifesto, Listen to the Lambs is a moving witness of collective turmoil and a people for whom the long-promised American Dream was nowhere to be found.
Births, deaths and marriages, No1 singles, drug busts and arrests, famous gigs and awards... all these and much more appear in this fascinating 50 year almanac.Using a page for every day of the calendar year, the author records a variety of rock and pop events that took place on a given day of the month across the years.This Day in Music is fully illustrated with hundreds of pictures, cuttings and album covers, making this the must-have book for any pop music fan.
Since the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women. Shooting Stars of the Small Screen is a comprehensive encyclopedia of more than 450 actors who received star billing or played a recurring character role in a TV Western series or a made-for-TV Western movie or miniseries from the late 1940s up to 2008. Douglas Brode covers the highlights of each actor's career, including Western movie work, if significant, to give a full sense of the actor's screen persona(s). Within the entries are discussions of scores of popular Western TV shows that explore how these programs both reflected and impacted the social world in which they aired. Brode opens the encyclopedia with a fascinating history of the TV Western that traces its roots in B Western movies, while also showing how TV Westerns developed their own unique storytelling conventions.
The hitmakers behind Elvis Presley’s “Hound Dog” and “Jailhouse Rock” recount their rise to songwriting stardom while authoring the classic American R&B sound of countless chart-topping singles. In 1950 a couple of rhythm and blues–loving teenagers named Jerry Leiber and Mike Stoller met for the first time. They discovered their mutual affection for R&B and, as Jerry and Mike put it in this fascinating autobiography, began an argument that has been going on for over fifty years with no resolution in sight. Leiber and Stoller were still in their teens when they started working with some of the pioneers of rock and roll, writing such hits as "Hound Dog," which eventually became a #1 record for Elvis Presley. Jerry and Mike became the King’s favorite songwriters, giving him "Jailhouse Rock" and other #1 songs. Their string of hits with the Coasters, including "Yakety Yak," "Poison Ivy," and "Charlie Brown," is a part of rock ’n’ roll history. They founded their own music label and introduced novel instrumentation into their hits for the Drifters and Ben E. King, including "On Broadway" and "Stand by Me." They worked with everyone from Phil Spector to Burt Bacharach and Peggy Lee. Their smash musical Smokey Joe’s Café became the longest-running musical revue in Broadway history. Lively, colorful, and irreverent, Hound Dog describes how two youngsters with an insatiable love of good old American R&B created the soundtrack for a generation.
Poetry of Royston Ellis, early British Beat poet with introduction author and foreword by Jimmy Page
She could dance on her toes when she was eighteen months old (and by heaven she had to!). June Havoc is the famous younger sister of Gypsy Rose Lee, and the daughter of Mrs. Rose Hovick, whose life story was fancifully portrayed by Ethel Merman in the 1959 smash-hit Broadway musical Gypsy. In Early Havoc, June tells quite another story, the inside story of a ruthless, conscienceless, ambition-driven woman who stripped her own daughters of their childhood. Early Havoc is a book that gets beneath the glitter of “show biz,”, and reveals the savage reality, as only the real autobiography of a trouper can. “A remarkable show-business document that might be titled ‘How to Make Good in Spite of Mother, Men and Marathons!’—TIME “Tensely dramatic...these are the years in which a child and a girl were beaten, pounded and shaped into womanhood.”—New York Herald Tribune
How was American culture disseminated into Britain? Why did many British citizens embrace American customs? And what picture did they form of American society and politics? This engaging and wide-ranging history explores these and other questions about the U.S.'s cultural and political influence on British society in the post-World War II period.
Definitive account of Buddy Holly's life and career published to coincide with 60th anniversary of his death.