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This study of the religious landscape of Indianapolis -- the summative volume of the Lilly Endowment's Project on Religion and Urban Culture conducted by the Polis Center at IUPUI -- aims to understand religion's changing role in public life. The book examines the shaping of religious traditions by the changing city. It sheds light on issues such as social capital and faith-based welfare reform and explores the countervailing pressures of "decentering" -- the creation of multiple (sub)urban centers -- and civil religion's role in binding these centers into one metropolis. Polis Center Series on Religion and Urban Culture -- David J. Bodenhamer and Arthur E. Farnsley II, editors
A collection of North American Indian art that was on exhibit at the Nelson Gallery of Art in Kansas City. The objects, collected from owners around the world, date back 2000 years.
A fascinating and inspirational look at the vital link between the hidden geometrical order of the universe, geometry in nature, and the geometry of the man-made world. The Da Vinci Code has awakened the public to the powerful and very ancient idea that religious truths and mathematical principles are intimately intertwined. Sacred Geometry offers an accessible way of understanding how that connection is revealed in nature and the arts. Over the centuries, temple builders have relied on magic numbers to shape sacred spaces, astronomers have used geometry to calculate holy seasons, and philosophers have observed the harmony of the universe in the numerical properties of music. By showing how the discoveries of mathematics are manifested over and over again in biology and physics, and how they have inspired the greatest works of art, this illuminating study reveals the universal principles that link us to the infinite.
Tracey Hoover examines the legends and traditions that inspired Julie Cuccia-Watts' Ancestral Path Tarot deck. The book highlights the paths that readers may travel along to discover the teachings of our ancestors.
This book offers an account of the sacred music written by Alessandro Scarlatti (1660-1725) in Rome, a city where the composer lived and worked for many years throughout his career. Using archival research, Luca Della Libera provides an overview of Scarlatti’s life and activities in Rome, addresses his connections with the institutions and patrons of the city, and analyses his Roman repertoire in comparison to the sacred music of other contemporary composers, demonstrating its unique characteristics. An appendix includes transcriptions of the archival sources connected with Scarlatti’s activity in Rome. The first major publication in English to address the sacred music repertoire of one of the major composers of the Italian Baroque, this book offers new insights into Scarlatti’s work and a valuable resource for researchers in musicology and early modern studies.