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Fascinating, never-before-published interviews with Broadway's leading men offer behind-the-scenes looks at the careers of some of the most beloved perfomers today. In A Wonderful Guy, a follow up to Nothing Like a Dame: Conversations with the Great Women of Musical Theater, theatre journalist Eddie Shapiro sits down for intimate, career-encompassing conversations with nineteen of Broadway's most prolific and fascinating leading men. Full of detailed stories and reflections, his conversations with such luminaries as Joel Grey, Ben Vereen, Norm Lewis, Gavin Creel, Cheyenne Jackson, Jonathan Groff and a host of others dig deep into each actor's career; together, these chapters tell the story of what it means to be a leading man on Broadway over the past fifty years. Alan Cumming described Nothing Like a Dame, as "an encyclopedia of modern musical theatre via a series of tender meetings between a diehard fan and his idols. Because of Eddie Shapiro's utter guilelessness, these women open up and reveal more than they ever have before, and we get to be the third guest at each encounter." A Wonderful Guy brings more fly-on-the-wall opportunities for fans to savour, students to study, and even the unindoctrinated to understand the life of the performing artist.
Fascinating, never-before-published interviews with Broadway's leading men offer behind-the-scenes looks at the careers of some of the most beloved perfomers today. In A Wonderful Guy, a follow up to Nothing Like a Dame: Conversations with the Great Women of Musical Theater, theatre journalist Eddie Shapiro sits down for intimate, career-encompassing conversations with nineteen of Broadway's most prolific and fascinating leading men. Full of detailed stories and reflections, his conversations with such luminaries as Joel Grey, Ben Vareen, Norm Lewis, Gavin Creel, Cheyenne Jackson, Jonathan Groff and a host of others dig deep into each actor's career; together, these chapters tell the story of what it means to be a leading man on Broadway over the past fifty years. Alan Cumming described Nothing Like a Dame, as an encyclopedia of modern musical theatre via a series of tender meetings between a diehard fan and his idols. Because of Eddie Shapiro's utter guilelessness, these women open up and reveal more than they ever have before, and we get to be the third guest at each encounter. A Wonderful Guy brings more fly-on-the-wall opportunities for fans to savour, students to study, and even the unindoctrinated to understand the life of the performing artist.
Is it true that nice guys finish last? It sure seems that way as a divorced man fights his way through a comedic dating scene. Will he ever find his soul mate? Phil has been called the male version of Carrie Bradshaw. Enjoy his humorous essays about relationships and the struggles we all have finding and keeping lovers. Women appreciate his open view into the minds of men. Artist Mike Swaim adds to the hilarity with his brilliant sketches, giving another dimension to Phil's quest for love.
Renowned for his biting satires of politics, government, money, and other chimeras, Hoppe here takes a fresh stab at world events while bringing a skewering wit to his own life in journalism. With his usual combination of charm and provocation, he describes his plans for the "Nobody for President" campaign, writes about "Private Oliver Drab" in Vietnam, and reveals the foibles of presidents "Elbie Jay," Nixon, and Clinton (Hillary is a cross between Eleanor Roosevelt and Eva Peron).
Stanley Hauerwas is one of the most important and robustly creative theologians of our time, and his work is well known and much admired. But Nicholas Healy -- himself an admirer of Hauerwas s thought -- believes that it has not yet been subjected to the kind of sustained critical analysis that is warranted by such a significant and influential Christian thinker. As someone interested in the broader systematic-theological implications of Hauerwas s work, Healy fills that gap in Hauerwas: A (Very) Critical Introduction. After a general introduction to Hauerwas s work, Healy examines three main areas of his thought: his method, his social theory, and his theology. According to Healy, Hauerwas s overriding concern for ethics and church-based apologetics so dominates his thinking that he systematically distorts Christian doctrine. Healy illustrates what he sees as the deficiencies of Hauerwas s theology and argues that it needs substantial revision.
Timothy Carrier is an ordinary guy who enjoys a beer after work. But tonight is no ordinary night. Instead, Tim will face a terrifying decision: Help or run. For the jittery stranger sitting beside him at the bar has mistaken Tim for someone else—and passes him a manila envelope stuffed with cash and the photo of a pretty woman. “Ten thousand. The rest when she’s gone.” Now everything Tim thinks he knows—even about himself—will be challenged. For Tim Carrier is the one man who can save an innocent life and stop a killer as relentless as evil incarnate. But first he must discover resources within himself that will transform his idea of who he is and what it takes to be the good guy. BONUS: This edition contains an excerpt from Dean Koontz's The City.
Originally published as an e-book that became a controversial media phenomenon, No More Mr. Nice Guy! landed its author, a certified marriage and family therapist, on The O'Reilly Factor and the Rush Limbaugh radio show. Dr. Robert Glover has dubbed the "Nice Guy Syndrome" trying too hard to please others while neglecting one's own needs, thus causing unhappiness and resentfulness. It's no wonder that unfulfilled Nice Guys lash out in frustration at their loved ones, claims Dr. Glover. He explains how they can stop seeking approval and start getting what they want in life, by presenting the information and tools to help them ensure their needs are met, to express their emotions, to have a satisfying sex life, to embrace their masculinity and form meaningful relationships with other men, and to live up to their creative potential.
In Nothing Like a Dame, theater journalist Eddie Shapiro opens a jewelry box full of glittering surprises, through in-depth conversations with twenty leading women of Broadway. He carefully selected Tony Award-winning stars who have spent the majority of their careers in theater, leaving aside those who have moved on or occasionally drop back in. The women he interviewed spent endless hours with him, discussing their careers, offering insights into the iconic shows, changes on Broadway over the last century, and the art (and thrill) of taking the stage night after night. Chita Rivera describes the experience of starring in musicals in each of the last seven decades; Audra McDonald gives her thoughts on the work that went into the five Tony Awards she won before turning forty-one; and Carol Channing reflects on how she has revisited the same starring role generation after generation, and its effects on her career. Here too is Sutton Foster, who contemplates her breakout success in an age when stars working predominately in theater are increasingly rare. Each of these conversations is guided by Shapiro's expert knowledge of these women's careers, Broadway lore, and the details of famous (and infamous) musicals. He also includes dozens of photographs of these players in their best-known roles. This fascinating collection reveals the artistic genius and human experience of the women who have made Broadway musicals more popular than ever-a must for anyone who loves the theater.
Brian Donlevy (1901-1972) was an underrated film actor with surprising range and a little-heralded gift for comedy. Often typecast as a villain, he played the definitive bad guy in such films as Destry Rides Again, Union Pacific and Beau Geste (all in 1939). He showed his versatility in the title role of Preston Sturges' political satire The Great McGinty (1940) and impressed both New York critics and the Soviet government as the cooly authoritative Major Caton in Wake Island (1942). Donlevy was fondly remembered as globe-trotting U.S. Special Agent Steve Mitchell in the television series Dangerous Assignment (1952) and as Professor Quatermass in two acclaimed science fiction films. This first ever biography of Donlevy covers his colorful early life as a boy soldier, his years playing comedy roles on Broadway and his long career in Hollywood.