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In this groundbreaking work of history, David Noble examines the origins and implications of the masculine culture of Western science and technology. He begins by asking why women have figure so little in the development of science, and then proceeds—in a fascinating and radical analysis—to trace their absence to a deep-rooted legacy of the male-dominated Western religious community. He shows how over the last thousand years science and the practice and institutions of higher learning were dominated by Christian clerics, whose ascetic culture from the late medieval period militated against the inclusion of women in scientific enterprise. He further demonstrates how the attitudes that took hold then remained more or less intact through the Reformation, and still subtly permeate out thinking despite the secularization of learning. Noble also describes how during the first millennium and after, women at times gained amazingly broad intellectual freedom and participated both in clerical activities and in scholarly pursuits. But, as Noble shows, these episodic forays occurred only in the wake of anticlerical movements within the church and without. He suggest finally an impulse toward “defeminization” at the core of the modern scientific and technological enterprise as it work to wrest from one-half of humanity its part in production (the Industrial Revolution’s male appropriation of labor) and reproduction (the millennium-old quest for the artificial womb). An important book that profoundly examine how the culture of Western Science came to be a world without women.
The landmark, prize-winning, international bestselling examination of how a gender gap in data perpetuates bias and disadvantages women. #1 International Bestseller * Winner of the Financial Times and McKinsey Business Book of the Year Award * Winner of the Royal Society Science Book Prize Data is fundamental to the modern world. From economic development to health care to education and public policy, we rely on numbers to allocate resources and make crucial decisions. But because so much data fails to take into account gender, because it treats men as the default and women as atypical, bias and discrimination are baked into our systems. And women pay tremendous costs for this insidious bias: in time, in money, and often with their lives. Celebrated feminist advocate Caroline Criado Perez investigates this shocking root cause of gender inequality in Invisible Women. Examining the home, the workplace, the public square, the doctor’s office, and more, Criado Perez unearths a dangerous pattern in data and its consequences on women’s lives. Product designers use a “one-size-fits-all” approach to everything from pianos to cell phones to voice recognition software, when in fact this approach is designed to fit men. Cities prioritize men’s needs when designing public transportation, roads, and even snow removal, neglecting to consider women’s safety or unique responsibilities and travel patterns. And in medical research, women have largely been excluded from studies and textbooks, leaving them chronically misunderstood, mistreated, and misdiagnosed. Built on hundreds of studies in the United States, in the United Kingdom, and around the world, and written with energy, wit, and sparkling intelligence, this is a groundbreaking, highly readable exposé that will change the way you look at the world.
First published in 1927, Men Without Women represents some of Hemingway's most important and compelling early writing. In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often-uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heart-wrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.
2012 Reprint of 1958 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. The blurb on the thirty-five cent Ace paperback likens Charles Eric Maine's 1958 novel "World Without Men" to George Orwell's "1984" and Aldous Huxley's "Brave New World." Ordinarily one would regard such a comparison skeptically. Nevertheless, while not rising to the artistic level of the Orwell and Huxley masterpieces, "World Without Men" merits being rescued from the large catalogue of 1950s paperback throwaways. Maine's bases his vision of an ideological dystopia not on criticism of socialism or communism per se, nor of technocracy per se, but rather of feminism. Maine saw in the nascent feminism of his day (the immediate postwar period) a dehumanizing and destructive force, tending towards totalitarianism, which had the potential to deform society in radical, unnatural ways. Maine believed that feminism, as he understood it, derived its fundamental premises from hatred of, not respect for, the natural order. He also believed that feminism entailed a rebellion against sexual dimorphism.
NATIONAL BESTSELLER • Including the story "Drive My Car”—now an Academy Award–nominated film—this collection from the internationally acclaimed author "examines what happens to characters without important women in their lives; it'll move you and confuse you and sometimes leave you with more questions than answers" (Barack Obama). Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders, and even Kafka’s Gregor Samsa, brought together to tell stories that speak to us all. In Men Without Women Murakami has crafted another contemporary classic, marked by the same wry humor and pathos that have defined his entire body of work.
A magic-realism novel on the lot of women in Iran whose heroines reject men and marriage. One woman turns herself into a tree in order to preserve her virginity, another is born anew after being killed by her brother for disobedience.
Women have made great strides toward equal rights over the past hundred years, especially in the West. But when considering the ongoing fight over reproductive rights and equal pay—and the prevalence of sexual violence and domestic abuse—it is clear that a significant gap still exists. With scripture often cited as justification for the marginalization of women, it is time to acknowledge that one of the final barriers to full equality for women is religion. Much has been written about the great strides humankind has made in knocking down many long-held religious beliefs, whether related to the age of the earth or the origin of the species. But religion's negative impact on women has been less studied and discussed. This book is a step toward changing that. Twenty-two women from a variety of backgrounds and Judeo-Christian traditions share their personal stories about how they came to abandon organized religion, and how they discovered life after moving away from religious and supernatural beliefs. Their words serve both as a celebration of all who have taken similar steps under the weight of thousands of years of religious history—and as a source of inspiration for those individuals, especially women, who have deep doubts about their own belief traditions but who don't yet know how to embrace life without falling back on religion.
An analysis of the construction of masculinity in early Soviet culture that finds in the novels of Babel and others an utopian society composed exclusively of men.
This groundbreaking feminist classic dismantles the way we view rape in our culture and replaces it with a genuine understanding and respect for female sexual pleasure. In the original edition, feminist, political, and activist writers alike presented their ideas for a paradigm shift from the "No Means No" model--and the result was the groundbreaking shift to today's affirmative consent model ("Yes Means Yes," as coined by this book). With a timely new introduction, refreshed cover, and the timeless contributions of authors from Kate Harding to Jill Filipovic, Yes Means Yes brings to the table a dazzling variety of perspectives and experiences focused on the theory that educating all people to value female sexuality and pleasure leads to viewing women differently, and ending rape. Yes Means Yes has radical and far-reaching effects: from teaching men to treat women as collaborators and not conquests, encouraging men and women that women can enjoy sex instead of being shamed for it, and ultimately, that our children can inherit a world where rape is rare and swiftly punished.