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The president of the Abbott and Costello Fan Club and the personal archivist for the Abbott and Costello estates combine their resources to produce this comprehensive, one-of-a-kind volume. Giving in-depth coverage of each of their 36 feature films from start to finish, this is the only book that has the permission of Abbott and Costello estates to use rare personal materials, many of which have never before been seen by the public.
The Abbott & Costello Story is a fond tribute to the comedy team that made Who, What, and I Don't Know the most hilarious names of baseball players ever batted around on the silver screen.
While Bud Abbott and Lou Costello are more famously known for their straight comedy routines, they did make a number of films in which horror played a crucial role. The first part of this critical reference examines the Abbott and Costello "Meet the Monsters" spoof films (Frankenstein, The Invisible Man, Dr. Jekyll and Mr. Hyde and The Mummy). The second sections deals with Abbott and Costello's films with horror elements that do not follow this formula: Hold That Ghost, The Time of Their Lives and Abbott and Costello Meet the Killer, Boris Karloff. The plot of each film is examined in detail with special attention paid to the comedians' styles of comedy, the effect of the horror scenes, and the place of the film in the Abbott and Costello canon. The reactions of critics (then and now) and the influences the films have had on the horror and comedy genres and on pop culture are also discussed. A lengthy introduction provides background on the lives of Bud Abbott and Lou Costello and the development of Universal Studios as the premier horror factory.
Biography of Bud Abbott and Lou Costello, one of the greatest comedy teams of all time.
In post-World War II Los Angeles, a disillusioned used car salesman seeks revenge after his attempt to make the great American film fails miserably. Richard Hudson, woman chaser and used car salesman, has a pimp’s awareness of the ways women (and men) are most vulnerable. One day Richard decides to make an ambitious film, which turns into a fiasco. Enraged, he exacts revenge on all who have crossed him. Praise for The Woman Chaser “A pitilessly hilarious dissection of the American male psyche.” —Chicago Tribune “The most eloquently brainy and exacting pulp-fiction ever fabricated!”—Village Voice
The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.
Rare correspondence from Humphrey Bogart, Audrey Hepburn, Frank Sinatra, Jane Fonda, and other Hollywood luminaries from the silent film era to the 1970s. Letters from Hollywood reproduces in full color scores of entertaining and insightful pieces of correspondence from some of the most notable and talented film industry names of all time—from the silent era to the golden age, and up through the pre-email days of the 1970s. Culled from libraries, archives, and personal collections, the 135 letters, memos, and telegrams are organized chronologically and are annotated by the authors to provide backstories and further context. While each piece reveals a specific moment in time, taken together, the letters convey a bigger picture of Hollywood history. Contributors include celebrities like Greta Garbo, Alfred Hitchcock, Humphrey Bogart, Frank Sinatra, Katharine Hepburn, Marlon Brando, Elia Kazan, Cary Grant, Francis Ford Coppola, Tom Hanks, and Jane Fonda. This is the gift book of the season for fans of classic Hollywood. With a foreword by Peter Bogdanovitch. “This is, quite simply, one of the finest books I’ve ever read about Hollywood.” —Leonard Maltin
With an introduction by Greg Palast, author of bestseller The Best Democracy Money Can Buy, Progressive Hollywood features Rampell?s interviews and interactions with Hollywood luminaries such as producers Jerry Bruckheimer and Robert Greenwald; actors Jack Nicholson, Rob Reiner, Mike Farrell, Ed Asner, Martin Sheen, David Clennon, Gore Vidal and Dennis Hopper; directors Michael Moore, Spike Lee, Oliver Stone and Lionel Chetwynd; blacklisted screenwriters Bernie Gordon (who initiated the 1999 protests against Elia Kazan?s lifetime achievement Oscar), Bobby Lees (who injected dialectical materialism into Abbott and Costello comedies) and Norma Barzman (author of 2003's The Red and the Blacklist).
Fans and scholars of film history, gender studies, and broadcast studies will appreciate Balcerzak's thorough exploration of the era's fascinating gender constructs.
Directors of war and action movies receive access to billions of dollars worth of military equipment and personnel, but it comes with a hidden cost. As a veteran Hollywood journalist shows, the final product is often not just what the director intends but also what the powers-that-be in the military want to project about America's armed forces.