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This book vividly evokes radical women's integral roles within France's revolutionary civil war known as the Paris Commune. It demonstrates the breadth, depth, and impact of communard feminist socialisms far beyond the 1871 insurrection. Examining the period from the early 1860s through that century's end, Carolyn J. Eichner investigates how radical women developed critiques of gender, class, and religious hierarchies in the immediate pre-Commune era, how these ideologies emerged as a plurality of feminist socialisms within the revolution, and how these varied politics subsequently affected fin-de-sià ̈cle gender and class relations. She focuses on three distinctly dissimilar revolutionary women leaders who exemplify multiple competing and complementary feminist socialisms: Andre Leo, Elisabeth Dmitrieff, and Paule Mink. Leo theorized and educated through journalism and fiction, Dmitrieff organized institutional power for working-class women, and Mink agitated crowds to create an egalitarian socialist world. Each woman forged her own path to gender equality and social justice.
In this vividly written and amply illustrated book, Gay L. Gullickson analyzes the representations of women who were part of the insurrection known as the Paris Commune. The uprising and its bloody suppression by the French army is still one of the most hotly debated episodes in modern history. Especially controversial was the role played by women, whose prominent place among the Communards shocked many commentators and spawned the legend of the pétroleuses, women who were accused of burning the city during the battle that ended the Commune. In the midst of the turmoil that shook Paris, the media distinguished women for their cruelty and rage. The Paris-Journal, for example, raved: "Madness seems to possess them; one sees them, their hair down like furies, throwing boiling oil, furniture, paving stones, on the soldiers." Gullickson explores the significance of the images created by journalists, memoirists, and political commentators, and elaborated by latter-day historians and political thinkers. The pétroleuse is the most notorious figure to emerge from the Commune, but the literature depicts the Communardes in other guises, too: the innocent victim, the scandalous orator, the Amazon warrior, and the ministering angel, among others. Gullickson argues that these caricatures played an important role in conveying and evoking moral condemnation of the Commune. More important, they reveal the gender conceptualizations that structured, limited, and assigned meaning to women as political actors for the balance of the nineteenth and well into the twentieth century.
For dinosaurs, it was a big rock. For humans: Coronal Mass Ejection (CME). When the Earth is hit by the greatest CME in recorded history (several times larger than the Carrington Event of 1859), the combined societies of the planet's most developed nations struggle to adapt to a life thrust back into the Dark Ages. In the United States, the military scrambles to speed the nation's recovery on multiple fronts including putting down riots, establishing relief camps, delivering medical aid, and bringing communication and travel back on line. Just as a real foothold is established in retaking the skies (utilizing existing commercial aircraft supplemented by military resources and ground control systems), a mysterious virus takes hold of the population, spreading globally over the very flight routes that the survivors fought so hard to rebuild. The communicability and mortality rates are devastating, leaving only small pockets of survivors scattered throughout the countryside. Commune: Book One is the story of one small group of survivors who must adapt to a primitive, hostile world or die. As they learn the rules of this new era, they must decide how far they're willing to go to continue living, continually asking themselves the same question daily: is survival worth the loss of humanity?
The first fully-fledged ethnography on health-related issues to come out of contemporary Vietnam, this study of women's lives in a rural commune in Vietnam's Red River delta examines the impact of Vietnam's ambitious family planning policy on the health and lives of rural women.
"For dinosaurs, it was a big rock. For humans: coronal mass ejection (CME). When Earth is hit by the greatest CME in recorded history, the combine societies of the planet's most developed nations struggle to adapt to a life thrust back to the dark ages. In the United States, the military scrambles to speed the nation's recovery on multiple fronts including putting down riots, establishing relief camps, delivering medical aid, and bringing communication and travel back on line. Just as a real foothold is established in retaking the skies, a mysterious virus takes hold of the population, spreading globally over the very flight routes that the survivors fought so hard to rebuild. The communicability and mortality rates are devastating, leaving only small pockets of survivors scattered throughout the countryside. Commune Book One is the story of one small group of survivors who must adapt to a primitive, hostile world or die. As they learn the rules of this new era, they must decide how far they're willing to go to continue living, continually asking themselves the same question daily: is survival worth the loss of humanity?"--Page 4 of cover.
Award-winning author Lorraine Duvall's recent book tells the story of a women's commune in northern New York. In 1974, seven women, with their eight children, left their jobs, friends, and families to live together communally on a 23-acre, rustic, abandoned resort in Athol, New York. They called their new home A Woman's Place, inspired by other feminists to take this independent action and leave behind the restraints of the patriarchal society of the 1960s and '70s. This was also the time when back-to-the-land intentional communities were started in rural areas of the United States and abroad. Most were co-ed. Only a few were women-only.Hundreds of women passed through the doors of A Woman's Place in its eight years of existence from 1974 to 1982. The popularity spoke to the need for women to congregate and take comfort in knowing that they were not alone in their struggles to thrive in a male-dominated world.Duvall tells a powerful story of communal living-the trials and tribulations, the joys and sorrows. Hearing about the personal lives of the women who were brave enough to begin anew at A Woman's Place will hopefully inspire women, and men, to take action in their own personal lives.
Her current novel The Commune is a comic satire and roman a clef that takes us inside the Hamptons commune populated by the newly liberated women present at the creation of the seminal 1970 Women's March for Equality. The Commune's pioneering feminists can talk the talk, but find themselves whipsawed between the bold new ideals of the women's movement and the powerful tug of the past - and therein lies drama.
In this “riveting, atmospheric thriller that messes with your mind in the best way” (Laini Taylor, New York Times bestselling author), three residents of a secluded, seemingly peaceful commune investigate the disappearances of two outsiders. Travis Wren has an unusual talent for locating missing people. Often hired by families as a last resort, he takes on the case of Maggie St. James—a well-known author of dark, macabre children’s books—and is soon led to a place many believed to be only a legend. Called Pastoral, this reclusive community was founded in the 1970s by like-minded people searching for a simpler way of life. By all accounts, the commune shouldn’t exist anymore and soon after Travis stumbles upon it…he disappears. Just like Maggie St. James. Years later, Theo, a lifelong member of Pastoral, discovers Travis’s abandoned truck beyond the border of the community. No one is allowed in or out, not when there’s a risk of bringing a disease—rot—into Pastoral. Unraveling the mystery of what happened reveals secrets that Theo, his wife, Calla, and her sister, Bee, keep from one another. Secrets that prove their perfect, isolated world isn’t as safe as they believed—and that darkness takes many forms. “As spine-chilling as it is beautifully crafted” (Ruth Emmie Lang, author of Beasts of Extraordinary Circumstance), A History of Wild Places is a story about fairy tales, our fear of the dark, and losing yourself within the wilderness of your mind.
1870.17-year-old apprentice bookbinder Étienne Bonin travels from revolutionary Lyon to even more revolutionary Paris seeking excitement and professional opportunity. By the spring of 1871 he is deeply committed to the insurrection for workers’ power, to a new lover — Rose Durand, 16-year-old coworker and budding feminist from Belleville—and to his new comrades. Together they experience festive celebrations, institutional innovations, military disasters and the final “week of blood.” Étienne and Rose’s coming of age in the midst of a revolution is also the story of the growth of a powerful working-class movement. The tradesmen and women involved in creating and defending the Paris Commune of 1871were not just bookbinders, but also bronze workers, tin smiths, shoemakers, typographers, printers, laundresses, clothing and textile workers, carpenters and many others. “Rabble” is the closest English equivalent to "canaille", the way the privileged classes described the rough and ready workers who had seized the city and were remaking it as a bastion of liberty, equality and fraternity. Those tradesmen and women managed to create the first self-governing, proto-communist society in the modern world, in what was the most advanced capitalist city of its age. They then had to defend it against massive bombardment and attacks, which would finally annihilate the Commune but not its ideals. These would be reborn in revolutions from 1917, and to our present day.
At dawn on March 18, 1871, Parisian women stepped between cannons and French soldiers, using their bodies to block the army from taking the artillery from their working-class neighborhood. When ordered to fire, the troops refused and instead turned and arrested their leaders. Thus began the Paris Commune, France’s revolutionary civil war that rocked the nineteenth century and shaped the twentieth. Considered a golden moment of hope and potential by the left, and a black hour of terrifying power inversions by the right, the Commune occupies a critical position in understanding modern history and politics. A 72-day conflict that ended with the ferocious slaughter of Parisians, the Commune represents for some the final insurgent burst of the French Revolution’s long wake, for others the first “successful” socialist uprising, and for yet others an archetype for egalitarian socio-economic, feminist, and political change. Militants have referenced and incorporated its ideas into insurrections across the globe, throughout the twentieth and into the twenty-first centuries, keeping alive the revolution’s now-iconic goals and images. Innumerable scholars in countless languages have examined aspects of the 1871 uprising, taking perspectives ranging from glorifying to damning this world-shaking event. The Commune stands as a critical and pivotal moment in nineteenth-century history, as the linchpin between revolutionary pasts and futures, and as the crucible allowing glimpses of alternate possibilities. Upending hierarchies of class, religion, and gender, the Commune emerged as a touchstone for the subsequent century-and-a-half of revolutionary and radical social movements.