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A Toronto Star Bestseller! Rose, a Canadian intelligence officer in Britain in World War II, struggles with conflicting feelings about the war and a superior’s attention. Rose Jolliffe is an idealistic young woman living on a farm with her family in Saskatchewan. After Canada declares war against Germany in World War II, she joins the British Women’s Auxiliary Air Force as an aerial photographic interpreter. Working with intelligence officers at RAF Medmenham in England, Rose spies on the enemy from the sky, watching the war unfold through her magnifying glass. When her commanding officer, Gideon Fowler, sets his sights on Rose, both professionally and personally, her prospects look bright. But can he be trusted? As she becomes increasingly disillusioned by the destruction of war and Gideon’s affections, tragedy strikes, and Rose’s world falls apart. Rose struggles to rebuild her shattered life, and finds that victory ultimately lies within herself. Her path to maturity is a painful one, paralleled by the slow, agonizing progress of the war and Canada’s emergence from Britain’s shadow.
Set during one of the most tumultuous times in the history of America, A Worm's Eye View is both hilarious and heartbreaking. Cal's memories as a Private in 1944, during the invasion of Germany, reveal the everyday life and drudgery of war, and personalize the struggle of millions on both sides of the conflict.
The work of forty-two world-renowned artists, from eleven participating countries, fills this comprehensive and colourful volume. Within its pages, The International Creators' Organization transports its readers around the world on a voyage of discovery, where many treasures of great public art from the twentieth and twenty-first centuries are found and explored. This thoughtful and beautiful book has captured the global essence of dynamic public art, integrating art into the environment. SELLING POINTS: Showcases outstanding examples of public art from eleven participating countries - the UK, Serbia, Finland, The Netherlands, New Zealand, Italy, the USA, Denmark, France, Canada and Japan Includes contributions from forty-two world-renowned artists, including Isamu Noguchi, Daniel Durn, Christo and Jeanne-Claude and Joost van Santen. 1000 colour illustrations
Why did the first civilizations emerge when and where they did? How did Islam become a unifying force in the world of its birth? What enabled the West to project its goods and power around the world from the fifteenth century on? Why was agriculture invented seven times and the steam engine just once?World-historical questions such as these, the subjects of major works by Jared Diamond, David Landes, and others, are now of great moment as global frictions increase. In a spirited and original contribution to this quickening discussion, two renowned historians, father and son, explore the webs that have drawn humans together in patterns of interaction and exchange, cooperation and competition, since earliest times. Whether small or large, loose or dense, these webs have provided the medium for the movement of ideas, goods, power, and money within and across cultures, societies, and nations. From the thin, localized webs that characterized agricultural communities twelve thousand years ago, through the denser, more interactive metropolitan webs that surrounded ancient Sumer, Athens, and Timbuktu, to the electrified global web that today envelops virtually the entire world in a maelstrom of cooperation and competition, J. R. McNeill and William H. McNeill show human webs to be a key component of world history and a revealing framework of analysis. Avoiding any determinism, environmental or cultural, the McNeills give us a synthesizing picture of the big patterns of world history in a rich, open-ended, concise account.
Natural Wonders of the World (Look Down and See) introduces children to twelve amazing natural wonders from a bird's-eye view.
Deaf people in New Zealand are often little known outside their own culture. People of the Eye brings their world to life in personal histories translated into English with a series of photographs of the deaf community. The storytellers are both old and young, and they reflect both the diversity and commonality of deaf experience; the painful lives of a generation brought up forbidden to use sign language contrasted with the confidence of young people using New Zealand Sign Language as they attend school and assert "deaf pride." The differences between children growing up in deaf families and those who struggle with identity as deaf children in hearing families are illuminating. These are stories of joy and sadness, confusion and resolution, and regret and optimism.
In the Old Testament, God used Balaam's donkey to speak to him and protect him from great difficulty. I think in the Atomic Age God has used a small cat to speak to me many times. I don't hear a voice like Balaam, but the messages are just as loud. In a complex age fraught with distractions and dangers, we are in need of reminders of those times when we are about to stray into the abyss. I hear Puderd telling me spiritual life is found in simplicity and knowledge of God is found in quietness. Contentment is found in good friends, not good products. Trust and safety are really beyond our control and we can only have these if we trust in the One who is in control.
NATIONAL BESTSELLER • From “the poet laureate of medicine" (The New York Times) and the author of the classic The Man Who Mistook his Wife for a Hat comes a fascinating exploration of the remarkable, unpredictable ways that our brains cope with the loss of sight by finding rich new forms of perception. “Elaborate and gorgeously detailed.... Again and again, Sacks invites readers to imagine their way into minds unlike their own, encouraging a radical form of empathy.” —Los Angeles Times With compassion and insight, Dr. Oliver Sacks again illuminates the mysteries of the brain by introducing us to some remarkable characters, including Pat, who remains a vivacious communicator despite the stroke that deprives her of speech, and Howard, a novelist who loses the ability to read. Sacks investigates those who can see perfectly well but are unable to recognize faces, even those of their own children. He describes totally blind people who navigate by touch and smell; and others who, ironically, become hyper-visual. Finally, he recounts his own battle with an eye tumor and the strange visual symptoms it caused. As he has done in classics like The Man Who Mistook his Wife for a Hat and Awakenings, Dr. Sacks shows us that medicine is both an art and a science, and that our ability to imagine what it is to see with another person's mind is what makes us truly human.
A clear explanation of a pressing problem and an invitation to take action.-- KIRKUS REVIEWS Plastic garbage knows no borders. In the sea, it floats on ocean currents and makes its way around the globe, threatening seabirds and animals that eat it by mistake and are sometimes caught in plastic waste. Told from the perspective of a Northern Fulmar, a seabird that lives across the oceans of the northern hemisphere, Plastic Sea: A Bird's-eye View uses the most up-to-date science to offer insight into a growing environmental crisis with global implications. If we continue to waste as much plastic as we do today, there will be more plastic than fish in the sea by 2050. Fortunately, there are actions we can take as individuals and as a global community to reduce plastic waste in our oceans. Plastic Sea is an invitation to give seabirds, animals, and the Earth itself a chance to thrive again.