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This study considers the extent to which economic modernisation has transformed the rural community. In doing so it discusses whether the distinctive character of rural identity has been eroded by powerful and distant political and cultural forces. This is the first full-length ethnography of an Irish community for a number of years. Since the early 1980s, the anthropological analysis of community life in Ireland has been limited to brief articles whilst major community studies have been published in other European countries. The author has regularly worked in Ireland.
Sex discrimination is supposedly a distant memory. Yet popular books, magazines and even scientific articles defend inequalities by citing immutable biological differences between the male and female brain. Why are there so few women in science and engineering, so few men in the laundry room? Well, they say, it's our brains.
Once the US was the only country in the world to offer a doctorate for studio artists, however the PhD in fine art disappeared after pressures established the MFA as the terminal degree for visual artists. Subsequently, the PhD in fine art emerged in the UK and is now offered by approximately 40 universities. Today the doctorate is offered in most English-speaking nations, much of the EU, and countries such as China and Brazil. Using historical, political, and social frameworks, this book investigates the evolution of the fine art doctorate in the UK, what the concept of a PhD means to practicing artists from the US, and why this degree disappeared in the US when it is so vigorously embraced in the UK and other countries. Data collected through in-depth interviews examine the perspectives of professional artists in the US who teach graduate level fine art. These interviews disclose conflicting attitudes toward this advanced degree and reveal the possibilities and challenges of developing a potential doctorate in studio art in the US.
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Develops a theory of intercultural literature to reconcile diversity with traditional notions of German identity
French philosophy since World War II has been preoccupied with the issue of difference. Specifically, it has wanted to promote or to leave room for ways of living and of being that differ from those usually seen in contemporary Western society. Given the experience of the Holocaust, the motivation for such a preoccupation is not difficult to see. For some thinkers, especially Jean-Luc Nancy, Jacques Derrida, Emmanuel Levinas, and Gilles Deleuze, this preoccupation has led to a mode of philosophizing that privileges difference as a philosophical category. Nancy privileges difference as a mode of conceiving community, Derrida as a mode of conceiving linguistic meaning, Levinas as a mode of conceiving ethics, and Deleuze as a mode of conceiving ontology. Reconsidering Difference has a twofold task, the primary one critical and the secondary one reconstructive. The critical task is to show that these various privilegings are philosophical failures. They wind up, for reasons unique to each position, endorsing positions that are either incoherent or implausible. Todd May considers the incoherencies of each position and offers an alternative approach. His reconstructive task, which he calls "contingent holism," takes the phenomena under investigation—community, language, ethics, and ontology—and sketches a way of reconceiving them that preserves the motivations of the rejected positions without falling into the problems that beset them.
Whether carried by emigrants and exiles, or distributed by commercial networks, Irish traditional music is one of the most popular World Music genres. Clare, at the western edge of Europe on Ireland's Atlantic seaboard, enjoys unrivaled status as a Home of the Music, a magnet for tourists and aficionados eager to enjoy the authentic sounds of Ireland. Gearóid Ó hAllmhuráin - a fourth generation Clare concertina player and an internationally recognized authority on Irish traditional music- unveils the inner sanctum of this soundscape with the deft skills of a native storyteller and the panoptic lens of a transdisciplinary scholar.
Have you ever wondered if you were made for more? What is our purpose in this life? Can we really make a difference? Pastor and author Gregg Matte believes we can. You were made for more than watching. You have a history-changing, difference-making, life-giving, Spirit-empowered legacy to leave. As Jesus works deeply in you and clearly through you, you will be a difference maker. The first step to being a difference maker is having a difference made in you. Once God has made the gospel difference in your life, you will be ready to go in His name and play your part in changing the world. Are you ready to jump in? Are you ready to make the Difference Maker Declaration?