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Scattered throughout New Jersey are remnants of history that are being reclaimed by nature or destroyed by vandals. Author and photographer, Kathleen Butler, takes the reader on a journey back through time to rediscover the little-known history of these forgotten places. Most are deep in the woods of New Jersey; one is only known to the author and is exclusive to this book. Discover ruins from iron-making industries, mills, the railroad, and more. Some of the ruins are from industries that were at their peak, but fell hard when the market was no longer in their favor. They ultimately abandoned their businesses, or they rediscovered another market and moved elsewhere. Some companies tried to establish themselves only to find that the area was not suitable, leaving their failed community behind, or simply went bankrupt. Now, nature is taking over, and soon, these abandoned ruins will disappear forever.
Distributed to some depository libraries in microfiche.
From Manhattan and Brooklyn's trendiest neighbourhoods to the far-flung edges of the outer boroughs, Ellis captures the lost and lonely corners of New York. Step inside the New York you never knew, with 200 eerie images of urban decay
A photographic record of almost three decades of Detroit's changing urban fabric
"We were afraid of its impenetrable darkness. Afraid of its industrial smell. We were afraid of the things that lived beneath its surface and the things that had died there. We were afraid of spotting a hand or a head bobbing in the rafts of garbage that floated by. We were afraid of submerged intake valves that sucked water into the factories along the banks. We were afraid of the river's filth. It wasn't the kind of filth that came from playing with your friends. It was grownup filth. The kind that scared the blue out of water and coated the riverbank with oily black goo. It was the kind of filth you could taste, the kind that could make you sick, maybe even kill you. We were afraid of getting splashed with river water or of touching river rocks. We were afraid of falling in or-God forbid-going under. We were afraid of the river's anger at being so befouled, and afraid, most of all, of the revenge we felt certain the river would exact." New Jersey's Passaic River rises in a pristine wetland and ends in a federal Superfund site. In "An American River," author and New Jersey native Mary Bruno kayaks its length in an effort to discover what happened to her hometown river. The Passaic's wildly convoluted course invites detours into the river's flood-prone natural history, New Jersey's unique geology, the corrupt practices of the Newark chemical plant that produced Agent Orange and poisoned the river with dioxin, and into the lives of an unforgettable cast of characters who have lived and worked along the Passaic and who are trying, even now, to save it. Part natural history, part personal history, part rollicking adventure, the book is a narrative meditation on the wonder of nature, the enduring ties of family, and the power of water and loss. "My great grandmother liked to say, 'Don't shit in the nest, '" writes Bruno. "The Passaic River is an object lesson in what can happen when we ignore that simple, salty advice." ""An American River" is an intricate and satisfying braid of memoir, history, science, nature writing, and acute social observation. This is an invigorating and hopeful book, and its sense of wonder is infectious. It's not, I think, too great a stretch to say that it holds its own on the shelf alongside "Walden," "Silent Spring" and "A Sand County Almanac."" Jonathan Raban Author of "Driving Home: An American Journey"
Originally published: New York: Viking, 1939.
Once the manufacturing powerhouse of the nation, Detroit has become emblematic of failing cities everywhere—the paradigmatic city of ruins—and the epicenter of an explosive growth in images of urban decay. In Beautiful Terrible Ruins, art historian Dora Apel explores a wide array of these images, ranging from photography, advertising, and television, to documentaries, video games, and zombie and disaster films. Apel shows how Detroit has become pivotal to an expanding network of ruin imagery, imagery ultimately driven by a pervasive and growing cultural pessimism, a loss of faith in progress, and a deepening fear that worse times are coming. The images of Detroit’s decay speak to the overarching anxieties of our era: increasing poverty, declining wages and social services, inadequate health care, unemployment, homelessness, and ecological disaster—in short, the failure of capitalism. Apel reveals how, through the aesthetic distancing of representation, the haunted beauty and fascination of ruin imagery, embodied by Detroit’s abandoned downtown skyscrapers, empty urban spaces, decaying factories, and derelict neighborhoods help us to cope with our fears. But Apel warns that these images, while pleasurable, have little explanatory power, lulling us into seeing Detroit’s deterioration as either inevitable or the city’s own fault, and absolving the real agents of decline—corporate disinvestment and globalization. Beautiful Terrible Ruins helps us understand the ways that the pleasure and the horror of urban decay hold us in thrall.