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AA Files 73 features contributions on Patrick Hodgkinson and essays and conversations by Matthew Mullane, Mariana Siracusa, Eva Branscome, Nicholas Olsberg, Mike Dempsey, Helen Thomas, Thomas Weaver, Jonathan Sergison, Alberto Ponis, Timothy Brittain-Catlin, Fabrizio Ballabio & Alessandro Conti, Marrikka Trotter, Hans Frei, Gabriela García de Cortázar, Ida Jager, Alex Schweder & Ward Shelley
This title features essays by Lilly Dubowitz on Stefan Sebok, the art historian Karin Gimmi on Max Frisch, the architectural historian Irene Sunwoo on AATV, the oral historian Linda Sandino on the oral archive, the design historian Eric Kindel on stencils and a conversation between John Morgan and Sally Potter about her father."
The Long Road Home is a companion work to the recently published book on the prisoner of war experience in Southeast Asia-Honor Bound by Stuart I. Rochester and Frederick Kiley. The two books were prepared at the request of former Deputy Secretary of Defense William P. Clements, Jr. Some of the early research and drafts of a few chapters are the contribution of Wilber W Hoare, Jr., and Ernest H. Giusti, former JCS historians who helped initiate the project. Davis carried forward the research and writing to completion over a period of many years and is entitled to the fullest credit for production of the final text and documentation. This history of Washington's role in shaping prisoner of war policy during the Vietnam War reveals the difficult, often emotional, and vexing nature of a problem that engaged the attention of the highest officials of the U.S. government, including the president. It examines frictions and disagreements between the State and Defense Departments and within Defense itself as a sometimes conflicted organization struggled to cope with an imposing array of policy issues: efforts to ameliorate the brutal conditions to which the American captives were subjected; relations with families of prisoners in captivity; the proper mix of quiet diplomacy and aggressive publicity; and planning for the prisoners' return. At a pivotal juncture the Department of Defense exerted a major influence on overall policy through its insistence in 1969 that the government "Go Public" with information about the plight of prisoners held by the North Vietnamese and the Viet Cong. There is evidence that this powerful campaign contributed to the gradual improvement in the treatment of the prisoners and to their safe return in 1973. The detailed account of negotiations with the North Vietnamese for the withdrawal of American forces from South Vietnam makes clear how important in all U.S. calculations was securing the release of the prisoners.
This book examines artists’ engagements with design and architecture since the 1980s, and asks what they reveal about contemporary capitalist production and social life. Setting recent practices in historical relief, and exploring the work of Dan Graham, Rita McBride, Tobias Rehberger and Liam Gillick, Bill Roberts argues that design is a singularly valuable lens through which artists evoke, trace and critique the forces and relations of production that underpin everyday experience in advanced capitalist economies.
AA Files is the Architectural Association's (AA) journal of record. Currently under the editorship of Maria Shéhérazade Giudici, AA Files looks to promote original and engaging writing on architecture. It does this by drawing both on the AA's own academic research, public programme, exhibitions and events, as well as by a rich and eclectic mix of architectural scholarship from all over the world. The forthcoming issue of AA Files examines a range of building typologies and histories from Pyongyang to Lusaka and beyond - its geographic remit is broader than any previous issue. It also features articles looking at some of the wider contexts informing architectural practice, including timelines of ecological rupture, ways of measuring the human body, and the emergence of privatised public space. Contributors include Thandi Loewenson, Calvin Chua, Christina Varvia, Elisa Iturbe, Manijeh Verghese and Madeleine Kessler among others.
Through the work of the Italian architect, theorist and historian Paolo Portoghesi (1931-2023), this book offers a new perspective on postmodern architecture, showing the agency of other spheres of knowledge – history, politics and media – in the making of postmodern architectural discourse. It explores how Portoghesi's personal “postmodern project” was based on the triangulation of a renewed interest in historical architectural language, unprecedented use of media and intertwined links between architecture and politics. Organized in a sequence of critical chapters supported by the analysis of Portoghesi's most significant architectural projects – including Casa Baldi (1959), The Mosque in Rome (1975–95) and his Strada Novissima exhibition (1980) – and publications, the book unfolds around the three main themes of history, politics and media. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, the study features previously-unpublished archival material, interviews by the authors and articles from professional and mainstream press to present Portoghesi in his multifaceted role of mediator, politician, historian and designer.