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Check Engine and Other Stories, the debut short story collection by Jennifer Companik is a dive into ten literary short stories that feature both female and male protagonists. The duality in gender roles & expectations, married and unmarried, ghosts and death are but samples of what's inside. Companik's depth and layered story structure are bound to keep you checking in to make sure all the lights are on. Stories in this book have been featured in Glassworks, The London Reader, The Northern Virginia Review, and others.
Judith Viorst is known and loved by readers of all ages, for children’s books such as Alexander and the Terrible, Horrible, No Good, Very Bad Day; nonfiction titles, including the bestseller Necessary Losses; and her collections of humorous poetry, which make perfect gifts for birthdays, Mother’s Day, graduation, Christmas, Chanukah, or at any time of year. When Did I Stop Being Twenty and Other Injustices brings together the best of Judith Viorst's witty, insightful poetry, including many favorites from out-of-print collections. Whether she's finding herself or finding a sitter, or contemplating her sex life as she rubs the hormone night cream on her face, Viorst explores the true and funny ironies all women encounter growing up in the modern world. Here is a young single girl from Irvington, NJ, leaving her parents' home for life in the big city ("No I do not believe in free love/And yes I will be home for Sunday dinners," she promises). Here is the aspiring bohemian with an expensive liberal arts education, getting coffee and taking dictation, "Hoping that someday someone will be impressed/With all I know." Here is that married woman, coping with motherhood ("The tricycles are cluttering my foyer/The Pop Tart crumbs are sprinkled on my soul") and fantasy affairs ("I could imagine cryptic conversations, clandestine martinis...and me explaining that long kisses clog my sinuses") and all-too-real family reunions ("Four aunts in pain taking pills/One cousin in analysis taking notes"). And here she is at mid-life, wondering whether a woman who used to wear a "Ban the Bomb" button can find happiness being a person with a set of fondue forks, a fish poacher, and a wok. Every step of the way, Viorst transforms the familiar events of daily life into poems that make you laugh with recognition. When Did I Stop Being Twenty and Other Injustices demonstrates once and for all that no one understands American women coming of age like Judith Viorst.
In What My Mother Gave Me, women look at the relationships between mothers and daughters through a new lens: a daughter’s story of a gift from her mother that has touched her to the bone and served as a model, a metaphor, or a touchstone in her own life. The contributors of these thirty-one original pieces include Pulitzer Prize winners, perennial bestselling novelists, and celebrated broadcast journalists. Whether a gift was meant to keep a daughter warm, put a roof over her head, instruct her in the ways of womanhood, encourage her talents, or just remind her of a mother’s love, each story gets to the heart of a relationship. Rita Dove remembers the box of nail polish that inspired her to paint her nails in the wild stripes and polka dots she wears to this day. Lisa See writes about the gift of writing from her mother, Carolyn See. Cecilia Muñoz remembers both the wok her mother gave her and a lifetime of home-cooked family meals. Judith Hillman Paterson revisits the year of sobriety her mother bequeathed to her when Paterson was nine, the year before her mother died of alcoholism. Abigail Pogrebin writes about her middle-aged bat mitzvah, for which her mother provided flowers after a lifetime of guilt for skipping her daughter’s religious education. Margo Jefferson writes about her mother’s gold dress from the posh department store where they could finally shop as black women. Collectively, the pieces have a force that feels as elemental as the tides: outpourings of lightness and darkness; joy and grief; mother love and daughter love; mother love and daughter rage. In these stirring words we find that every gift, ?no matter how modest, tells the story of a powerful bond. As Elizabeth Benedict points out in her introduction, “whether we are mothers, daughters, aunts, sisters, or cherished friends, we may not know for quite some time which presents will matter the most."
Bliss and Other Stories is a 1920 collection of short stories by the New Zealand writer Katherine Mansfield.
Since 9/11 there has been a cultural and political blossoming among those of the Afghan diaspora, especially in the United States, revealing a vibrant, active, and intellectual Afghan American community. And the success of Khaled Hosseni's The Kite Runner, the first work of fiction written by an Afghan American to become a bestseller, has created interest in the works of other Afghan American writers. One Story, Thirty Stories (or "Afsanah, Seesaneh," the Afghan equivalent of "once upon a time") collects poetry, fiction, essays, and selections from two blogs from thirty-three men and women—poets, fiction writers, journalists, filmmakers and video artists, photographers, community leaders and organizers, and diplomats. Some are veteran writers, such as Tamim Ansary and Donia Gobar, but others are novices and still learning how to craft their own "story," their unique Afghan American voice. The fifty pieces in this rich anthology reveal journeys in a new land and culture. They show people trying to come to grips with a life in exile, or they trace the migration maps of parents. They navigate the jagged landscape of the Soviet invasion, the civil war of the 1990s and the rise of the Taliban, and the ongoing American occupation.
The lives of two young women fighting for salvation in the face of ruinous brutality and loss intertwine in this “extraordinary [and] poetic” (NPR) novel from the award-winning author of Evening. “A haunting portrayal.”—Vanity Fair “Clear and searing.”—The Boston Globe A NEW YORK TIMES BOOK REVIEW AND ECONOMIST BEST BOOK OF THE YEAR Esther is a precocious Ugandan teenager who is abducted from her Catholic boarding school by Joseph Kony’s rebels and, along with twenty-nine of her classmates, forced to witness and commit unspeakable atrocities in the Lord’s Resistance Army. Jane is a sensual, idealistic American writer often waylaid by romantic pleasure who has come to Africa hoping to regain her center after a devastating marriage. Absorbed into a group of glamorous, nomadic expatriates in a landscape of singular beauty and intensity, Jane is reawakened. But she is on a journalistic mission as well, hoping to give voice to the thirty abducted girls she first heard about back in America. In unflinching prose, Susan Minot interweaves the stories of these two astonishing young women who, as they confront displacement and heartbreak, are hurtled inexorably closer to one another.
Featuring advice, wisdom, and observations from an array of prominent and beloved women, 30 Things Every Woman Should Have and Should Know by the Time She's 30 is an essential guide (and perfect gift) for women on the brink of thirty--and for those who are already there! Fifteen years ago, Glamour published a list of distinctive yet universally true must-haves and must-knows for women on the cusp of and beyond the age of thirty titled, "30 Things Every Woman Should Have and Should Know by the Time She's 30." It became a phenomenon. Originally penned by Glamour columnist Pamela Redmond Satran, The List found a second life when women began to forward it to one another online, millions of times. It became a viral sensation, misattributed to everyone from Maya Angelou to Hillary Clinton--but there's only one original list, and it stands the test of time. Quirky and profound, The List defines the absolute must-haves (#11: "A set of screwdrivers, a cordless drill, and a black lace bra") and must-knows (#1: "How to fall in love without losing yourself") for grown-up female happiness. Now, Glamour magazine has gathered together its editors and an incredible group of notable women to expand on each of the items on The List in wise, thoughtful, and intimate essays. Kathy Griffin meditates on knowing when to try harder and when to walk away. Lisa Ling explores the idea that your childhood may not have been perfect, but it's over, and Lauren Conrad shares what she has learned about what she would and wouldn't do for money or love. Other personal insights come from Maya Angelou, Rachel Zoe, Taylor Swift, Katie Couric, Portia de Rossi, Kelly Corrigan, ZZ Packer, Bobbi Brown, Padma Lakshmi, Angie Harmon, and many more. Along with essays based on The List, writers share their feelings about what the milestone of turning thirty meant to them. 30 Things Every Woman Should Have and Should Know by the Time She's 30 is the one book women of all ages will turn to for timely and timeless wisdom.
What's the big deal? Unlike a lot of people, Matt Beckford is actually looking forward to turning thirty. His twenties really weren't so great...and now he has his love life, his career, his finances -- even his record collection -- pretty much in order, like any good grown-up should. But when, out of the blue, Elaine announces she "can't do this anymore," Matt is left with the prospect of facing the big three-oh alone. Compounding his misery is the fact that he has to move back in with his parents. What's it all about, Alfie? Mum and Dad immediately start driving Matt up the wall, and emails from Elaine and nights out with his old school chum Gershwin aren't enough to snap Matt out of his existential funk. So he decides to track down more old schoolmates and see how they're handling this thirty thing. One by one, he gets in touch with the rest of the magnificent seven -- Pete, Bev, Katrina, Elliot, and Ginny, his former on-off girlfriend -- and soon the old gang is back together. But they're a lot older and a lot has changed and, even if he and Ginny still seem attracted to each other, you can't have an on-off girlfriend when you're thirty. Can you?