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With special reference of Zoroastrians/Parsees development in Iran and India, particularly in Mumbai.
This Lavishly Ilustrated Volume Attempts To Span A Vast Period Of Time And Gives A Glimpse Of The Life And Times Of The Zoroastrian People In Iran And India As Manifested In Their Art, Religion And Culture.
For many centuries, from the birth of the religion late in the second millennium BC to its influence on the Achaemenids and later adoption in the third century AD as the state religion of the Sasanian Empire, it enjoyed imperial patronage and profoundly shaped the culture of antiquity. The Magi of the New Testament most probably were Zoroastrian priests from the Iranian world, while the enigmatic figure of Zarathushtra (or Zoroaster) himself has exerted continual fascination in the West, influencing creative artists as diverse as Voltaire, Nietzsche, Mozart and Yeats. This authoritative volume brings together internationally recognised scholars to explore Zoroastrianism in all its rich complexity. Examining key themes such as history and modernity, tradition and scripture, art and architecture and minority status and religious identity, it places the modern Zoroastrians of Iran, and the Parsis of India, in their proper contexts. The book extends and complements the coverage of its companion volume, The Everlasting Flame.
Essays on Marxism and Asia begins with the largely forgotten prophet of ancient Iran Zarathushtra, remembered and immortalised by Friedrich Nietzsche’s Also Sprach Zarathustra. In contrast to the infamous clash of civilisation thesis, this book argues for a humanist theory of civilisations and studies the Parsis or Persians who left Iran to settle in India and make it their home. It claims that Parsis, despite being a migrant community, took strength from their Persian heritage and civilisation and rose to become the architects of industrial modernity in India. This book locates this humanist theory in the larger genre of the Asiatic mode of production with caste as its sub- text. It then takes a phenomenological reading of caste in India and says that India is afflicted by a very strange illness called ‘silent blindness’ where humanity is silenced and blinded in front of the caste apparatus. It then analyzes how capitalism and modernity fashioned caste in the image of capitalism and how the Indian right- wing imagined its fascistic politics of race and racial superiority based on the image of caste hierarchy. The problem in India has been that the liberals could not take caste seriously so as to confront it and then annihilate this violent apartheid structure. This, the book argues, has led to the rise of fascism in India. The book concludes with positing two different strands of secularism, namely liberal or bourgeois secularism which merely separates religion and the state (but mixes these when required) and revolutionary secularism which humanises religion and politics first in order to find the human and class content in both. The chapters in this book were originally published in Critique: Journal of Socialist Theory.
This is the first ever comprehensive English-language survey of Zoroastrianism, one of the oldest living religions Evenly divided into five thematic sections beginning with an introduction to Zoroaster/Zarathustra and concluding with the intersections of Zoroastrianism and other religions Reflects the global nature of Zoroastrian studies with contributions from 34 international authorities from 10 countries Presents Zoroastrianism as a cluster of dynamic historical and contextualized phenomena, reflecting the current trend to move away from textual essentialism in the study of religion
Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.
A cutting-edge analysis of 2,500 years of Persian visual, architectural, and material cultures of power and their role in connecting the world. With the rise of the Achaemenid Empire (550–330 BCE), Persian institutions of kingship became the model for legitimacy, authority, and prestige across three continents. Despite enormous upheavals, Iranian visual and political cultures connected an ever-wider swath of Afro-Eurasia over the next two millennia, exerting influence at key historical junctures. This book provides the first critical exploration of the role Persian cultures played in articulating the myriad ways power was expressed across Afro-Eurasia between the sixth century BCE and the nineteenth century CE. Exploring topics such as royal cosmologies, fashion, banqueting, manuscript cultures, sacred landscapes, and inscriptions, the volume’s essays analyze the intellectual and political exchanges of art, architecture, ritual, and luxury material within and beyond the Persian world. They show how Perso-Iranian cultures offered neighbors and competitors raw material with which to formulate their own imperial aspirations. Unique among studies of Persia and Iran, this volume explores issues of change, renovation, and interconnectivity in these cultures over the longue durée.
In the nineteenth century, a number of Zoroastrians emigrated from Iran to India. The subsequent importance of the cultural, religious and political ties between the Zoroastrian communities of Iran and the Zoroastrian communities of India has long been recognised. But despite this, there has been little scholarly attention paid to the changing dynamics of this transnational relationship. This book examines the Zoroastrian community in the late Qajar and early Pahlavi period beyond the borders of Iran to trace this Parsi-Persian relationship. A major theme is the increase in philanthropy directed to the Zoroastrians of Iran by the Parsis and the involvement of the British in encouraging Parsi feelings of patriotism towards Iran. The book shows that not only were Parsis affected by events taking place in Iran, they also contributed to the broader change in attitudes towards Zoroastrians in that country. Using a variety of original sources from Britain, India and Iran, Alexandra Buhler looks at the political, legal, and social position of Zoroastrians in Iran and how different events impacted their attitudes as well as the attitudes of Parsis towards their ancestral homeland. Of particular significance, this book shows, are the seminal years of the Iranian Constitutional Revolution (1906-11) and the rise in the glorification of the pre-Islamic past, which culminated in the state nationalism expounded by Reza Shah. These political moments had a profound impact on how Zoroastrians in India felt about their future in the country and reveal a complex web of relations between the Parsis, the Zoroastrians of Iran, and the British.
Choice Outstanding Academic Title for 2020 With the dramatic rise of Freemasonry in the eighteenth century, art played a fundamental role in its practice, rhetoric, and global dissemination, while Freemasonry, in turn, directly influenced developments in art. This mutually enhancing relationship has only recently begun to receive its due. The vilification of Masons, and their own secretive practices, have hampered critical study and interpretation. As perceptions change, and as masonic archives and institutions begin opening to the public, the time is ripe for a fresh consideration of the interconnections between Freemasonry and the visual arts. This volume offers diverse approaches, and explores the challenges inherent to the subject, through a series of eye-opening case studies that reveal new dimensions of well-known artists such as Francisco de Goya and John Singleton Copley, and important collectors and entrepreneurs, including Arturo Alfonso Schomburg and Baron Taylor. Individual essays take readers to various countries within Europe and to America, Iran, India, and Haiti. The kinds of art analyzed are remarkably wide-ranging-porcelain, architecture, posters, prints, photography, painting, sculpture, metalwork, and more-and offer a clear picture of the international scope of the relationships between Freemasonry and art and their significance for the history of modern social life, politics, and spiritual practices. In examining this topic broadly yet deeply, Freemasonry and the Visual Arts sets a standard for serious study of the subject and suggests new avenues of investigation in this fascinating emerging field.
In the aftermath of the seventh-century Islamic conquest of Iran, Zoroastrians departed for India. Known as the Parsis, they slowly lost contact with their ancestral land until the nineteenth century, when steam-powered sea travel, the increased circulation of Zoroastrian-themed books, and the philanthropic efforts of Parsi benefactors sparked a new era of interaction between the two groups. Tracing the cultural and intellectual exchange between Iranian nationalists and the Parsi community during the late nineteenth and early twentieth centuries, Exile and the Nation shows how this interchange led to the collective reimagining of Parsi and Iranian national identity—and the influence of antiquity on modern Iranian nationalism, which previously rested solely on European forms of thought. Iranian nationalism, Afshin Marashi argues, was also the byproduct of the complex history resulting from the demise of the early modern Persianate cultural system, as well as one of the many cultural heterodoxies produced within the Indian Ocean world. Crossing the boundaries of numerous fields of study, this book reframes Iranian nationalism within the context of the connected, transnational, and global history of the modern era.