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Aaron G. Green FAIA was an internationally known organic architect of 'striking originality and grace.' His diversified architectural works include residential, commercial, industrial, municipal, judicial, religious, interment, mass housing, and educational projects. Aaron also taught advanced architectural design at Stanford University for fifteen years. In the early 1940s, Aaron became a member of Frank Lloyd Wrights apprentice group, the Taliesin Fellowship. Over the next twenty years, he maintained a close relationship with Frank Lloyd Wright, at whose request Aaron established a San Francisco office in 1951, both for his own practice and as Mr. Wrights West Coast representative. When asked who Aaron was, Wright commented, 'Aaron Green is my son.' Green participated in over thirty Frank Lloyd Wright projects and was appointed by Frank Lloyd Wright as associated architect for the Marin County Civic Center. Shortly before his passing, Green was awarded the first gold medal by the Frank Lloyd Wright Foundation in recognition of his career and accomplishments and dedication to organic architecture.
The author's boyhood home in Alabama, one of Wright's Usonian houses, is the point of departure for the narrative, which interweaves intriguing details of Ford's interest in setting up a planned community and, later, of the development of the Tennessee Valley Authority, the single most important regional development in the United States. Just as the Roosevelt administration was putting together its plans for TVA, Wright was imagining an American utopia - Broadacre City - where every family would be guaranteed a lush green acre of land.
Eight authors’ works of personal nonfiction join with ten stories by Karen Tei Yamashita to illuminate the hidden histories of places large and small. Faced with a scant historical record, Karen Tei Yamashita turns to fiction to animate the secrets of Santa Cruz, the city she’s called home for nearly three decades. Her characters come alive through her signature witty humor and surreal premises, transcending the past and urging themselves into the present to illuminate a hidden geography of this California coastal city unseen in textbooks. Alongside these stories, eight nonfiction writers chart their own counternarratives of place through the greater United States. Diverging and converging in their scale and scope, from an unnamed lot on the bank of the Ohio River to the territory of Guam, their essays use language as an instrument of excavation, uncovering layers of hurt and desire concealed in the land.
Just two words: "But God..." Understand their use in Scripture and you'll never be the same. Whether from the pen of Moses, Paul, or other biblical authors, "But God" appears in various forms hundreds of times in the Bible. To understand these two words as they are used in Scripture is to understand the gospel. This book focuses on nine of the most important appearances of this key phrase, drawing in numerous other passages of Scripture and in the process unfolding the magnificent drama of God's sovereign grace--from his mercy on Noah to our security in a resurrected Savior. James Montgomery Boice wrote, "May I put it quite simply? If you understand those two words--'but God'--they will save your soul. If you recall them daily and live by them, they will transform your life completely." Boice was right. To the left of "But God" in Scripture appear some of the worst human atrocities, characterized by disobedience and rebellion. To the left of "But God" is hopelessness, darkness, and death. But to its right, following "But God," readers of Scripture will find hope, light, and life. Following God's intervention, the story of Scripture becomes one of grace, righteousness, and justice. In fact, this phrase is used to describe God's activity in nearly every great salvation story in the Bible. It is the perfect phrase for highlighting God's grace against the dark backdrop of human sin. "But God" marks God's relentless, merciful interventions in human history. It teaches us that God does not wait for us to bring ourselves to him, but that he acts first to bring about our good. It also teaches us of the potential consequences if God were not to act. Scripture shows over and over that without God's intervening grace, without the "But God" statements in the Bible, the world would be completely lost in sin and under judgment. May the reading of this book, and of the biblical "But God" statements it contains, cause you to understand these two words, recall them regularly, and allow them to transform your understanding of God's grace and thus transform your very life.
An unprecedented look at Frank Lloyd Wright's storied relationship with San Francisco and the Bay Area, highlighting local masterpieces as well as a remarkable body of unbuilt works