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Filled with keen observations, autobiographical notes, and the seeds of many of Maugham's greatest works, A Writer's Notebook is a unique and exhilarating look into a great writer's mind at work. From nearly five decades, Somerset Maugham recorded an intimate journal. In it we see the budding of his incomparable vision and his remarkable career as a writer. Covering the years from his time as a youthful medical student in London to a seasoned world traveler around the world, it is playful, sharp witted, and always revealing. Undoubtedly one of his most significant works, A Writer's Notebook is a must for Maugham fans and anyone interested in the creative process.
Based on the bestselling Oxford Companion to English Literature, this is an indispensable, compact guide to all aspects of English literature. Over 5,500 new and revised A to Z entries give unrivalled coverage of writers, works, historical context, literary theory, allusions, characters, and plot summaries. Discursive feature entries supply a wealth of information about important genres in literature. For this fourth edition, the dictionary has been fully revised and updated to include expanded coverage of postcolonial, African, black British, and children's literature, as well as improved representation in the areas of science fiction, biography, travel literature, women's writing, gay and lesbian writing, and American literature. The appendices listing literary prize winners, including the Nobel, Man Booker, and Pulitzer prizes, have all been updated and there is also a timeline, chronicling the development of English literature from c. 1000 to the present day. Many entries feature recommended web links, which are listed and regularly updated on a dedicated companion website. Written originally by a team of more than 140 distinguished authors and extensively updated for this new edition, this book provides an essential point of reference for English students, teachers, and all other readers of literature in English.
Three criteria were used to determine who among the scores of British writers of fiction, flourishing during the years 1900-1950, would be represented in this research guide. Included are: (1) all generally acknowledged major novelists ; (2) all major men of letters who have made a significant contribution to modern fiction ; (3) all minor writers who have attracted a significant amount of bibliographical, biographical, or critical commentary and who have contributed significantly to the development of modern long and short fiction in Britain.
There is no doubt that this sixth volume in the Japan Society’s highly regarded Britain and Japan series contains many ‘long overdue’ essays of leading personalities with links to Britain and Japan that will be welcomed by the researcher and general reader alike – from the opening essay on Churchill and Japan by Eiji Seki, to the concluding account by Rikki Kersten of the distinguished intellectual liberal Maruyama Masao’s close relationship with Richard Storry and Oxford in particular and his interests in Britain in general. Containing a total of thirty-three entries, thoughtfully and painstakingly compiled and edited by Hugh Cortazzi, there may well be a case for arguing that the best has been kept until last. Indeed, by way of an ‘Envoi’ the book concludes with an account of the Beatles visit to Tokyo in 1965, including a facsimile report for H.M. Government by the British Embassy’s then first secretary, Dudley Cheke. Also of special interest are Hugh Cortazzi’s portraits of Morita Akio and Honda Shoichiro , as well as John Hatcher’s fascinating record of Ian Fleming’s 1959 five-week visit to Japan on behalf of the Sunday Times. The volume is divided up thematically and includes an Index of Biographical Portraits published to date by the Japan Society, and by way of appendix, a highly significant report by Robin Mountfield on the Nissan Negotiations of 1980-84, which resulted in the biggest foreign investment in car manufacturing in Britain.
A Polish writer's experience of wartime France, a cosmopolitan outsider's perspective on politics, culture, and life under duress When the aspiring young writer Andrzej Bobkowski, a self-styled cosmopolitan Pole, found himself caught in occupied France in 1940, he recorded his reflections on culture, politics, history, and everyday life. Published after the war, his notebooks offer an outsider's perspective on the hardships and ironies of the Occupation. In the face of war, Bobkowski celebrates the value of freedom and human life through the evocation--in a daringly untragic mode--of ordinary existence, the taste of simple food, the beauty of the French countryside. Resisting intellectual abstractions, his notes exude a young man's pleasure in physical movement--miles clocked on country roads and Parisian streets on his trusty bike--and they reveal the emergence of an original literary voice. Bobkowski was recognized in his homeland as a master of modern Polish prose only after Communism ended. He remains to be discovered in the English-speaking world.
From 1892, when he was 18, until 1949, when this book was first published, Somerset Maugham kept a notebook. Part autobiographical, part confessional, this is a collection of Maugham's observations, confidences, aspirations and arbitrary jottings.
Available for the first time, Victor Serge's intimate account of the last decade of his life gives a vivid look into the Franco-Russian revolutionary's life, from his liberation from Stalin's Russia to his "Mexico Years," when he wrote his greatest works. In 1936, Victor Serge—poet, novelist, and revolutionary—left the Soviet Union for Paris, the rare opponent of Stalin to escape the Terror. In 1940, after the Nazis marched into Paris, Serge fled France for Mexico, where he would spend the rest of his life. His years in Mexico were marked by isolation, poverty, peril, and grief; his Notebooks, however, brim with resilience, curiosity, outrage, a passionate love of life, and superb writing. Serge paints haunting portraits of Osip Mandelstam, Stefan Zweig, and “the Old Man” Trotsky; argues with André Breton; and, awaiting his wife’s delayed arrival from Europe, writes her passionate love letters. He describes the sweep of the Mexican landscape, visits an erupting volcano, and immerses himself in the country’s history and culture. He looks back on his life and the fate of the Revolution. He broods on the course of the war and the world to come after. In the darkest of circumstances, he responds imaginatively, thinks critically, feels deeply, and finds reason to hope. Serge’s Notebooks were discovered in 2010 and appear here for the first time in their entirety in English. They are a a message in a bottle from one of the great spirits, and great writers, of our shipwrecked time.