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The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.
For Yale University Press, which celebrates its hundredth birthday in 2008, the century has been an eventful one, punctuated with no few surprises. The Press has published more than 8,000 volumes through the years, scores of bestsellers and award-winners among them, and these books have come to fruition through the efforts of a host of colorful authors, editors, directors, board members, and others of intellectual and literary renown. With an ear always cocked for an interesting tale, one of today's best storytellers presents an anecdote-rich chronicle of the Press's first 100 years. Nicholas Basbanes, whom David McCullough has called the leading authority of books about books, quickly convinces us that the Press's history, while bookish, is also lively and fascinating. Basbanes explores the saga behind the acquisition of Eugene O'Neill's blockbuster play, the all-time Yale bestseller Long Day's Journey into Night; the controversy sparked in 1965 by publication of The Vinland Map; the origins of the groundbreaking Annals of Communism series, initiated in the wake of the Soviet Union's demise; and many more highlights from Press annals. Basbanes looks at the reasons behind the publisher's remarkable financial success, and he completes A World of Letters with a glimpse at the new initiatives that will propel the Press into a second exciting century.
In A Splendor of Letters, Nicholas A. Basbanes continues the lively, richly anecdotal exploration of book people, places, and culture he began in 1995 with A Gentle Madness (a finalist that year for the National Book Critics Circle Award) and expanded in 2001 with Patience & Fortitude, a companion work that prompted the two-time Pulitzer Prize-winning historian and biographer David McCullough to proclaim him "the leading authority of books about books." In this beautifully packaged edition, Basbanes brings to a close his wonderful trilogy on the remarkable world of books and bibliophiles.
Spanning 350 years of American history and culture, a collection of more than two hundred letters, many never before published, reveals the personalities and feelings of Americans great and small, from Amelia Earhart to Elvis Presley to Malcolm X. Reprint.
An intriguing collection of the most inspiring and powerful letters of all time. The written word has the power to inspire, astonish and entertain, as this collection of 100 letters that changed history will show. Ordered chronologically, the letters range from ink-inscribed tablets that vividly describe life in the Roman Empire to remarkable last wills and testaments, passionate outpourings of love and despair, and succinct notes with deadly consequences. Entries include: • A job application from Leonardo da Vinci, with barely a mention of his artistic talents. • Henry VIII's love letters to Anne Boleyn, which eventually led to the dissolution of the monasteries. • The scrawled note that brought about Oscar Wilde's downfall. • Emile Zola's 'J'accuse!' open letter, in support of an alleged spy and against anti-Semitism. • Beatrix Potter's correspondence with a friend's son that introduced the character of Peter Rabbit. • A last letter from the Titanic. • Nelson Mandela's ultimatum to the South African president. A stunning new edition with an elegant new cover, this fascinating book is perfect both for reading cover-to-cover and dipping into to discover the delights within.
SSecret letters spark true love in this emotionally compelling romance from the New York Times bestselling author of A Curse So Dark and Lonely, Brigid Kemmerer. Juliet Young always writes letters to her mother, a world-traveling photojournalist. Even after her mother's death, she leaves letters at her grave. It's the only way Juliet can cope. Declan Murphy isn't the sort of guy you want to cross. In the midst of his court-ordered community service at the local cemetery, he's trying to escape the demons of his past. When Declan reads a haunting letter left beside a grave, he can't resist writing back. Soon, he's opening up to a perfect stranger, and their connection is immediate. But neither Declan nor Juliet knows that they're not actually strangers. When life at school interferes with their secret life of letters, sparks will fly as Juliet and Declan discover truths that might tear them apart.
Outstanding selection of great letters from ancient times to the 21st century, touching on power, love, art, sex, faith, and war. Written in History: Letters that Changed the World celebrates the great letters of world history, and cultural and personal life. Bestselling, prizewinning historian Simon Sebag Montefiore selects letters that have changed the course of global events or touched a timeless emotion—whether passion, rage, humor—from ancient times to the twenty-first century. Some are noble and inspiring, some despicable and unsettling, some are exquisite works of literature, others brutal, coarse, and frankly outrageous, many are erotic, others heartbreaking. It is a surprising and eclectic selection, from the four corners of the world, filled with extraordinary women and men, from ancient times to now. Truly a choice of letters for our own times encompassing love letters to calls for liberation to declarations of war to reflections on life and death. The writers vary from Elizabeth I and Catherine the Great to Mandela, Stalin and Picasso, Fanny Burney and Emily Pankhurst to Ada Lovelace and Rosa Parks, Oscar Wilde, Chekhov and Pushkin to Balzac, Mozart and Michelangelo, Hitler, Rameses the Great and Alexander Hamilton to Augustus and Churchill, Lincoln, Donald Trump and Suleiman the Magnificent. In a book that is a perfect gift, here is a window on astonishing characters, seminal events, and unforgettable words. In the colorful, accessible style of a master storyteller, Montefiore shows why these letters are essential reading and how they can unveil and enlighten the past—and enrich the way we live now.
If you could talk to your younger self, what would you tell her? If you could equip her for the challenges she would face today, with the Church plagued by scandal and the culture on the verge of collapse, what would you say? In Letters to Myself from the End of the World, Emily Stimpson Chapman answers those questions, weaving Catholic theology, biblical wisdom, and her own life experience into forty-five “letters” to her twenty-five-year-old self. Both personal and practical, Chapman’s letters reflect upon sin and grace, the Church’s sacraments and saints, scandals and injustice, social media and prayer, suffering, adoption, motherhood, and much more. Written in real time, during the summer and fall of 2020, while pandemics and riots filled the news and as Chapman and her husband prepared to adopt a second child, Letters to Myself from the End of the World is a faithful guide for pursuing holiness and spiritual maturity in a world broken by sin. It’s also a testimony to the power of grace to heal our hearts, renew our minds, and transform our lives.
A circle of young friends pass on a chain of "letters" starting from A and going all the way to Z.
The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.