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This book chronicles the journey of Frank S. Errigo, one of two photograhers chosen in the 40s, to take the first color images of World War II. From his journey on the Liberty Ship, to the shores of Algiers, and following the footsteps of Patton across Sicily to the Landing at Anzio and the Liberation of Rome, the striking images in this book are the first color photos of that era. Particpate in that journey through the unforgetable faces of that war.
Thayer Soule couldn't believe his orders. As a junior officer with no military training or indoctrination and less than ten weeks of active duty behind him, he had been assigned to be photographic officer for the First Marine Division. The Corps had never had a photographic division before, much less a field photographic unit. But Soule accepted the challenge, created the unit from scratch, established policies for photography, and led his men into combat. Soule and his unit produced films and photos of training, combat action pictures, and later, terrain studies and photographs for intelligence purposes. Though he had never heard of a photo-litho set, he was in charge of using it for map production, which would prove vital to the division. Shooting the Pacific War is based on Soule's detailed wartime journals. Soule was in the unique position to interact with men at all levels of the military, and he provides intriguing closeups of generals, admirals, sergeants, and privates -everyone he met and worked with along the way. Though he witnessed the horror of war firsthand, he also writes of the vitality and intense comradeship that he and his fellow Marines experienced. Soule recounts the heat of battle as well as the intense training before and rebuilding after each campaign. He saw New Zealand in the desperate days of 1942. His division was rebuilt in Australia following Guadalcanal. After a stint back in Quantico training more combat photographers, he went to Guam and then to the crucible of Iwo Jima. At war's end he was serving as Photographic Officer, Fleet Marine Force Pacific, at Pearl Harbor.
Oxmoor House Great Photographs of World War II (Collectors Edition) The most evocative collection of World War II photographs ever published. Selected by Time Life editors from thousands of images from museums and collections around the world, these photographs tell the haunting story of the war's heroes and horrors. Famous images from LIFE magazine are juxtaposed with rare photographs to give us a unique glimpse of war through the eyes of soldiers and civilians caught up in the most destructive conflict of all time. The editors have assembled over 280 gripping images into 25 chronological photo essays. Here, the most cataclysmic events of the war, from the Battle of Britain and the attack on Pearl Harbor to D-Day and the fall of the Third Reich, are defined by some of the most dramatic photographs of the 20th century. February 2004280+ photos 304 pages1 0 1/2" x 10 1/4" Hardcover with jacket Carton 6, Item 130057 ISBN 0-8487-2818-1 $39.95 US UPC 7-49075-30057-7
Prior to Phil Stern's death on December 13, 2014, his original, unfinished, tattered wartime memoir was discovered, stashed away in an old folio box in his cluttered Hollywood bungalow. Best remembered for his iconic images of James Dean, Marilyn Monroe, and JFK's inauguration, his remarkable service during World War II as a combat photographer with Darby's Rangers has remained largely unknown. Until now. Stern's catchy 1940s lingo, honest and intimate observations, and humor, paired with his striking combat photography, transport the reader 70 years back in time to meet the hardscrabble Rangers and experience some of the key battles of the Mediterranean Theater. Snapdragon is an artifact of that time, told not by a man reminiscing in his twilight years, but by a young soldier fresh from the battlefields.
Assigned to Yank, the weekly magazine written by and for enlisted men, John A. Bushemi, nicknamed "One Shot" for his ability to capture action on film, documented World War II through his photographs. The book captures Bushemi's early days photographing soldiers training at Fort Bragg in North Carolina to his frontline assignments among the grizzled American forces engaged in fighting in the Pacific.
Patton was champing at the bit to lead the D-Day invasion, but Eisenhower placed him in command of a decoy unit, the First U.S. Army Group. Nearly seven weeks after D-Day, Patton finally got his chance to take Third Army into battle. He began a ten-month rampage across France, driving through Germany and into Nazi-occupied Czechoslovakia and Austria. Along the way Third Army forces entered the Battle of the Bulge, breaking the siege of Bastogne. It was a turning point in the war, and afterward the Third Army pushed eastward again. Patton’s Third Army in World War II covers Patton’s command of Third Army with a focus on the armor. It was a new style of fighting, avoiding entrenched infantry warfare by continuously pushing forward, and it appealed to Patton’s hard-charging personality. Archival photos along with frequent quotes complete the portrait of Patton as well as his men as they fight their way across the Third Reich.
"Vietnam through G.I. lenses"--Jacket subtitle.
Discover eight remarkable women war photographers who have documented harrowing and unforgettable crises and combat around the world for the past eighty years. Women have been on the front lines of war for more than a century. With access to places men cannot go, the women who photograph war lend a unique perspective to the consequences of conflict. From intimate glimpses of daily life to the atrocities of war, this exhibition catalog reveals the range and depth of eight women photographers' contributions to wartime photojournalism. Each photographer is introduced by a brief, informative essay followed by reproductions of a selection of their works. Included here are images by Lee Miller, who documented the liberation of Dachau and Buchenwald. The first woman journalist to parachute into Vietnam, Catherine Leroy was on the ground during the Tet Offensive. Susan Meiselas raised international awareness around the Somoza regime's catastrophic effects in Nicaragua. German reporter Anja Niedringhaus worked on assignment in nearly every major conflict of the 1990s, from the Balkans to Libya, Iraq to Afghanistan. The work of Carolyn Cole, Françoise Demulder, Christine Spengler, and Gerda Taro round out this collective profile of courage under pressure and of humanity in the face of war.
The world was made aware of this because photographers were there to record the terror, bravery, and desolation of the assualt. One of them gave his life doing so.".
This book distills the very best of the Imperial War Museum's remarkable and vast photographic collection. It features many unseen images of the war, covering all theaters of operation and including the work of such renowned photographers as Cecil Beaton and Bill Brandt.