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This book vividly evokes radical women's integral roles within France's revolutionary civil war known as the Paris Commune. It demonstrates the breadth, depth, and impact of communard feminist socialisms far beyond the 1871 insurrection. Examining the period from the early 1860s through that century's end, Carolyn J. Eichner investigates how radical women developed critiques of gender, class, and religious hierarchies in the immediate pre-Commune era, how these ideologies emerged as a plurality of feminist socialisms within the revolution, and how these varied politics subsequently affected fin-de-sià ̈cle gender and class relations. She focuses on three distinctly dissimilar revolutionary women leaders who exemplify multiple competing and complementary feminist socialisms: Andre Leo, Elisabeth Dmitrieff, and Paule Mink. Leo theorized and educated through journalism and fiction, Dmitrieff organized institutional power for working-class women, and Mink agitated crowds to create an egalitarian socialist world. Each woman forged her own path to gender equality and social justice.
In this vividly written and amply illustrated book, Gay L. Gullickson analyzes the representations of women who were part of the insurrection known as the Paris Commune. The uprising and its bloody suppression by the French army is still one of the most hotly debated episodes in modern history. Especially controversial was the role played by women, whose prominent place among the Communards shocked many commentators and spawned the legend of the pétroleuses, women who were accused of burning the city during the battle that ended the Commune. In the midst of the turmoil that shook Paris, the media distinguished women for their cruelty and rage. The Paris-Journal, for example, raved: "Madness seems to possess them; one sees them, their hair down like furies, throwing boiling oil, furniture, paving stones, on the soldiers." Gullickson explores the significance of the images created by journalists, memoirists, and political commentators, and elaborated by latter-day historians and political thinkers. The pétroleuse is the most notorious figure to emerge from the Commune, but the literature depicts the Communardes in other guises, too: the innocent victim, the scandalous orator, the Amazon warrior, and the ministering angel, among others. Gullickson argues that these caricatures played an important role in conveying and evoking moral condemnation of the Commune. More important, they reveal the gender conceptualizations that structured, limited, and assigned meaning to women as political actors for the balance of the nineteenth and well into the twentieth century.
Award-winning author Lorraine Duvall's recent book tells the story of a women's commune in northern New York. In 1974, seven women, with their eight children, left their jobs, friends, and families to live together communally on a 23-acre, rustic, abandoned resort in Athol, New York. They called their new home A Woman's Place, inspired by other feminists to take this independent action and leave behind the restraints of the patriarchal society of the 1960s and '70s. This was also the time when back-to-the-land intentional communities were started in rural areas of the United States and abroad. Most were co-ed. Only a few were women-only.Hundreds of women passed through the doors of A Woman's Place in its eight years of existence from 1974 to 1982. The popularity spoke to the need for women to congregate and take comfort in knowing that they were not alone in their struggles to thrive in a male-dominated world.Duvall tells a powerful story of communal living-the trials and tribulations, the joys and sorrows. Hearing about the personal lives of the women who were brave enough to begin anew at A Woman's Place will hopefully inspire women, and men, to take action in their own personal lives.
The first fully-fledged ethnography on health-related issues to come out of contemporary Vietnam, Women's Bodies, Women's Worries is a study of women's lives in a rural commune in Vietnam's Red River delta. Starting as an examination of the impact of Vietnam's ambitious family planning policy on the health and lives of rural women, the study explores historical and contemporary socio-cultural forces which influence the lives of Vietnamese women. What begins as an investigation of contraceptive side effects becomes an inquiry into the daily lives of rural women, an examination of the moral ideologies by which women's lives are circumscribed, and an exploration of the ways women themselves manage and negotiate the moral demands and social relations which constitute daily lives. In addition, the book provides a sympathetic account of the everyday lives and concerns of rural women while also including theoretical considerations of the social grounding of bodily experience, the cultural meanings of health and illness, and the everyday politics of emotional expression.
Her current novel The Commune is a comic satire and roman a clef that takes us inside the Hamptons commune populated by the newly liberated women present at the creation of the seminal 1970 Women's March for Equality. The Commune's pioneering feminists can talk the talk, but find themselves whipsawed between the bold new ideals of the women's movement and the powerful tug of the past - and therein lies drama.
"For dinosaurs, it was a big rock. For humans: coronal mass ejection (CME). When Earth is hit by the greatest CME in recorded history, the combine societies of the planet's most developed nations struggle to adapt to a life thrust back to the dark ages. In the United States, the military scrambles to speed the nation's recovery on multiple fronts including putting down riots, establishing relief camps, delivering medical aid, and bringing communication and travel back on line. Just as a real foothold is established in retaking the skies, a mysterious virus takes hold of the population, spreading globally over the very flight routes that the survivors fought so hard to rebuild. The communicability and mortality rates are devastating, leaving only small pockets of survivors scattered throughout the countryside. Commune Book One is the story of one small group of survivors who must adapt to a primitive, hostile world or die. As they learn the rules of this new era, they must decide how far they're willing to go to continue living, continually asking themselves the same question daily: is survival worth the loss of humanity?"--Page 4 of cover.
The "New York Times" bestseller called "quietly gripping" by "USA Today" demonstrates how impulses can fracture even the most stable family. Despite her loving family and beautiful home, Jo Becker is restless. Then an old roommate reappears, bringing back Jo's memories of her early 20s. Jo's obsession with that period in her life--and the crime that ended it--draws her back to a horrible secret.
"A Girl of the Commune" from George Alfred Henty. Prolific English novelist and special correspondent (1832-1902).
Set during the tumultuous period of the Paris Commune, A Girl of the Commune is an exciting adventure story that will keep you on the edge of your seat. The story follows the life of a young girl named Louise who becomes caught up in the chaos of the revolution. With danger and intrigue at every turn, this is a great book for anyone who loves historical fiction and adventure stories. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.